7.7 December 16, 2020<December 16, 2020 Our Take: Megan Thee Stallion Swiftly Claims Dominance in the Rap World on Debut LP, “Good News.” by Josh Weiner
December 15, 2020<December 15, 2020 Isolation & Rejection: Noah Kahan’s “Pride” (ft. mxmtoon) Is the FOMO Song of the Year by Mitch Mosk
December 14, 2020<December 14, 2020 This Just In: French for Rabbits’ “The Dark Arts” Offers Stirring Reflections on Memory & Meaning by Mitch Mosk
December 14, 2020<December 14, 2020 Track-by-Track: Singer/Songwriter Garrett Owen on His Stirring Sophomore Album ‘Quiet Lives’ by Mitch Mosk
9.1 December 14, 2020<December 15, 2020 Tenderness in Chaotic Times: Taiwan’s Sunset Rollercoaster on Buoyant 3rd Album ‘SOFT STORM’ by Mitch Mosk
December 14, 2020<December 14, 2020 “Mature, Honest, & Self-Reflexive”: Twist Helix’s ‘Machinery’ Is a Bold, Sweeping Alt-Pop Culture Critique by Mitch Mosk
December 11, 2020<December 11, 2020 “Darkness, Power, Light”: Ontario’s Falcon Jane Goes Track-by-Track Through Her ‘Faith’ by Mitch Mosk
December 10, 2020<December 10, 2020 Album Premiere: Duff Thompson’s ‘Haywire’ Is an Enchanting American Folk Debut by Mitch Mosk
December 9, 2020<December 9, 2020 Track-by-Track: Racoon Racoon Strike Gold in Achingly Beautiful ‘A Birds Story’ EP by Mitch Mosk
December 8, 2020<December 8, 2020 Track-by-Track: Ryann Soars on Spirited Debut EP ‘Emotions on Rollerskates’ by Mitch Mosk
December 8, 2020<December 8, 2020 Review: The Raw and The Real Make Marilyn Hucek’s Song “Vulnerable” by Kelly McCafferty Dorogy
December 8, 2020<December 8, 2020 Review: Bartees Strange’s Unexplainable Art Will ‘Live Forever’ by James Crowley
December 7, 2020<December 7, 2020 Track-by-Track: Sydney Indie Pop Duo Dekleyn Dive into Their Dazzling Self-Titled Debut Album by Mitch Mosk
December 7, 2020<December 7, 2020 Review: Routine’s Shimmering & Tender EP ‘And Other Things’ by Kelly Liu
December 7, 2020<December 7, 2020 This Just In: Bleachers Create a Nostalgia-Laced Reverie with “chinatown” & “45” by Dalia