October 5, 2023<October 5, 2023 Premiere: Queen’s Brian May Joins Flarelight on “Glimmer,” a Hopeful & Hard-Hitting Alt-Rock Fever Dream by Mitch Mosk
October 5, 2023<October 5, 2023 “This is what my heart sounds like”: Birthh Bares Her Soul on Third Album ‘Moonlanded’ by Mitch Mosk
October 4, 2023<October 4, 2023 “Cool” Girls and the Male Gaze: Sarah Johnsone’s “Sofia” Is a Seductive Critique by Mitch Mosk
October 4, 2023<October 4, 2023 Album Premiere: Hello June’s ‘Artifacts’ Is a Spirited, Churning, & Charged Sophomore Triumph by Mitch Mosk
October 4, 2023<October 4, 2023 Review: Kid Bloom’s ‘Shaky Knees’ Is the Soundtrack to a Never-Ending Summer by Eric Schuster
9.4 October 4, 2023<October 4, 2023 Our Take: The National Go Back to the Well with the Soul-Stirring ‘Laugh Track,’ Their Second LP of 2023 by Beau Hayhoe
7.7 October 4, 2023<October 3, 2023 Our Take: A New-Look Doja Cat Smothers All Her Demons on ‘Scarlet’ by Josh Weiner
October 3, 2023<October 3, 2023 Podcast: Tunes & Tumblers’ September Roundtable ft. AI Boyfriends, NFL Fails, & Olivia Rodrigo’s ‘GUTS’ (feat. Madeline Maye) by Atwood Magazine Staff
October 3, 2023<October 11, 2023 ‘BOOTCUT,’ Uncut: Bahamas’ Afie Jurvanen Talks Country Music, Hip-Hop, Ralph Lauren, & Human Connection by Mitch Mosk
October 3, 2023<October 3, 2023 Lost in a Rush of Emptiness: Inside Bleach Lab’s Breathtaking, Soul-Stirring, & Shiver-Inducing Debut Album by Mitch Mosk
October 3, 2023<October 3, 2023 Artist to Watch: Willow Avalon’s Debut Single “Drivin” Is a Timeless Classic of Bruised Hearts and Highways by Mitch Mosk
October 3, 2023<October 3, 2023 “I’m playing Jimi Hendrix’s guitar, I can’t screw this up!”: Nashville’s Bluphoria Are Written in the Stars by Minna Abdel-Gawad
October 2, 2023<October 2, 2023 “Fun, Sexy, & Loud”: The Sweet Seduction of HONEYMOAN’s Debut Album, ‘Sorry Like You Mean It’ by Mitch Mosk
October 2, 2023<October 2, 2023 Feature: Primo the Alien Traverses a New Sonic Landscape in ‘We All Hate Ourselves Sometimes’ by Marissa DeLeon
7.9 October 2, 2023<October 2, 2023 Our Take: Animal Collective’s ‘Isn’t It Now?’ Is Sonically Divine While Remaining Thematically Human by Sofia Sar
For the Love of Music
For the Love of Music
