Debut, Features, Interviews, MusicAugust 14, 2024<August 16, 2024 Interview: ‘Sugar Water,’ Explained in Maude Latour Pop Terms by Blake McMillan
Music, ReviewsAugust 12, 2024<August 12, 2024 One Year of ‘Blue Angel Sparkling Silver’: Revisiting Quiet Light’s Sweeping Sonic Cosmos by Rachel Leong
Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024 “Denial, Anger, & Acceptance”: april june Cracks Her Heart Open on Dreamy Sophomore EP ‘baby’s out of luck again’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024 ‘This Is Your New Life’: Mal Not Bad Charts an Intimate Awakening on Soul-Stirring Debut Album by Mitch Mosk
Essays, Features, Interviews, MusicAugust 9, 2024<August 9, 2024 Interview: Nat Harvie’s ‘New Virginity’ Accesses Personal Ecstasy Through Reflection, Complexity, and a Saxophone by Noah Wade
Debut, Features, Interviews, Music, Track-by-TrackAugust 8, 2024<August 8, 2024 “I’ll meet you in the fire”: East London’s Sarah Isabella Emerges on Soulful, Spiritual & Smoldering Debut EP ‘The Keeper’ by Mitch Mosk
8 Music, Our Take, ReviewsAugust 8, 2024<August 8, 2024 Our Take: The Playfully Explosive Musings of Remi Wolf and ‘Big Ideas’ by Frankie Rose
Debut, Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024 Track-by-Track: Austin’s Font Debut With Dance-Punk Fever Dream ‘Strange Burden’ by Mitch Mosk
Features, Interviews, MusicAugust 7, 2024<August 9, 2024 “Disco will never die”: Never Ending Fall Find Reinvention Through Rock Songs on ‘American Disco,’ Their Irresistible Sophomore Album by Mitch Mosk
Features, Interviews, MusicAugust 7, 2024<August 7, 2024 Interview: Liang Lawrence Combines Masterful Storytelling and Unforgettable Melodies on New EP ‘What’s Dead and Gone’ by Aaron Childree
Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024 “Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’ by Mitch Mosk
Features, Music, Reviews, RoundtableAugust 5, 2024<August 5, 2024 Roundtable Discussion: A Review of Glass Animals’ ‘I Love You So F***ing Much’ by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackAugust 2, 2024<August 2, 2024 Track-by-Track: Abby Holliday Invites Us to ‘CRACK A SMILE COME ON STAY A WHILE’ With Her Triumphant & Vulnerable Third Album by Mitch Mosk
6.7 Music, Our Take, ReviewsAugust 2, 2024<August 2, 2024 Our Take: Cut! Maren Morris Slows It Down With New EP ‘Intermission,’ Exploring Identity Through Song by Emily Frances Algar
Music, ReviewsAugust 2, 2024<August 2, 2024 “I don’t know how to cry, but I sure know how to bleed”: MESSIAH! Cuts Deep on ‘the villain wins,’ a Warm, Introspective, & Thought-Provoking Triumph by Jake Fewx
For the Love of Music
For the Love of Music
