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Samm Henshaw "Jumoké" © 2024
Features, Interviews, MusicJanuary 24, 2024<January 24, 2024

Interview: Samm Henshaw on “Jumoké,” Genre-Bending Musicianship, and Going With the Flow

by Rachel Leong
Valley (L to R): Mickey Brandolino, Rob Laska, Karah James, Alex Dimauro © Becca Hamel
Features, Interviews, MusicJanuary 24, 2024<January 24, 2024

“Everyone’s dealing with a four-way marriage”: Valley Talk Band Therapy, the Album Experience, and Sophomore LP ‘Lost in Translation’

by Mitch Mosk
Future Islands (left to right): Samuel T. Herring, Gerrit Welmers, William Cashion, Michael Lowry © Frank Hamilton
Columns, Music, Today's SongJanuary 24, 2024<January 24, 2024

Today’s Song: Future Islands Embrace Yearning & Distance With “Say Goodbye”

by Beau Hayhoe
Lee Lewis © Shamaal
Artist to Watch, Columns, Music, Today's SongJanuary 23, 2024<January 23, 2024

Today’s Song: Lee Lewis’ “Delusion” Is a Dark and Moody Pop Song “for the Gays & the Girls”

by Mitch Mosk
Stolen Jars' Cody Fitzgerald and Sarah Coffey © Tonje Thilesen
Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

Interview: Brooklyn’s Stolen Jars Steal Our Hearts on Cathartic, Introspective, & Personal 4th LP, ‘I Won’t Let Me Down’

by Mitch Mosk
Willow Avalon © Kristin Karch 2024
Debut, Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

“I still feel like a stranger to my listeners, and that’s something I want to change”: A Conversation With Willow Avalon

by Mitch Mosk
Knxwledge. © 2024
Music, ReviewsJanuary 23, 2024<January 23, 2024

Knxwledge. Flexes Production Muscles on ‘VGM.30,’ the 30th Installment of Video Game Music Series

by Jake Fewx
Products Band "Shell Text" © Juliet Farmer
Columns, Music, Today's SongJanuary 22, 2024<January 23, 2024

Today’s Song: Energetic Emotions Conjure Sheer Attitude on Products Band’s “Shell Text”

by Kevin Cost
Slow Fiction "Apollo" © Miles Wilson
Music, PremieresJanuary 22, 2024<January 23, 2024

Premiere: Brooklyn’s Slow Fiction Burn Bright on “Apollo,” a Raw & Raging Indie Rock Eruption

by Mitch Mosk
Marika Hackman © Steve Gullick
Features, Interviews, MusicJanuary 22, 2024<September 5, 2025

Happy for a While: Marika Hackman on Her Provocative & Piercing Fourth Album ‘Big Sigh’

by Nasim Elyasi
Fetch Tiger © Nicole Miller
Music, PremieresJanuary 22, 2024<January 22, 2024

Premiere: Fetch Tiger’s Radiant & Relentless “Psychosomatic” Is a Hot n’ Heavy Indie Pop Fever Dream

by Mitch Mosk
Asha Jefferies © Cody Wood
Columns, Music, Today's SongJanuary 21, 2024<January 21, 2024

Today’s Song: Asha Jefferies Offers Up Powerful Declaration With “Brand New Bitch”

by Beau Hayhoe
Yolanda Be Cool
Columns, Interviews, Music, Today's SongJanuary 20, 2024<January 20, 2024

Meet Yolanda Be Cool, an Australian EDM Duo Donning SWEATRZ & Tooting “Hip Trumpets”

by Josh Weiner
Atwood Magazine's Weekly Roundup | January 19, 2024
Columns, Features, Music, Weekly RoundupJanuary 19, 2024<January 19, 2024

Atwood Magazine’s Weekly Roundup: January 19, 2024

by Atwood Magazine Staff
Wynona © Lachlan Chester
Columns, Music, Today's SongJanuary 19, 2024<January 19, 2024

“Finding stillness in the chaos”: Wynona’s Spirited Alt-Rock Anthem “Feeling for Edges” Is a Cathartic Release of Angst & Upheaval

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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