August 25, 2023<September 1, 2023 Interview: Quinn XCII Speaks Candidly on Life, the People, & the Experiences That Have Shaped His Artistry Over The Years by Nick Polak
August 25, 2023<August 25, 2023 Today’s Song: The Wide-Eyed Wonder of Emma Gatrill’s “Adonis Blue” by Mitch Mosk
August 25, 2023<August 25, 2023 Atwood Magazine’s Weekly Roundup: August 25, 2023 by Atwood Magazine Staff
August 25, 2023<August 25, 2023 Interview: Lindsay Lou, an Artist Who Pours Her Heart into Her Music by Christopher Snyder
August 25, 2023<August 25, 2023 Interview: Flyte Announce Third Album & Discuss “Tough Love,” Marking Musical Expansion and New Takes on Songwriting by Rachel Leong
August 24, 2023<August 24, 2023 Intimate, Candid, & Provocative: Benét Talks Vulnerability & Making of Debut Album ‘Can I go again?’ by Mitch Mosk
August 24, 2023<August 24, 2023 “Turning reality on its head”: Laura Zarougian’s “Back to Me” Premieres With Achingly Raw Folk Charm by Mitch Mosk
August 24, 2023<August 24, 2023 Interview: Peter Wise Embraces New Beginnings in “Only Gotta Start” by Joe Beer
August 24, 2023<August 24, 2023 The Diary of an Explosion: Bruno Major Dives into His “Most Vulnerable Album,” ‘Columbo’ by Minna Abdel-Gawad
August 24, 2023<August 24, 2023 Today’s Song: Jai Wolf & BANKS’ “Don’t Look Down” Seeks to Give Comfort About the Fears of Overthinking by Jada Moore
August 23, 2023<August 23, 2023 Premiere: Chicago’s Course Deliver a Synth-Soaked Inner Reckoning in “Too Busy for Feelings” by Mitch Mosk
August 23, 2023<August 23, 2023 “I held the world then put it back”: Hayley Reardon Bares Her Soul on the Achingly Vulnerable “Enough Is Everything” by Mitch Mosk
August 23, 2023<February 1, 2024 Premiere: Mega Ran’s “Gimme the Fruit” (ft. Whitney Peyton) Is Sweet, Fun, & Certified Fresh by Mitch Mosk
August 23, 2023<August 23, 2023 Premiere: supergloom’s Fever Dream “Glass Ajar” Is a Cathartic Release of Energy & Emotion by Mitch Mosk
August 23, 2023<August 23, 2023 Today’s Song: NCT’s Jaehyun Beams with Summer Delight & Joie de Vivre on “Horizon” by Isabella Le