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ROREY © Erica Devin Snyder
Features, Interviews, MusicApril 23, 2024<April 23, 2024

“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change

by Chloe Robinson
Asha Imuno © Helene Kertanis
Concerts, Music, ReviewsApril 23, 2024<April 23, 2024

Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm

by Minna Abdel-Gawad
Nick Folwarczny © William Wark
Columns, Music, Today's SongApril 22, 2024<April 22, 2024

Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache

by Mitch Mosk
BANNERS © Marieke Macklon
Features, Interviews, Music, Track-by-TrackApril 22, 2024<April 22, 2024

‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming

by Lauren Turner
Only God Was Above Us - Vampire Weekend
Features, Music, Reviews, RoundtableApril 22, 2024<June 29, 2024

Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’

by Atwood Magazine Staff
Care - Golda May
Columns, Music, Today's SongApril 21, 2024<April 17, 2024

Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound

by Danielle Furman
Laci Kaye Booth © Acacia Evans
Columns, Music, Today's SongApril 20, 2024<April 17, 2024

“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes”

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | April 19, 2024
Columns, Features, Music, Weekly RoundupApril 19, 2024<April 22, 2024

Atwood Magazine’s Weekly Roundup: April 19, 2024

by Atwood Magazine Staff
Rex and the Rhythm © LOUD 87
Columns, Music, Today's SongApril 19, 2024<April 19, 2024

Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound

by Chloe Robinson
Asha Jefferies © Jax Oliver
Debut, Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’

by Mitch Mosk
Ellie Irwin © @sikinunday
Features, Interviews, MusicApril 19, 2024<April 19, 2024

Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down”

by Sophie Severs
Charli XCX © 2024 8.1
Music, Our Take, Reviews, This Just InApril 19, 2024<April 19, 2024

Charli XCX Embodies (House) Party Girl Vibes With “Club Classics”

by Julia Dzurillay
Pillow Queens © Martyna Bannister
Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie

by Mitch Mosk
Hank Heaven © Danica Robinson
Columns, Music, Today's SongApril 18, 2024<April 18, 2024

“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang

by Mitch Mosk
Great Good Fine Ok © Shervin Lainez
Interviews, MusicApril 18, 2024<April 20, 2024

Interview: Jon Sandler & Luke Moellman Are in a State of Existence That’s Great Good Fine Ok With Them

by Blake McMillan
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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