Debut, Features, Interviews, Music, Track-by-TrackOctober 28, 2025<October 28, 2025 “I Know Now Who I Am”: Gatlin Reclaims Herself on ‘The Eldest Daughter,’ a Soul-Stirring Debut Rooted in Vulnerability, Intimacy, & Liberation by Mitch Mosk
Features, Interviews, MusicOctober 28, 2025<October 28, 2025 “Dim Summer Street Lights”: The Bones of J.R. Jones Tunes into Himself on ‘Radio Waves,’ an Intimate Album of Memory in Motion by Mitch Mosk
Features, Interviews, MusicOctober 27, 2025<October 27, 2025 “If you’re not vulnerable, you miss the chance to connect”: The Strumbellas Are Ready to Burn It All Down – In the Best Way by Aileen Goos
Debut, Features, Interviews, MusicOctober 23, 2025<October 23, 2025 Hold on Like a ‘Wrench’: How Flycatcher Tuned-Up By Letting Go by Will Yarbrough
Features, Interviews, MusicOctober 22, 2025<October 22, 2025 “Flowers Still Bloom in Spite of Everything”: WRABEL Gets Existential on His Upcoming Album ‘Up Above’ by Aileen Goos
Features, Music, Premieres, Track-by-TrackOctober 22, 2025<October 22, 2025 “The Heart Knows”: Isabel Rumble Softens into Change on Sophomore LP ‘Hold Everything Lightly,’ a Tender Meditation on Womanhood & Renewal by Mitch Mosk
Features, Interviews, MusicOctober 21, 2025<October 22, 2025 “This album feels like the inside of my heart, my brain, and my soul”: Jillian Jacqueline Creates an Intimate World on ‘MotherDaughterSisterWife’ by Emily Frances Algar
8.4 Music, Our Take, ReviewsOctober 21, 2025<October 21, 2025 Our Take: Doja Cat Delivers a Fiery Fifth Album with the Mega-Upbeat ‘Vie’ by Josh Weiner
Features, Interviews, MusicOctober 20, 2025<October 20, 2025 Trashy, Smoky, Fun, & Free: Mothé Destroys Perfection and Redefines Pop on ‘Total Popstar,’ Their Unapologetic & Unfiltered Sophomore Album by Mitch Mosk
Features, Interviews, MusicOctober 17, 2025<October 18, 2025 The Sky’s the Limit: Matt Von Roderick on Jazz, Imagination, and ‘The Perfect Storm’ by Sage Bava
Features, Interviews, MusicOctober 16, 2025<October 16, 2025 “I think the best music makes people feel less alone”: Max McNown Took the Long Way to Nashville – And the Scenic Route Shows on ‘Night Diving (The Cost of Growing Up)’ by Aileen Goos
Features, Interviews, Music, PremieresOctober 16, 2025<October 16, 2025 “Goodbye Dreampop Troubadour”: Kramies Premieres His Hauntingly Beautiful, Folkloric Album of Reckoning, Rebirth, & Transformation by Mitch Mosk
Features, Interviews, MusicOctober 15, 2025<October 16, 2025 “We Are Really Happy People, But Life Is Hard”: Thelma & James Embrace the Melancholy & Messiness on Debut EP ‘Starting Over’ by Emily Frances Algar
Features, Interviews, MusicOctober 14, 2025<October 14, 2025 “Poetry Is Inwards; Music Is Outwards”: Ziggy Alberts Opens the Door to Change with ‘New Love’ by Aileen Goos
Features, Music, Reviews, RoundtableOctober 9, 2025<October 9, 2025 Roundtable Discussion: A Review of Taylor Swift’s ‘The Life of a Showgirl’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
