Interviews, MusicMay 29, 2024<May 29, 2024 Tumbleweed Tunes for All the Old Souls: Calder Allen Talks New Album ‘Dreamers, Drifters, and Hiders’ by Lauren Hicks
Features, Interviews, MusicMay 24, 2024<May 24, 2024 “A love letter to the Black experience”: Sinkane’s Ahmed Gallab Talks New Album ‘We Belong,’ Finding Purpose Through Community, & the Joys of Music Theory by Mitch Mosk
Features, Interviews, MusicMay 24, 2024<May 24, 2024 “Heaven isn’t what they tell you it is”: Softcult Showcase Their Authentic Activism & Songwriting Craftsmanship on ‘Heaven’ EP by Olivia Martinez
Debut, Music, ReviewsMay 23, 2024<May 23, 2024 “A Garage Rock Record That’s Definitely Not a Garage Rock Record”: Twisted Teens Explore Masculinity, Spirituality, & Sexuality on Their Energetic Debut Release by Guest Writer
9.4 Debut, Music, Our Take, ReviewsMay 22, 2024<May 22, 2024 Our Take: Country Music’s Next Big Artist, Laci Kaye Booth, Wows on Debut Album ‘The Loneliest Girl in the World’ by Emily Frances Algar
Features, Interviews, Music, Track-by-TrackMay 20, 2024<May 20, 2024 “Fun, Fast, & Honest”: Glasgow’s Spyres Are Loud n’ Proud ‘Karaoke Sellouts’ on Soaring Sophomore EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMay 20, 2024<May 20, 2024 Track-by-Track: NYC Singer/Songwriter Arsun Delivers a Timeless, Instant Classic With Debut ‘Babe I Hear Thunder in Your Heart’ by Mitch Mosk
Debut, Music, Reviews, Track-by-TrackMay 20, 2024<May 20, 2024 Track-by-Track: England’s TYDL Radiate with Empowerment in ‘Ethereal’ EP by Joe Beer
Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 22, 2024 Track-by-Track: Victoria Victoria Hurts So Good in ‘Sweetest Ache,’ an Album of Angst, Soul-Searching, & Soothing Pop Songwriting by Mitch Mosk
Debut, Features, Interviews, MusicMay 17, 2024<May 17, 2024 “Can We Pause Right Here?”: Friday Pilots Club Discuss Compromise, Criminal Careers, & Their Debut Album ‘Nowhere’ by Emma Rayder
Features, Music, Reviews, RoundtableMay 17, 2024<June 29, 2024 Roundtable Discussion: A Review of St. Vincent’s ‘All Born Screaming’ by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 17, 2024 Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 16, 2024<May 16, 2024 “The margarita pizza of my music career”: Mat Kearney Is All-In on His Self-Titled Eighth Album by Mitch Mosk
Features, Interviews, MusicMay 16, 2024<May 16, 2024 “I see myself as a pirate in a lot of ways”: of Montreal’s Kevin Barnes Talks New Album ‘Lady on the Cusp’ & Embracing Unpredictability by Madeleine Eggen
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024 ‘A Million Easy Payments’: Toronto’s Little Kid Capture Life’s Weight, Warmth, & Wonder With Their Breathtaking 7th Album by Mitch Mosk
For the Love of Music
For the Love of Music
