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Caitlyn Smith © Jace Kartye
Music, Reviews, This Just InMay 3, 2024<May 3, 2024

This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static”

by Emily Frances Algar
Dehd © Atiba Jefferson
Columns, Music, Today's SongMay 2, 2024<May 2, 2024

“I’ve been watching, catching fire”: Dehd’s Subtle, Restrained & Emotionally Complex “Alien” Gently Teases Fifth Album ‘Poetry’

by Hamish Monk
Mae Krell © Alex Lyon
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024

‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life

by Mitch Mosk
Leslie Mendelson © Mary Ellen Matthews
Music, PremieresMay 2, 2024<May 2, 2024

“Won’t you cut yourself some slack?”: Leslie Mendelson Cheers to “The Good Life” With a Gentle Song of Light and Love

by Mitch Mosk
Brie Stoner © Mark Andrus
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024

“An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’

by Mitch Mosk
Large Brush Collection © Syd Fuller
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024

Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk

by Mitch Mosk
Frank Turner © Shannon Shumaker
Features, Interviews, MusicMay 2, 2024<May 2, 2024

“It’s kind of liberating”: Frank Turner Is ‘Undefeated’ on His Enthralling Tenth Studio Album

by Michael Greco
Kendra Celise "Don’t Look Away" © 2024
MusicMay 1, 2024<June 9, 2024

Today’s Song: Kendra Celise Holds a Fierce, Unwavering Gaze on “Don’t Look Away”

by Danielle Furman
Rooms With a View - Donna Lewis
Music, ReviewsMay 1, 2024<May 1, 2024

Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’

by Grace Holtzclaw
Clarence James © Anna Elaine
Interviews, MusicMay 1, 2024<April 30, 2024

“Every feeling is temporary”: Clarence James Opens Up About Mental Health Struggles & Isolating Tendencies on “Flake”

by Chloe Robinson
Benjamin Francis Leftwich © Harvey Pearson
Columns, Music, Today's SongApril 30, 2024<April 30, 2024

Today’s Song: Benjamin Francis Leftwich’s “New York” Explores Love’s Highs and Lows

by Aaron Childree
Joshua Hyslop © Emma Rossum
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie

by Mitch Mosk
Mia Dyson © Brendan Willing James
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection

by Mitch Mosk
Bridget Kearney © Rodneri
Features, Interviews, Music, Track-by-TrackApril 30, 2024<May 15, 2024

“You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection

by Mitch Mosk
Riley - Riley Mulherkar
Debut, Music, ReviewsApril 30, 2024<April 30, 2024

Review: Riley Mulherkar’s Creative Chops Are on Full Display on Impressive Solo Debut ‘Riley’

by Jake Fewx
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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