July 31, 2026<July 31, 2026 Mad Cool Festival 2026: Ten Years of Music and World Community by Michael Greco
July 31, 2026<July 31, 2026 Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ by Atwood Magazine Staff
July 31, 2026<July 31, 2026 “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” by Mitch Mosk
July 30, 2026<July 30, 2026 “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” by Mitch Mosk
July 29, 2026<July 29, 2026 “Some Things Have to Break”: Nigel Godrich and Dhani Harrison Take Flight as Dragonflies with Spellbinding Debut Single “Slower” by Aidan Moyer
July 27, 2026<July 27, 2026 “What a Beautiful Way to Finally Feel Something”: Lizzy McAlpine Finds Sacred Wonder in New Love on “The Light in the Painting,” a Luminous First Look at ‘Angel’ by Kelly McCafferty Dorogy
July 26, 2026<July 26, 2026 “I Make Pay Attention Music”: Yalee Looks Back on a Life Measured in “Paper Cups Paper Plates” by Chloe Robinson
July 23, 2026<July 23, 2026 “The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack” by Mitch Mosk
9 July 22, 2026<July 22, 2026 Our Take: Gracie Abrams Alchemizes Her Pain into a Cathartic Symphony on ‘Daughter from Hell’ by Emily Weatherhead
July 21, 2026<July 21, 2026 “A Safe, Magical Space for People to Live Inside Of”: mary in the junkyard Are in the Business of Worldbuilding on Debut Album ‘Role Model Hermit’ by Olivia Martinez
July 20, 2026<July 20, 2026 “I Was All Raw Emotion”: Houndmouth Drag Themselves Back into the Light on ‘Lordy’ by Mitch Mosk
7.9 July 15, 2026<July 15, 2026 Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’ by Emily Weatherhead
July 14, 2026<July 14, 2026 Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ by Emma Schoors
July 10, 2026<July 10, 2026 Roundtable Discussion: A Review of Flea’s ‘Honora’ by Atwood Magazine Staff
July 6, 2026<July 6, 2026 Live Review: Eileen Carey Turns the San Diego County Fair into a Country-Rock Party by Chloe Robinson
For the Love of Music
For the Love of Music
