March 28, 2023<April 30, 2023 Premiere: DAMOYEE Faces Fear & Love in “Phobia,” Her Beautifully Vulnerable, Achingly Raw Ethereal Folk Song by Mitch Mosk
March 28, 2023<April 30, 2023 Premiere: Au Gres Explores the Struggle Between Personal & Material Identity in “Leaving” by Isabella Le
March 22, 2023<April 30, 2023 Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’ by Mitch Mosk
March 22, 2023<April 30, 2023 Premiere: “baby, get your ticket” Is Tarune’s Tender, Soul-Stirring Mantra of Love & Longing by Mitch Mosk
March 22, 2023<April 30, 2023 Premiere: Woz’s “How I’m Gonna Go” Is a Hauntingly Intimate, Achingly Raw Reckoning in the Dark by Mitch Mosk
March 20, 2023<April 30, 2023 Premiere: Meadowlark’s “What’s It Like to Love Me” Is an Intimate, Vulnerable Song for the Anxiously Attached by Mitch Mosk
March 15, 2023<April 30, 2023 Premiere: Bedroom Finds a Beautiful Home in “Better Friends,” His Brutally Honest & Achingly Raw New Single by Mitch Mosk
March 15, 2023<April 30, 2023 Premiere: A Different Kitchen Serve Up Alternative Catharsis on Seismic Debut Single “I’m Fine I’m Fine” by Mitch Mosk
March 15, 2023<April 30, 2023 Premiere: Two Trains Left Ruminate on the Pursuit of Peace and Quietude in “Lack of Sleep” by Isabella Le
March 14, 2023<April 30, 2023 Premiere: The Fragile, Breathtaking Raw Beauty of Scott Matthews’ “My Selfless Moon” (Acoustic) by Mitch Mosk
March 13, 2023<April 30, 2023 Premiere: South London’s Pax Cultura Debut with “Heavy Machinery,” a Cinematic & Emotionally Charged Indie Rock Eruption by Mitch Mosk
March 9, 2023<April 30, 2023 Premiere: Sohodolls Re-Write Their Viral “Bang Bang Bang Bang” In a Stand Against Gun Violence by Mitch Mosk
March 9, 2023<April 30, 2023 Premiere: [mila] Defeat Toxic Obstacles with Energized Debut Single “Thuong Qua Is Vietnamese For I Love You” by Francesca Rose
March 1, 2023<April 30, 2023 Artist to Watch: London’s KIANJA Spills Her Heart & Soul in “Ever Since You Went Away,” an Instant Classic by Mitch Mosk
February 28, 2023<February 28, 2023 “The Bloodline”: An Essay on How Through Trauma, We Somehow Find Joy by Shayna Steele by Guest Writer
For the Love of Music
For the Love of Music
![[mila] © Hunter Lenoir](https://cdn-0.atwoodmagazine.com/wp-content/uploads/2023/03/mila-©-Hunter-Lenoir-1a-370x247.jpeg)
