January 16, 2025<January 16, 2025 “Wildfire in your eyes”: Tom Conneely & Birds of Paradise Reminisce on Love Lost in Wistful “I Know It” by Mitch Mosk
January 16, 2025<January 16, 2025 The Anna Shoemaker Pop-Up Show: Iced Coffee in December by Guest Writer
January 16, 2025<January 16, 2025 Interview: Fake Dad Discuss Doomscrolling, Burnout, Posers, & Their Song “ON/OFF” by Chloe Robinson
January 16, 2025<January 16, 2025 “Show me all your smart blood”: Wednesday’s “Fate Is…” Tows the Line Between Snark & Vulnerability by Juls Patterson
January 16, 2025<January 20, 2025 Today’s Song: ROSÉ & Bruno Mars Make History With “APT.” by Danielle Holian
January 15, 2025<January 15, 2025 Roundtable Discussion: A Review of Suki Waterhouse’s ‘Memoir of a Sparklemuffin’ by Atwood Magazine Staff
January 15, 2025<January 15, 2025 “One heart, one soul, one life”: Gizmo Varillas’ Inner Light Shines on “Into the Night,” a Sun-Kissed Love Song to Life Itself by Mitch Mosk
January 15, 2025<January 14, 2025 Today’s Song: Sky Ferreira Is Back, Bolder, and Better than Ever on “Leash” by Isabella Le
January 14, 2025<January 14, 2025 Interview: Gigi Perez Isn’t Afraid of Grief; She Welcomes It by Mariam Bagdady
January 14, 2025<January 14, 2025 Interview with Kazy Lambist: An Electro Master from Montpellier Spikes His Recipe With Mediterranean Seasoning by Josh Weiner
January 14, 2025<January 14, 2025 Music You Should Know: Chiara Savasta Projects Energized Self-Assurance With ‘brand new girl, brand new machine’ EP by Frankie Rose
January 14, 2025<January 14, 2025 Hana Giraldo Sizzles on Her Catwalk Commanding Anthem “Play My Sh*t (Alexa)” by Grace Holtzclaw
January 8, 2025<January 8, 2025 Ring Out the Old, Ring in the New: The Beatles at the Twilight of ‘74 by Aidan Moyer
January 8, 2025<January 8, 2025 Atwood Magazine’s Top Artist Discoveries of 2024 by Atwood Magazine Staff
January 7, 2025<January 7, 2025 Review: ‘SOS Deluxe: LANA,’ SZA’s Continued Ruminations on Love, Insecurity, & Heartbreak by Marc Maleri