9.4 May 22, 2024<May 22, 2024 Our Take: Country Music’s Next Big Artist, Laci Kaye Booth, Wows on Debut Album ‘The Loneliest Girl in the World’ by Emily Frances Algar
9.2 May 9, 2024<May 9, 2024 Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’ by Josh Weiner
8.7 April 24, 2024<April 24, 2024 “We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ by Christine Buckley
8.1 April 19, 2024<April 19, 2024 Charli XCX Embodies (House) Party Girl Vibes With “Club Classics” by Julia Dzurillay
6.4 April 10, 2024<April 10, 2024 Our Take: “Deeper Well” Is a Too-Tranquil Comedown From Kacey Musgraves’ Cosmic Country by Sam Franzini
8.3 April 3, 2024<April 3, 2024 Our Take: Little Simz Proves She Never Drops Anything “Little” With Thrilling ‘Drop 7’ EP by Connor Muldowney
8.9 April 2, 2024<April 2, 2024 Our Take: Bleachers’ Self-Titled Fourth Album Is a Sentimental, Peaceful Celebration from New Jersey’s Finest & Friends by Jason Brillon
8.5 March 18, 2024<March 18, 2024 Our Take: Ariana Grande Stays Bright and Brilliant on ‘Eternal Sunshine,’ Her Intimate & Vulnerable 7th Album by Josh Weiner
9.5 February 15, 2024<February 15, 2024 Our Take: Future Islands Get Vivid & Deep on (Perhaps) a Career-Best Album, ‘People Who Aren’t There Anymore’ by Beau Hayhoe
7.7 February 6, 2024<February 6, 2024 Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’ by Josh Weiner
8.6 December 19, 2023<December 19, 2023 Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’ by Josh Weiner
8.2 November 27, 2023<November 27, 2023 Our Take: A New André 3000 Era Dawns Splendidly on ‘New Blue Sun’ by Josh Weiner
8.3 November 16, 2023<November 16, 2023 Our Take: Blink-182 Return ‘One More Time…’ and Are Still As Welcome As Ever by Josh Weiner
8.9 November 9, 2023<November 9, 2023 Our Take: Spiritbox Keep It Heavy and Ferocious on ‘The Fear of Fear’ EP by Kendall Graham