Black History Month, Features, Music, PlaylistsFebruary 28, 2025<March 1, 2025 Celebrating Black Art & Artistry: Our 2025 Black History Month Soundtrack! by Atwood Magazine Staff
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025 “Super Dark Times”: Bartees Strange on Turning Fear into Fuel in ‘Horror,’ a Record of Musical & Emotional Deconstruction by Mitch Mosk
Columns, Editor's Picks, Features, MusicJanuary 17, 2025<January 17, 2025 Editor’s Picks 107: Bartees Strange, Willow Avalon, Sly Jr., The 7:45s, The Zew, & Thee Holy Brothers! by Mitch Mosk
Features, Lists, MusicDecember 19, 2022<March 11, 2023 Atwood Magazine’s 2022 Songs of the Year by Atwood Magazine Staff
Columns, Editor's Picks, Features, MusicMay 18, 2022<September 29, 2022 Editor’s Picks 63: Phoebe Go, Charlie Burg, Tchotchke, Bartees Strange, Rozzi x Nile Rodgers, & Lizzie Reid! by Mitch Mosk
Interviews, MusicMarch 30, 2021<March 30, 2021 Interview: Harmony Woods Reckon with Trauma on ‘Graceful Rage’ by James Crowley
Features, Lists, MusicDecember 21, 2020<February 5, 2021 Atwood Magazine’s Top Artist Discoveries of 2020 by Atwood Magazine Staff
Debut, Music, ReviewsDecember 8, 2020<December 8, 2020 Review: Bartees Strange’s Unexplainable Art Will ‘Live Forever’ by James Crowley
For the Love of Music
For the Love of Music
