August 26, 2020<August 26, 2020 Album Premiere: The Blam Blams Embrace Theatricality, Excessive Rock, & Storytelling with Debut Record ‘Opening Night’ by Francesca Rose
August 26, 2020<August 25, 2020 EP Premiere: The Brothers Landau Inject Serenity & Light into ‘Haven’t Got a Name’ by Mitch Mosk
August 26, 2020<August 26, 2020 Premiere: Michael Baker’s Haunting & Hopeful “Caught in the Crossfire” by Mitch Mosk
August 25, 2020<August 25, 2020 Premiere: Bad Western Bring Gratitude to Life on Latest Single “Morning Light” by Erica Danielle Garcia
August 25, 2020<August 24, 2020 Premiere: London’s Azadeh Debuts with Intimate Song of Healing, “The Cure” by Mitch Mosk
August 24, 2020<August 24, 2020 Interview: Irvine’s Kaio Mars Soars with Vulnerable, Kaleidoscopic Debut “All I Need” by Mitch Mosk
August 21, 2020<August 21, 2020 Premiere: Emi Meyer Lets Go to the Groove with “When I Lose Control” ft. Keb’ Mo’ by Mitch Mosk
August 21, 2020<August 21, 2020 Premiere: Anna Krantz’s “We Could Be High” Is a Beacon of Light by Mitch Mosk
August 20, 2020<August 20, 2020 Premiere: A Forlorn, Nursery Rhyme of Self-Loathing with Prince Johnny’s “Sex Party” by Jesse Herb
August 19, 2020<August 19, 2020 Premiere: Melbourne’s will hyde Soars in Euphoric Post-Breakup Anthem “over u.” by Mitch Mosk
August 18, 2020<August 18, 2020 Premiere: Julietta Turns Resilience into Inspiration on Latest Single “Gotta Get Up” by Erica Danielle Garcia
August 18, 2020<March 15, 2024 Premiere: Chinwe’s “Intoxicated” Is a Seductive, Hypnotic & Dreamy Indulgence by Mitch Mosk
August 18, 2020<August 18, 2020 Premiere: A Hopeful Pulse in The Hails’ Aching New Single “Heartbeat” by Mitch Mosk
August 18, 2020<August 18, 2020 Premiere: Madelline Stands Up for Herself in “On a Different Wave!”, a Wake Up Call to Those Who Dragged Her Down by Alicia Bugallo
August 13, 2020<August 13, 2020 Premiere: Worthitpurchase Deal with the Pain of Being Nostalgic on Debut “Dizzy Age” by Nick Matthopoulos