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Grace Holtzclaw

Grace Holtzclaw

Grace is a Los Angeles based music journalist and band manager. She currently manages rising alt-rock band Vindigo. She got her start in music journalism in 2018 and has since grown a deep passion toward elevating artists' stories to the surface. A huge explorer and in-depth researcher of music discovery, one of her greatest thrills is breaking a brand new artist. Her favorite scene to cover is the West Coast house show circuit, profiling musicians among the likes of Foxtide, Marlon Funaki, and Subtle Orange to name a few. She is dedicated to maintaining the strong community roots at the core of live music.

Matt Jones and The Bobs © 2026
Interviews, MusicMay 12, 2026<May 12, 2026

“We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years

LOVE UPTEMPO: MAX - Kevin Ross
Music, ReviewsOctober 6, 2025<October 6, 2025

Album Review: Kevin Ross Finds a New Depth of Passion Amidst Everyday Distractions on ‘LOVE UPTEMPO: MAX’

The Evolution of the Rose - Lil Skies
Music, ReviewsJuly 9, 2025<July 9, 2025

Review: Lil Skies Finds His Voice as an Artist Through the Lens of Fatherhood & Heartbreak on Poignant Album ‘The Evolution of the Rose’

Dosey © 2025
Interviews, MusicApril 9, 2025<April 9, 2025

“This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’

Hana Giraldo © 2025
Columns, Music, Today's SongJanuary 14, 2025<January 14, 2025

Hana Giraldo Sizzles on Her Catwalk Commanding Anthem “Play My Sh*t (Alexa)”

Ash Gordon © 2024
Interviews, MusicOctober 8, 2024<October 8, 2024

Interview: Ash Gordon Is Elevating the Stories of Drag Artists to the Surface With Her Boundary-Pushing Songwriting

Hana Giraldo "Reputation" music video still
Columns, Music, Today's SongAugust 19, 2024<August 19, 2024

With “Reputation,” Hana Giraldo Steps into the Spotlight and Flips the Public’s Perception Upside-Down

TAVE "No More Maybes" © 2024
Columns, Debut, Music, Today's SongJuly 29, 2024<July 29, 2024

Today’s Song: TAVE Emerges With “No More Maybes,” a Dynamic Debut Single ft. India Shawn & Bibi Bourelly

D-Train
Columns, Music, Today's SongJuly 4, 2024<July 4, 2024

Today’s Song: D-Train Resurges With an Ode to Living in the Present on “Time Has Come Today”

viisi © SJ Spreng
Interviews, MusicJune 20, 2024<June 20, 2024

Interview: Remaining an Optimist Amidst Dysfunction, viisi Takes Us Inside the Relationship That Inspired New Single “paradise”

Ultra Q at the Echo 2024 © Jax Samsell
Concerts, Music, ReviewsJune 13, 2024<June 13, 2024

Live Review: Ultra Q Sell Out the Echo & Resurface Their Former Roots at Mt. Eddy for a Cathartically Chaotic Night in the Pit

Rooms With a View - Donna Lewis
Music, ReviewsMay 1, 2024<May 1, 2024

Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’

Olie Beckett © courtesy of the artist
Debut, Interviews, MusicMarch 27, 2024<March 27, 2024

“I Want Sparks to Fly”: Young Artist Olie Beckett Aims to Transform the World Around Him Through Music

Subtle Orange © Ethan Bartley
Concerts, Music, ReviewsJanuary 31, 2024<January 31, 2024

Live Review: Subtle Orange Are Taking Their Childhood Dreams to New Heights & Bringing Fans Along With Them

Kid Prexy © 2023
Columns, Music, Today's SongDecember 18, 2023<December 19, 2023

Today’s Song: Kid Prexy Strikes a Chord of Teenage Bliss on Rapturous Pop-Punk Banger “I Think That You’re Pretty”

Recent Posts

  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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