Features, Interviews, MusicSeptember 11, 2024<September 11, 2024 “I’ve always been drawn to wimpy music”: Pigeon Club Discusses His Contemplative & Wistful Album ‘Another Year in the Minors’ by Chloe Robinson
Features, Music, Reviews, RoundtableSeptember 10, 2024<September 10, 2024 Roundtable Discussion: A Review of Fontaines D.C.’s ‘Romance’ by Atwood Magazine Staff
Music, ReviewsSeptember 10, 2024<September 10, 2024 Review: Mensing & siii3eyes Revel in Melancholy on ‘No Friends,’ a Colorful, Contemplative, & Resolute Masterclass In Lo-fi Hip-Hop by Jake Fewx
Features, Interviews, MusicSeptember 10, 2024<September 10, 2024 “That is the job. I want other people to not feel alone”: Lunar Vacation Discuss Their Ruminative Album, ‘Everything Matters, Everything’s Fire’ by Marc Maleri
Features, Interviews, MusicSeptember 9, 2024<September 21, 2024 “As human as possible”: Dayglow’s Sloan Struble on Making the Most ‘Dayglow’ Dayglow Album of His Career by Lauren Turner
Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024 ‘A Long & Distant Wave’: Devarrow Embraces Life’s Ebbs and Flows With Sweet, Seductive, Soul-Stirring Folk by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024 “Give a weight for hope”: LA’s Wax Owls Weave Reflective & Vulnerable Indie Folk Reveries on Debut EP ‘Cowboy Cologne’ by Mitch Mosk
Music, Reviews, Track-by-TrackSeptember 6, 2024<September 6, 2024 ‘Romance’ Makes the World Go ‘Round: A Track-by-Track Look at Fontaines D.C.’s Fourth Studio Album by Emma Rayder
Interviews, MusicSeptember 6, 2024<September 6, 2024 Interview: TENDER Showcase Musical Range and Intimate Lyrics on Mesmerizing New Album ‘FLUX’ by Aaron Childree
Features, Interviews, Music, Track-by-TrackSeptember 5, 2024<September 5, 2024 Feature: The Sweet Seduction of Joe George’s Dreamy, Nostalgic & Dusty Third LP, ‘FOLK CINEMA’ by Mitch Mosk
Debut, Music, ReviewsSeptember 5, 2024<September 5, 2024 Quenching the Thirst of All Indie Rock Lovers, Wishy’s ‘Triple Seven’ Offers a Ten-Course Tasting Menu of Delicious Hooks & Scrumptious Bites by Kevin Cost
Features, Interviews, MusicSeptember 5, 2024<September 6, 2024 God Bless This Mess: Blair Howerton on Why Bonnie’s Hopeful New Album, ‘Wish on the Bone’ by Will Yarbrough
Debut, Features, Interviews, Music, Premieres, Track-by-TrackSeptember 4, 2024<September 4, 2024 Reflective, Unflinching, & Palpable: Sloan Golden Debuts With Intimacy, Intentionality, and ‘Long Conversations’ by Mitch Mosk
Features, Interviews, MusicSeptember 4, 2024<September 4, 2024 “Hi, How Are You?”: Hinds Reintroduce Themselves on Danceable & Unforgettable New Album ‘VIVA HINDS’ by Aaron Childree
Features, Music, Reviews, RoundtableSeptember 4, 2024<September 4, 2024 Roundtable Discussion: A Review of Sabrina Carpenter’s ‘Short n’ Sweet’ by Atwood Magazine Staff