June 4, 2018<June 4, 2018 Our Take: Flowertruck’s Debut ‘Mostly Sunny’ Provides a Charming Summer Anthem by Adrian Vargas
June 1, 2018<June 12, 2018 Our Take: The Sea The Sea Rise ‘From the Light’ in Dazzling Sophomore Album by Mitch Mosk
May 4, 2018<May 4, 2018 Our Take: Sultry Tales of Love on Julian Allen’s Debut ‘Could U Be’ by Adrian Vargas
6.7 April 25, 2018<December 15, 2020 Our Take: Sevdaliza Beckons Us Toward Inner Peace with ‘The Calling’ by Ilana Kalish
April 20, 2018<April 20, 2018 Our Take: Lord Huron’s Mystic ‘Vide Noir’ Dwells in Darkness & Cosmic Dreams by Mitch Mosk
April 18, 2018<May 17, 2018 Our Take: Embarking on Forbidden Late-Night Escapades with Onra’s ‘Nobody Has to Know’ by Adrian Vargas
9 April 13, 2018<April 12, 2021 Our Take: The Mystic Beauty of Malena Zavala’s Debut ‘Aliso’ by Mitch Mosk
April 12, 2018<April 26, 2018 Our Take: Fire & Hunger Fuel ISLAND’s Majestic Debut Album, ‘Feels Like Air’ by Mitch Mosk
April 5, 2018<April 5, 2018 Desire Tangled with Uncertainty: A Track-by-Track Review of Andy Shauf’s “The Party” by Adrian Vargas
March 30, 2018<March 30, 2018 Our Take: The Weeknd’s ‘My Dear Melancholy,’ Marks the Beauty in the Breakup by Kelly Wynne
March 29, 2018<March 29, 2018 Our Take: Sophistication Meets Carefree Temperaments on Ravyn Lenae’s Crush EP by Brandon Payano
March 23, 2018<March 23, 2018 Our Take: Sunflower Bean Blossom on ‘Twentytwo in Blue’ by Alexandra Graber
10 March 23, 2018<July 2, 2021 Our Take: The Euphoric Embrace of NoMBe’s Epic Debut ‘They Might’ve Even Loved Me’ by Mitch Mosk
February 28, 2018<February 28, 2018 Our Take: Minimalist Production & Sexual Intimacy in Rhye’s ‘Blood’ by Baylee Less
February 26, 2018<February 26, 2018 Our Take: Wyvern Lingo Rise with Heat, Richness and Depth on Self-Titled Debut by Mitch Mosk
For the Love of Music
For the Love of Music
