November 19, 2020<May 3, 2023 Premiere: Firewoodisland’s “Soon” Offers Relief for Anyone Missing Someone by Madison Vettorino
November 18, 2020<November 18, 2020 Premiere: Silky Roads “Pomegranate” Channels the Lush Darkness of Tarantino Films by Ethan James
November 18, 2020<November 18, 2020 Premiere: Falling for Aussie Duo MINIQ’s Seductive, Smoldering “Space Cowboy” by Mitch Mosk
November 17, 2020<November 17, 2020 Premiere: Processing Painful Emotions with Elizabeth Moen’s Delicate Folk Song, “It’ll Get Tired Too” by Mitch Mosk
November 17, 2020<November 17, 2020 Premiere: Mink’s Miracle Medicine’s “Beautiful Losers” Is an Entrancing Americana Ode by Mitch Mosk
November 16, 2020<November 17, 2020 Premiere: Shacks & Palaces’ “God Made You Strange” Is an Anthem of Acceptance, Self-Love, & Ownership by Mitch Mosk
November 16, 2020<November 16, 2020 Premiere: Driving Down Memory Lane with Alex Little & The Suspicious Minds’ “Across the City” by Mitch Mosk
November 16, 2020<November 17, 2020 Album Premiere: New Zealand Avant-Folk Trio Ida Lune Weave Wonders on Self-Titled Debut by Mitch Mosk
November 13, 2020<November 13, 2020 Video Premiere: The Dawdler’s “Sign of Growth” Is an Enrapturing Ode to a Lost Soul by Adrian Vargas
November 12, 2020<November 12, 2020 Premiere: Dublin’s Magazines Release an Existential Dream Pop Reckoning in “Pink and Blue” by Mitch Mosk
November 12, 2020<November 12, 2020 Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’ by Jordan Catagnus
November 12, 2020<November 12, 2020 Interview: Diving Into Wild Youth’s Sure Success Song “Through the Phone” by Bethan Harper
November 11, 2020<November 11, 2020 Album Premiere: Aussie Duo Cry Club Redefine “Bubblegum Punk” in Standout Debut ‘God I’m Such a Mess’ by Mitch Mosk
November 10, 2020<November 10, 2020 Feature: Ember Knight Reveals the Man Behind the Curtain with Their Intimate Rock Opera ‘CHERYL’ by Sophie Prettyman-Beauchamp
November 10, 2020<November 10, 2020 Romantic Reckoning & Inner Upheaval: Frames’ Intimate Journey Through “Hell” by Mitch Mosk
For the Love of Music
For the Love of Music
