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Nick Baron

Nick Baron

Music Critic. Professional Ramen Slurper. Mosh Pit Enthusiast.

Sincere Engineer © Hovland 7.3
Music, Our Take, ReviewsOctober 6, 2021<October 4, 2021

Our Take: ‘Bless My Psyche’ Is Sincere Engineer’s Second Grand Introduction

Jeff Rosenstock © Christine Mackie
Features, Interviews, MusicJanuary 6, 2021<January 10, 2021

Interview: I Think I Might Be A Bigger Ball of Anxiety Than Jeff Rosenstock

Stolen Gin
Debut, Music, PremieresOctober 31, 2019<November 4, 2019

Premiere: Stolen Gin’s Groovy EP ‘Something Sweet’ Is a Lean, Clean Funk Machine

Alexander 23 © Julian Burgueño
Interviews, MusicOctober 10, 2019<October 10, 2019

Interview: Alexander 23 Contends with Long Goodbyes in Pop Ballad “See You Later”

Tall Children
Music, Music Videos, PremieresSeptember 27, 2019<October 9, 2019

Premiere: We Are All “Prey” to the Fury & Fire of One-Man Band Tall Children

Music, PremieresSeptember 16, 2019<April 20, 2022

Premiere: “He Knows” Proves That Heartache Has Only Empowered Deanna Petcoff

Fort Frances © Ehud Lazin
Music, PremieresSeptember 4, 2019<September 4, 2019

Premiere: Fort Frances Revisit Adolescence with Anthemic Single “Fantasy of Youth”

Low Tide © Jeanette Sears
Music, PremieresAugust 26, 2019<September 2, 2019

Premiere: Fall in Love with the Gothic Romanticism of Low Tide’s “Whisper”

Sofia Verbilla © Ashley Gellman
Music, PremieresAugust 21, 2019<September 2, 2019

Harmony Woods Is Confident About Her Own Self-Destruction on “Best Laid Plans”

Foxygen © Nicky Giraffe
Features, Interviews, MusicJune 13, 2019<June 14, 2019

Interview: Foxygen Don’t Give a Fuck Anymore, and That’s Quite Alright

Nora Rothman © Emily Knecht
Music, PremieresMay 30, 2019<May 31, 2019

Premiere: Nora Rothman Shines in the Rain with Dreamy Folk-Pop Single “fifteen / feet”

DRÄGER © Georgia Mitroupolos
Debut, Music, PremieresApril 10, 2019<April 11, 2019

Premiere: Feed Your Ego With DRÄGER’s Hypnotic Debut “Psycho Narcissistic Paranoia”

Nick Adamo © Kelly Ngo
Debut, Music, PremieresMarch 20, 2019<March 20, 2019

Premiere: Travel on Up to ‘Let Down City’ with Nick Adamo’s Debut “Sugar Daddy”

Big Thief © Sasha Arutyunova
Columns, Music, Today's SongMarch 18, 2019<June 3, 2019

Today’s Song: Big Thief Whisper a Yearning in Your Ear with “UFOF”

FIDLAR © David Black
Features, Interviews, MusicJanuary 30, 2019<June 3, 2019

Interview: FIDLAR’s Zac Carper Ventures into Uncharted Territory on ‘Almost Free’

Posts pagination
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Recent Posts

  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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