Features, Interviews, MusicMarch 24, 2025<March 24, 2025 “I Wanted to Make Something That Was Kind of Lulling You to Sleep”: Puma Blue Talks Honesty, Spirituality, & Stepping Out of the Box With ‘antichamber’ by Desire' Jackson-Crosby
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025 “We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025 Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’ by Joe Beer
Music, ReviewsMarch 13, 2025<March 13, 2025 Review: Horsegirl Sing for You on “Phonetics On and On” by Juls Patterson
Debut, Features, Interviews, MusicMarch 12, 2025<March 12, 2025 Interview: Clara Mann Finds Hope in the Spaces Between on Shimmering Debut Album ‘Rift’ by Rachel Leong
Features, Interviews, Music, Track-by-TrackMarch 7, 2025<March 7, 2025 Track-by-Track: Arny Margret’s Intimate, Expansive, & Achingly Vulnerable Sophomore Album, ‘I Miss You, I Do’ by Mitch Mosk
Features, Interviews, MusicMarch 7, 2025<March 7, 2025 Interview: Caylee Hammack Tends to Her Heart on ‘Bed of Roses’ by Emily Frances Algar
Debut, Music, ReviewsMarch 7, 2025<March 9, 2025 Review: Nicotine Dolls Offer an Unabashed Attempt at Being Romantic on Their Debut LP by Aileen Goos
Debut, Features, Interviews, Music, Track-by-TrackMarch 6, 2025<March 6, 2025 Feature: Holly Lovell Channels Grief into Beauty on ‘Hello Chelsea,’ a Record of Addiction, Loss, & Healing by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 6, 2025<March 6, 2025 ‘Stay with the Horses’: Alexander Biggs on Letting Go, Pushing Boundaries, & Finding Clarity on His Sophomore Album by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 5, 2025<March 5, 2025 Lineage, Legacy, & Universal Language: NIJI Comes Home on ‘Oríkì,’ a Bold Journey Through Music, Identity, and Ancestry by Mitch Mosk
Debut, Features, Interviews, MusicMarch 5, 2025<March 5, 2025 “I Wanted to Make Something Undeniable”: Hope Tala on the Raw Emotions & Intimate Ink Stains of ‘Hope Handwritten’ by Mitch Mosk
Features, Music, Reviews, RoundtableMarch 5, 2025<March 5, 2025 Roundtable Discussion: A Review of Tate McRae’s ‘So Close to What’ by Atwood Magazine Staff
Music, Reviews, Track-by-TrackMarch 5, 2025<March 5, 2025 “I’m Not Preaching, I’m Just Talking”: Sam Fender’s ‘People Watching’ Is a Masterpiece of Reflection, Resilience, & Raw Humanity by Brianna Corrine
Music, ReviewsMarch 4, 2025<March 4, 2025 Review: The Weeknd’s ‘Hurry Up Tomorrow’ Is a Gorgeously Painful Masterpiece on Forgiveness, Healing, & the Tribulations of Fame by Lauren Turner
For the Love of Music
For the Love of Music
