Features, Interviews, MusicSeptember 9, 2026<September 9, 2026 Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist by Lily O'Delia
Interviews, Music, Today's SongSeptember 9, 2026<September 9, 2026 “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony by Mitch Mosk
Interviews, Music, Today's SongSeptember 8, 2026<September 7, 2026 “Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock by Mitch Mosk
10 Music, ReviewsSeptember 2, 2026<September 2, 2026 “I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return by Mitch Mosk
Interviews, Music, Music Videos, PremieresAugust 27, 2026<August 27, 2026 “Sometimes Healing Feels a Lot Like Dying Before It Starts to Feel Like Freedom”: Anna Moon & the Stars Roars Back to Life on “Oh my god! It’s a resurrection” by Mitch Mosk
Artist to Watch, Debut, Music, ReviewsAugust 25, 2026<August 25, 2026 “Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” by Mitch Mosk
Features, Interviews, MusicAugust 21, 2026<August 21, 2026 “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ by Beau Hayhoe
Columns, Music, Today's SongAugust 19, 2026<August 19, 2026 “I’m a Loser”: Ax and the Hatchetmen Admit Their Flaws on Rebellious Summer Anthem “Loser” by Miranda Urbanczyk
8.1 Debut, Music, Our Take, ReviewsAugust 7, 2026<August 7, 2026 Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ by Guest Writer
Features, Interviews, MusicAugust 6, 2026<August 6, 2026 “Creative, Not Destructive”: Cheekface Answer the Cruelty of Trump 2 with Humor, Self-Scrutiny, & Solidarity on ‘Podium’ by James Crowley
Music, ReviewsAugust 6, 2026<August 6, 2026 “I Know You’re Performing”: Charli xcx Explores How the Artist Is Seen in ‘Music, Fashion, Film’ by Ashley Littlefield
Interviews, Music, Today's SongJuly 28, 2026<July 28, 2026 “A Bit Frantic and Sometimes Sweet”: Brisbane’s Radium Dolls Bottle Heartbreak, Pressure, & Raw Release into Sweaty Rock ‘n’ Roll by Mitch Mosk
Features, Music, ReviewsJuly 20, 2026<July 20, 2026 “I Was All Raw Emotion”: Houndmouth Drag Themselves Back into the Light on ‘Lordy’ by Mitch Mosk
Columns, Music, Today's SongJuly 18, 2026<July 18, 2026 “Justice, an Obsession”: U2’s “Street of Dreams” Is a Defiant Anthem of Hope and Empowerment for Today’s World by David Buyze
Interviews, MusicJuly 16, 2026<July 25, 2026 “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ by Damien Joyce
For the Love of Music
For the Love of Music
