Features, Interviews, MusicFebruary 28, 2024<February 27, 2024 “No shame I’m just a beginner”: Abby Sage Talks ‘The Rot,’ Music Fasts, Theatre Kid Resurrection, and Repurposing Pain into Beauty by Kate Millar
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 16, 2024 Cathartic, Dynamic, & Joyful: Chicago’s Friko Debut With a Visceral Fire in ‘Where we’ve been, Where we go from here’ by Mitch Mosk
Debut, Interviews, MusicFebruary 14, 2024<February 14, 2024 Interview with Fer Franco: An Innovative Guatemalan Composer Finally Claims His ‘Ritos de Paso’ by Josh Weiner
Debut, Features, Interviews, MusicFebruary 8, 2024<February 8, 2024 Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort by Noah Wade
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2024<February 6, 2024 Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut by Mitch Mosk
Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024 Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music by Olivia Martinez
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024 “A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 31, 2024<January 31, 2024 Interview: Scarlett McKahey of Teen Jesus and The Jean Teasers Talks Debut Album ‘I Love You’ and the Journey into Your 20s by Kendall Graham
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2024<January 30, 2024 “Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2024<January 26, 2024 “Save me please”: Black Polish’s Bold, Brutal, & Breathtaking Debut Album ‘Forest (Monsters Live In The Trees)’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024 Track-by-Track: The Alt-Folk Charm of emmersonHALL’s Loving, Honest, & Impulsive Debut Album by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 19, 2024<January 19, 2024 “Fragments of my life”: Sam Fischer on the Five-Year Journey to Debut Album ‘I Love You, Please Don’t Hate Me’ by Brianna Corrine
Debut, Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024 Track-by-Track: Harrison Storm’s Debut LP ‘Wonder, Won’t You?’ Is an Intimate Indie Folk Diary of Human Experience by Mitch Mosk
Debut, Interviews, MusicJanuary 5, 2024<January 5, 2024 Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP by Lauren Hicks
For the Love of Music
For the Love of Music
