February 9, 2024<February 9, 2024 Atwood Magazine’s Weekly Roundup: February 9, 2024 by Atwood Magazine Staff
February 9, 2024<February 9, 2024 “Excess with no restraint”: Sabrina Song Embraces Vulnerability in “Okay, Okay,” an Impassioned Vow of Love by Mitch Mosk
February 9, 2024<February 9, 2024 Madi Diaz Looks Both Within & to Others in the Effort to Find ‘Weird Faith’ by Kevin Krein
February 9, 2024<February 9, 2024 “I’m living for me now”: Katelyn Tarver on New Album ‘Quitter,’ Unlearning, & Asking the Big Questions by Kelly McCafferty Dorogy
February 8, 2024<February 8, 2024 Today’s Song: Middle Kids Explode Through the Negativity with “Terrible News” by Frankie Rose
February 8, 2024<February 8, 2024 “Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go by Mitch Mosk
February 8, 2024<February 8, 2024 Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort by Noah Wade
February 8, 2024<February 8, 2024 Premiere: Deafening and Silent, lotusbliss Blast Off With a Fiery Passion on “Tear Me Apart” by Mitch Mosk
February 8, 2024<February 8, 2024 Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’ by Mitch Mosk
February 8, 2024<February 8, 2024 Premiere: Madeline Rhodes’ Debut Single “Bailing on Your Birthday” Invites Listeners to Cancel Their Party Plans & Focus on Mental Health Instead by Olivia Martinez
February 7, 2024<February 7, 2024 “Oh my God, take me back the way that I was”: Suki Waterhouse’s Riveting, Cinematic Anthem “OMG” Yearns for What Once Was by Lauren Turner
February 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
February 7, 2024<February 7, 2024 Sooner or Later it Comes Down to Fate: Billy Joel’s “Turn the Lights Back On” Marks a Triumphant Return by Aidan Moyer
February 7, 2024<February 7, 2024 “Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity by Mitch Mosk
February 7, 2024<February 7, 2024 “What’s Beginning Is a Creative Era With My Light Back”: Jade Bird on New Mura Masa Collab “Burn the Hard Drive” & a Restored Sense of Self by Kendall Graham
For the Love of Music
For the Love of Music
