Features, Music, Reviews, RoundtableSeptember 20, 2024<September 24, 2024 Roundtable Discussion: A Review of beabadoobee’s ‘This Is How Tomorrow Moves’ by Atwood Magazine Staff
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Music, Reviews, This Just InJune 19, 2024<June 19, 2024 “I wanna make you my world”: Pale Waves Capture the Excitement of New Love on “Perfume” by Aaron Childree
Columns, Music, Today's SongApril 30, 2024<April 30, 2024 Today’s Song: Benjamin Francis Leftwich’s “New York” Explores Love’s Highs and Lows by Aaron Childree
Columns, Music, Today's SongMarch 14, 2024<March 14, 2024 Today’s Song: NYC’s Been Stellar Are Unleashed on “Passing Judgment,” an Unfiltered & Aching Indie Rock Eruption by Mitch Mosk
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Columns, Music, Today's SongJuly 29, 2023<July 29, 2023 Today’s Song: Beabadoobee Becomes a Ballerina With “the way things go” by Julia Dzurillay
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10 Music, Our Take, ReviewsOctober 24, 2022<October 24, 2022 The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece by Mitch Mosk
Music, PremieresMay 13, 2021<May 13, 2021 Premiere: Olivia O. Returns with New Single “All I Want,” an Achingly Vulnerable & Bittersweet Surrender by Mitch Mosk
Music, Reviews, This Just InMarch 30, 2021<March 30, 2021 This Just In: Celebrating the “Last Day on Earth” with beabadoobee by Dalia
Features, Interviews, MusicDecember 2, 2020<December 22, 2020 Interview: Pale Waves’ “Change” Anticipates an Album We’ve All Been Waiting For by Dimitra Gurduiala
Features, Music, Reviews, RoundtableJune 1, 2020<June 29, 2024 Roundtable Discussion: A Review of The 1975’s ‘Notes on a Conditional Form’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
