A Casual Ramble: Optimism, Absurdism, ‘Change’ and Anika
Annika Henderson and co-producer Martin Thulin approach an evermore absurd world with German idealism in one hand and a book of krautrock in another on Anika’s ‘Change’.
Annika Henderson and co-producer Martin Thulin approach an evermore absurd world with German idealism in one hand and a book of krautrock in another on Anika’s ‘Change’.
A profound illumination of the ineffable, Couch Prints’ debut EP ‘Tell U’ is an intimate rendering of the self and the world.
Atwood’s staff share the music they’ve been listening to in the moment. This week’s roundup includes Nap Eyes, Peach Pit, Leila Sunier, Kevin Krauter, and more!
Atwood’s staff share the music they’ve been listening to in the moment. This week’s roundup includes Jack Garratt, Chromatics, King Krule, Great News, Marina Kaye, Jeremy Zucker, Julian Lamadrid, Christian Lee Hutson, Gorillaz, Rags and Riches, and Jethro Tull!
FIDLAR’s third album ‘Almost Free’ is an intriguing mélange of their idiosyncratic Californian skate punk, operatic horn sections, predictable Trump-era diatribes, and slide guitars. In short, it is an eclectic musical sandwich you’ll either gorge on or spit out – charming at best, and uneven at worst.
Atwood’s staff share music they’ve been listening to: This week features Bishop Briggs, Dorothy, Leon Bridges, Our Girl, etc!
A warm, hopeful folk song filled with heartfelt passion and steadfast resilience, Carl Hauck’s “Refraction” embraces the full spectrum of light’s vibrant symbolism.
Strange Phases’ debut album ‘Art of Restart’ is a lively melting pot of emotional indie rock dynamite waiting to explode.
Mount Eerie sets his sights towards the darkest corner of human consciousness on new album ‘A Crow Looked at Me’.
Dreamers, music makers, thinkers, envisioners: Alt-rock juggernauts DREAMERS are simply trying to write and expand and think and do.