October 11, 2023<October 11, 2023 Today’s Song: The Raw Connection & Soul-Stirring Vulnerability of sister.’s “Abundance” by Mitch Mosk
October 11, 2023<October 11, 2023 Interview: Pierre Kwenders Is a Congolese-Canadian Artist Shining as Brightly as the Full Moon by Josh Weiner
8.4 October 11, 2023<October 11, 2023 Our Take: Omar Apollo Shares the Voices of Vulnerability in ‘Live for Me’ by Sofia Sar
October 11, 2023<October 11, 2023 Live Review: The Hails Storm the Stage of Boston’s The Middle East for an Electric Night of Indie Rock by Minna Abdel-Gawad
October 10, 2023<October 10, 2023 Video Premiere: Alexz Johnson Takes the Blame in a Stunningly Cinematic, Emotional Reckoning by Mitch Mosk
October 6, 2023<October 9, 2023 Atwood Magazine’s Weekly Roundup: October 6, 2023 by Atwood Magazine Staff
October 6, 2023<October 6, 2023 “Unrestrained Femme Catharsis”: BROODS’ Georgia Nott Is Reborn & Unleashed As Georgia Gets By by Mitch Mosk
October 6, 2023<October 6, 2023 Interview: Mike Dunton Transports Listeners to a Whole Other Time & Place With “Hotel Lobby” by Chloe Robinson
October 6, 2023<October 10, 2023 A Musical Rebirth: Colbie Caillat Talks New Album ‘Along the Way,’ Nashville, and Being a Woman in the Music Industry Today by Emily Frances Algar
October 5, 2023<October 5, 2023 Premiere: Amethysts Dwell in the Deep End on “Bloodline,” a Moody, Brooding, & Beautiful Dreampop Reverie by Mitch Mosk
October 5, 2023<October 5, 2023 “Big Sky Energy”: NYC’s Raia Was Is ‘Captain Obvious’ on Her Seductive & Soul-Stirring Sophomore Album by Mitch Mosk
October 5, 2023<October 5, 2023 Premiere: Queen’s Brian May Joins Flarelight on “Glimmer,” a Hopeful & Hard-Hitting Alt-Rock Fever Dream by Mitch Mosk
October 5, 2023<October 5, 2023 “This is what my heart sounds like”: Birthh Bares Her Soul on Third Album ‘Moonlanded’ by Mitch Mosk
October 4, 2023<October 4, 2023 “Cool” Girls and the Male Gaze: Sarah Johnsone’s “Sofia” Is a Seductive Critique by Mitch Mosk
October 4, 2023<October 4, 2023 Album Premiere: Hello June’s ‘Artifacts’ Is a Spirited, Churning, & Charged Sophomore Triumph by Mitch Mosk
For the Love of Music
For the Love of Music
