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Japan, Man's Laeticia Acra © 2023
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2023<November 1, 2023

“I’m just a primitive archetype”: The Funk & Fire Within Japan, Man’s Coming-of-Age Debut Album, ‘Metropolis’

by Mitch Mosk
John Mayer © Aidan Moyer
Concerts, Essays, Music, ReviewsOctober 30, 2023<January 6, 2024

Guilty Pleasures? There’s No Such Thing: A Defense of John Mayer

by Aidan Moyer
Ethan Buckner © B Creative
Columns, Debut, Music, Today's SongOctober 30, 2023<October 30, 2023

“Eyes on the Prize”: The Revolutionary Energy of Ethan Buckner’s Anthemic, Emotionally Charged Debut Single

by Mitch Mosk
Sleeper - BADBADNOTGOOD & Charlotte Day Wilson
Columns, Music, Today's SongOctober 29, 2023<October 29, 2023

Today’s Song: BADBADNOTGOOD & Charlotte Day Wilson Reawaken Their Exceptional Partnership for Silky “Sleeper”

by Kendall Graham
Atwood Magazine's Weekly Roundup | October 27, 2023
Columns, Features, Music, Weekly RoundupOctober 27, 2023<October 28, 2023

Atwood Magazine’s Weekly Roundup: October 27, 2023

by Atwood Magazine Staff
Jazmin Bean © Jamie Lee Culver
Columns, Music, Today's SongOctober 27, 2023<October 27, 2023

Jazmin Bean’s “Terrified” Channels ’90s Britpop into an Anthem of Love’s Breathtaking Beauty

by Mitch Mosk
'New Gold Dream - Live From Paisley Abbey' - Simple Minds
Music, ReviewsOctober 27, 2023<October 27, 2023

Album Review: Simple Minds’ ‘New Gold Dream – Live From Paisley Abbey’ Is the Sound of the Ineffable

by David Buyze
Pony Girl © François Mittins
Music, Music Videos, PremieresOctober 27, 2023<October 27, 2023

“We’re all clowning in some form”: Pony Girl’s “Wannabe” Aches with Autumnal Warmth, Anxiety, & Cathartic Release

by Mitch Mosk
Mr Sun Plays Duke Ellington's Nutcracker Suite - Mr Sun
Essays, Music, ReviewsOctober 27, 2023<October 27, 2023

Review: Mr. Sun Brings New Life to Ellington’s Reimagined Nutcracker Suite

by Atwood Magazine Staff
FIZZ © Nicole Ngai
Debut, Features, Interviews, MusicOctober 27, 2023<October 27, 2023

“This just feels like a real celebration of life”: Join FIZZ on Their Journey to Finding ‘The Secret to Life’

by Nasya Blackshear
Psymon Spine © Nicole "Neptune" Miller
Columns, Music, Today's SongOctober 26, 2023<November 21, 2023

Today’s Song: Psymon Spine’s “Boys” Is a Smoldering Psych-Rock Seduction

by Mitch Mosk
Parliament-Funkadelic © 1971
Columns, Music, Nostalgia TracksOctober 26, 2023<October 26, 2023

Nostalgia Tracks: Funkadelic’s “Biological Speculation” and Its Role in American History

by Audrey Connelly
Jaguar Sun © Chris Minielly
Features, Interviews, MusicOctober 26, 2023<October 26, 2023

Nostalgia, Optimism, & Love Songs to My Girlfriend’s Dog: A Conversation with Jaguar Sun

by Kate Millar
My Morning Jacket © Rich Fury / MSG Entertainment
Concerts, Music, ReviewsOctober 26, 2023<October 26, 2023

Live Review: My Morning Jacket Play ‘It Still Moves’ in Its Entirety, Bust Out Deep Cuts During Three-Night Residency

by Max Kalnitz
NewDad © Zyanya Lorenzo
Columns, Music, Today's SongOctober 25, 2023<October 25, 2023

Today’s Song: Grunge, Galway, & HBO’s Euphoria Converge in NewDad’s “Angel”

by Mitch Mosk
Posts pagination
1 … 157 158 159 160 161 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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