Music, PremieresOctober 20, 2022<October 20, 2022 Premiere: Frances Luke Accord Rise with Warm Folk-Fueled Call to Action, “Window” by Mitch Mosk
Features, Interviews, Music, Track-by-TrackOctober 19, 2022<October 19, 2022 Milk Teeth: Tyson Motsenbocker Reckons with Childhood vs. Adulthood in His Achingly Tender, Beautifully Raw & Dreamy Third LP by Mitch Mosk
Features, Interviews, MusicOctober 19, 2022<October 19, 2022 Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More by Mitch Mosk
Columns, Editor's Picks, Features, MusicOctober 18, 2022<March 11, 2023 Editor’s Picks 77: Wheelwright, Sam Austins, Morning Midnight, zzzahara, Mary Anne’s Polar Rig, & Lexi Jayde! by Mitch Mosk
Interviews, MusicOctober 18, 2022<October 18, 2022 Interview: LA Duo Ship Wrek Discuss Touring, Collaborations, and New EP ‘Metaphysical’ by Michael Greco
Music, Music Videos, PremieresOctober 18, 2022<October 18, 2022 Premiere: Sohodolls Get the Last Word with Stunning “Letter to My Ex (Thank You, Goodbye)” by Mitch Mosk
Debut, Features, Interviews, MusicOctober 17, 2022<January 12, 2023 Interview: Dougy Mandagi Makes a Fresh Start with BLOODMOON’s Breathtaking Debut EP, ‘Giving Up Air’ by Mitch Mosk
Features, Interviews, MusicOctober 17, 2022<March 30, 2024 Interview: Wild Pink’s John Ross Talks Gorgeous New LP ‘ILYSM,’ Beating Cancer, & the Frightening Realities of Touring by Beau Hayhoe
Debut, Features, Interviews, Music, Track-by-TrackOctober 14, 2022<October 14, 2022 ‘bubblegum emo’: Sweden’s Tribe Friday Debut with Style, Drive, & Raw Passion by Mitch Mosk
Columns, Features, Music, Weekly RoundupOctober 14, 2022<June 15, 2023 Atwood Magazine’s Weekly Roundup: October 14, 2022 by Atwood Magazine Staff
Features, Interviews, MusicOctober 14, 2022<March 11, 2023 Interview: Betty Who is Ready to Dance in a ‘BIG!’ Way by Audrey Steeves
Features, Interviews, Music, Track-by-TrackOctober 13, 2022<October 13, 2022 “Nostalgic Ballroom Folk”: Hazlett Delves into His Hauntingly Hushed & Achingly Intimate ‘Oh Downhill’ EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackOctober 13, 2022<October 13, 2022 Space, Dreams, & Memory: Scotland’s Constant Follower Debut with ‘Neither Is, Nor Ever Was,’ a Hauntingly Beautiful Record Capturing Life’s Magic Spark by Mitch Mosk
Music, PremieresOctober 13, 2022<October 13, 2022 Premiere: Pony Girl’s “King of The Country Club” Pairs Criticisms on Privilege with a Wacky Sound by Lilly Eason
Debut, Features, Interviews, Music, Track-by-TrackOctober 12, 2022<October 12, 2022 Nostalgia, Impermanence, & Solace: Ari Lindo Embraces Stillness in ‘Cost of Giving,’ a Sweetly Stirring Debut by Mitch Mosk
For the Love of Music
For the Love of Music
