October 20, 2026<October 20, 2026 Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” by Joe Beer
October 19, 2026<October 20, 2026 “Let’s Crawl into the Arms of Love”: Oh Wonder Face the Darkness Together on “Mad World,” a Heartfelt Anthem of Hope by Mitch Mosk
October 16, 2026<October 16, 2026 Roundtable Discussion: A Review of Madonna’s ‘CONFESSIONS II’ by Atwood Magazine Staff
October 15, 2026<October 15, 2026 Live Review: Laundry Day’s Shows Are Larger Than Life by Annaliese Baker
October 15, 2026<October 15, 2026 Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS by Julia Dzurillay
9 October 14, 2026<October 14, 2026 Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’ by Heleen Weber
October 12, 2026<October 12, 2026 “How Do We Make It Better?”: Eliza Hull Reckons with the Distance Inside Love on “Better,” a Soul-Stirring Slow-Burn of Doubt and Devotion by Mitch Mosk
October 9, 2026<October 8, 2026 “Art Is Purposeless If It Is Not Genuine”: Moon Walker Wants You to Feel the Dread of ‘WASTELAND COUNTRY’ by Jason Bauer
October 8, 2026<October 8, 2026 Festival Review: At Portola, the Music Leaves Little Room for Silence by Ankita Bhanot
October 8, 2026<October 8, 2026 Roundtable Discussion: A Review of Bleachers’ ‘everyone for ten minutes’ by Atwood Magazine Staff
October 6, 2026<October 6, 2026 A Planet Where Billionaires Reign: Leaving Graffiti’s Debut Single “Proud” Takes Aim At a Broken System by Chloe Robinson
October 6, 2026<October 6, 2026 Taylor Swift Adds One More Act to the Show in ‘The Life of a Showgirl: The Encore’ by Danielle Holian
October 6, 2026<October 6, 2026 Album Review: Tinashe Knows What It Costs to Make Stardom Look Too Easy on ‘Popstar’ by Guest Writer
October 1, 2026<October 1, 2026 Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” by Dusty Hayes
September 30, 2026<September 30, 2026 Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ by Aileen Goos
For the Love of Music
For the Love of Music
