Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026 Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread by Mitch Mosk
Music, ReviewsJanuary 7, 2026<January 7, 2026 “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ by Ashley Littlefield
Interviews, Music, Today's SongDecember 30, 2025<December 28, 2025 “Screaming Together Is How We Feel Less Alone”: NYC’s Telescreens Turn Numbness into Communal Release on “Nothing” by Mitch Mosk
Artist to Watch, Debut, Interviews, Music, Today's SongDecember 19, 2025<December 19, 2025 “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars by Mitch Mosk
Debut, Music, ReviewsDecember 11, 2025<December 11, 2025 Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’ by Kaiana Lee
Features, Interviews, MusicDecember 10, 2025<December 12, 2025 “I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More by Mitch Mosk
Interviews, Music, Track-by-TrackDecember 2, 2025<December 2, 2025 Track-by-Track: The Quarantined Confront Trauma & Survival on ‘Aversion to Normalcy’ by Joe Beer
Columns, Music, Today's SongNovember 26, 2025<November 26, 2025 From ‘Vessel’ to ‘Breach’: The Ten-Year Journey That Led Twenty One Pilots to Their First #1 Alternative Album by Danielle Holian
Features, Interviews, MusicNovember 20, 2025<November 20, 2025 ‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power by Kayleigh Schweiker
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025 “A Rare Chance to Rewrite Our History”: X Ambassadors Reclaim Their Past & Redefine Their Present with ‘VHS(X),’ a Reimagining of Their Cinematic Masterpiece by Mitch Mosk
Music, ReviewsNovember 10, 2025<November 10, 2025 The Rise and Fall of an Angel: Wes Parker’s EP ‘fantom’ & Defiant Artistry by Rachel Leong
Features, Music, Reviews, RoundtableNovember 6, 2025<November 6, 2025 Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’ by Atwood Magazine Staff
Artist to Watch, Columns, Music, Today's SongNovember 4, 2025<November 4, 2025 “I’ve Been Living Life the Wrong Way”: On “Lately,” Dylan Flynn & The Dead Poets Turn Soul-Searching into a Soaring Anthem by Mitch Mosk
Features, Interviews, MusicOctober 27, 2025<October 27, 2025 “If you’re not vulnerable, you miss the chance to connect”: The Strumbellas Are Ready to Burn It All Down – In the Best Way by Aileen Goos
Debut, Features, Interviews, MusicOctober 23, 2025<October 23, 2025 Hold on Like a ‘Wrench’: How Flycatcher Tuned-Up By Letting Go by Will Yarbrough
For the Love of Music
For the Love of Music
