December 10, 2020<December 10, 2020 Album Premiere: Duff Thompson’s ‘Haywire’ Is an Enchanting American Folk Debut by Mitch Mosk
December 10, 2020<December 10, 2020 EP Premiere: The Rayes’ ‘Two Legs’ Is a Kiss of Sonic Sunshine by Mitch Mosk
December 9, 2020<February 5, 2021 Feature: Alaska Reid’s ‘Big Bunny’ EP Is a Stunningly Visceral & Beautifully Breathtaking Reckoning by Mitch Mosk
December 8, 2020<December 8, 2020 Artist to Watch: Jake Isaac’s Stunningly Raw Love Song, “Eyes for You” by Mitch Mosk
December 3, 2020<December 4, 2020 Premiere: Tamar Berk’s Debut Single “Shadow Clues” Is a Dark & Haunting Daydream by Mitch Mosk
December 3, 2020<December 3, 2020 Artist to Watch: Oddnesse Dance with the Mystery of Death in Dreamy Song “Hot Air” by Mitch Mosk
December 2, 2020<December 2, 2020 Premiere: Fretland’s Heartfelt “Do You Think of Me” Is a Song of Utter Intimacy & Longing by Mitch Mosk
December 2, 2020<December 2, 2020 Premiere: Gracie Nash’s Soulful “Sippy Cup” Takes on Modern Romance & the Ones Who Got Away by Mitch Mosk
December 1, 2020<December 1, 2020 Interview: OSKA & Stu Larsen’s Intimate Duet “Honeymoon Phase / Wide Awake & Dreaming” by Mitch Mosk
November 24, 2020<November 24, 2020 Premiere: Tensnake’s “Strange Without You (ft. Daramola)” Music Video Is a Poignant Pt. II in an L.A. Love Story by Ben Beamish
November 23, 2020<November 23, 2020 Premiere: Burs Mull Over the Difference Between Hearing & Being Heard on “Is This Thing On” by Nick Matthopoulos
November 20, 2020<November 20, 2020 Premiere: Artemis Orion’s Dark, Dreamy & Escapist Debut EP ‘Honey’ by Emily Frances Algar
November 19, 2020<November 19, 2020 Artist to Watch: Sweden’s lodet Rises & Shines in Effervescent New Single, “Chasing Circles” by Mitch Mosk
November 19, 2020<November 19, 2020 Premiere: Total Brutal Gives Us the Hope We Need with Third Single “Egypt” by Dimitra Gurduiala
November 19, 2020<November 19, 2020 Artist to Watch: Psymon Spine Release a Fresh Psychedelic Immersion in “Confusion” off 2nd LP ‘Charismatic Megafauna’ by Mitch Mosk