Every Friday, Atwood Magazine’s staff share what they’ve been listening to that week – a song, an album, an artist – whatever’s been having an impact on them, in the moment.
This week’s weekly roundup features music by Joshua Idehen, The Lathums, Indira May, G’emma, Ski Team, Marc Del Giudice, Projective, Tropez, LimaVii, Wine & Warpaint, Analise, Suki Summer, Teagan Johnston, BATTLEFLAGG, miso808, Winter Gardens, 80purppp, and bdrmm!
•• •• •• ••
follow WEEKLY ROUNDUP on Spotify
:: “Could Be Forever” – Joshua Idehen ::
Mitch Mosk, Beacon, New York
Joshua Idehen can always be counted on to channel powerful life lessons and deeply human truths into his art. Pressing play on any one of his songs is like opening your third eye to the wider world; he inspired, provoked, and enthralled throughout last year’s solo debut Learn to Swim, a Mixtape, and he does so one again on his latest EP Mum Does the Washing, released November 8th. For 15 electrifying minutes, the Stockholm-based poet and spoken word artist opines on the ebbs and flows of society on a micro and macro scale – reflecting on misogyny and women’s “roles” in the fiery title track, exploring the depths of love in “Could Be Forever,” unpacking how we all cope in different ways on “Tactics for Survival,” and giving his own compelling spin to a Talking Heads classic, together with the Social Singing Choir, in “Once in a Lifetime.”
While I could write a full thesis-length article on the brilliant thoughtfulness and artistry at work on “Mum Does the Washing” – and I just might, someday – today I want to focus on “Could Be Forever,” wherein Idehen tells two tales of real human sacrifice in the service of love.
Nobody tell you true love comes with a cost
My darling has the wanderlust
itchy feet her head’s gone soft
Goes for a little wander gets lost
phone on standby
But will she remember to call
She saw our eldest daughter
Her face she couldn’t recall
The leaves fell harder that autumn
“I have these two stories: One was of the immigrant who manned the toilets at a bar I worked at. He was a dentist back in his hometown and was making money in London to send back for his daughter’s school: He was so proud of them!” Idehen says. “The second was of a neighbour, an Old Kenyan taking care of his Swedish wife who was slowly slipping away from him. These stories teach me about a love that goes beyond anything I have personally felt. I am in awe of them, and this song is my way of honoring them.”
But every so often, she returns
her face alight with a smile
she takes my hand, says I might be gone for a while
when will you go, I ask hrr, when will you come back
And she replied any moment now
She takes my hands and holds them warm
Maybe tomorrow
she pulls me in and holds me close
Could be forever, yeah
How long we stay like that, who knows
Through the passion, the emotion, the warmth, and the weight of his words, Idehen captures the raw power of love in our lives, and how others’ service and sacrifice set us up for success. It’s a song about generational growth, in a way, and a reminder to honor and give back to those who have given us so much. While the full Mum Does the Washing EP is without a doubt worth the listen, “Could Be Forever” is an easy and enchanting standout.
:: “Long Shadows” – The Lathums ::
Mitch Mosk, Beacon, New York
The spectre of lost love hangs heavy on The Lathums’ heavy and aching “Long Shadows,” an emotionally charged indie rock song that takes its audience through a soul-stirring wringer of raw emotions. Dark, dynamic, and brooding, the latest single off the English band’s upcoming third studio album Matter Does Not Define (out March 7th, 2025 via Modern Sky) dwells in the familiar depths of loss and longing, sorrow and suffering as frontman Alex Moore (who recorded his vocals all in one take) channels the agony within into a brutal kind of beauty.
Cast my soul into the depths of oblivion
Leave me in strife constrain the knife,
Shakespearean
Total bereft cascading death
when love has left
I want to die, don’t want to fight,
leave me behind
I’m very peculiar in my ways
God knows
So very peculiar in my ways
“‘Long Shadows’ is a song about deep emotional struggle and the complexities of love,” Moore tells Atwood Magazine. “I’m expressing feelings of despair, isolation, and fear of change after losing love, evoking a sense of tragic suffering. Despite the darkness, we recognise love’s enduring presence, though it casts long shadows over our life.”
“The song explores the dual nature of love and its ability to both heal and hurt. Through metaphors of light, shadow, and transcendence, we find hope in embracing vulnerability and seeks freedom through love.”
The fear of change, it’s in my bones.
It’s eating out and it grips my soul
Consuming love, would you like to see
the debt you owe?
Even though my lips are moving
nothing useful seems to come out
On love lane, when it’s all hanging out
For all it shines on, love casts,
long shadows, long shadows…
While there’s likely more ‘light’ to be felt on Matter Does Not Define, here we are more or less consumed by darker forces until the song’s final minutes, when Moore and bandmates Scott Concepcion (guitars), Ryan ‘Duz’ Durrans (drums), and Matty Murphy (bass) explode outward in a fiery, dazzling, and cinematic fervor. Searing overdriven guitars riff and roar as Moore howls through his own upheaval, swapping English for French with bold tenacity.
In a word, it’s exhilarating. The Lathums’ “Long Shadows” is poetic, poignant, and powerful – heart-wrenching in the very best of ways, evoking a universal emotion that cuts to the core of our human experience.
I sense the light, the spark,
the source, it still might burn
We’ll focus love, like light through glass,
to help the turn.
We’ll rise through heat,
into the sun, beyond the sky
And if I should fall,
I’ll fall with love, and I’ll get by
For all it shines on, love casts
long shadows, long shadows…
:: Imaginary Problems – Indira May ::
Danielle Holian, Galway, Ireland
Indira May’s Imaginary Problems is a mesmerizing journey through sound and story, a collection of five tracks that feel as personal as they are universal. Blending elements of jazz, indie, and electronic music, the EP showcases Indira’s unparalleled ability to merge genres into something entirely her own. From the psychedelic shimmer of “don’t feed the sharks” to the raw vulnerability of “childsplay,” she invites listeners into a world that is equal parts haunting and hopeful. Her voice, sultry and arresting, serves as the thread that ties these sonic explorations together, guiding us through moments of introspection and lighthearted whimsy.
What makes Imaginary Problems truly extraordinary is its emotional resonance. Tracks like “STOP” and “you & charlie” balance hypnotic production with deeply human narratives, creating an experience that lingers long after the final note. Whether it’s the playful bossa nova flair of “dance tonight” or the poignant exploration of chronic illness in “childsplay,” Indira’s artistry shines in her fearless approach to storytelling. With this EP, she doesn’t just push the boundaries of genre; she redefines what it means to create music that connects, leaving no doubt that her star is one to watch.
:: wintersadness – G’emma ::
Danielle Holian, Galway, Ireland
G’emma’s wintersadness EP is the musical equivalent of wrapping yourself in a cozy blanket on a frosty night. With a voice that feels like a warm hug, the Berlin-based artist blends jazz, neo-soul, and hip-hop into a sound that’s as smooth as hot cocoa and just as satisfying. The EP takes you on an emotional journey through the stillness of winter, turning themes of solitude and introspection into something unexpectedly comforting. And let’s talk about that standout single, “crazy” – a hauntingly beautiful reflection on her relationship with her father that layers harmonies so hypnotically, you might forget what day it is.
But what really makes wintersadness shine is G’emma’s uncanny ability to make the personal feel universal. Her lyrics are like little snowflakes – unique, poetic, and landing softly but leaving an impact. The minimalist production lets her voice take center stage, where it belongs, drawing comparisons to icons like Erykah Badu and Amy Winehouse. Whether you’re snowed in or just need a moment to breathe, this EP offers the perfect soundtrack to embrace the beauty in stillness. So light a candle, press play, and let G’emma guide you through a winter wonderland of soulful sounds.
:: “Me”- Ski Team ::
Chloe Robinson, California
Ski Team’s “Me” is an experimental indie pop single that is wholly hypnotic. The track is about taking a closer look at the role someone plays in your life and your own role to them. We often think of certain functions as being our entire identity when that doesn’t have to completely define us. The artist shares, “It’s scary to not know who’s on your roster, or who you are without a particular person/job/trait/whatever, and just go forth into life’s abyss as a human, but it’s often better for everyone involved to get on with it. Pick yourself up, focus on yourself, and let everything and everyone else kind of settle around you.” The song starts with sensual saxophone then smoothly transitions to warm, ethereal vocals atop an atmospheric backdrop. The video keeps those tranquil vibes flowing with images of a calming sea projected on computer screens.
Lucie Lozinsk, the brainchild behind Ski Team, is a songwriter, singer, and producer who concocts delicate and vulnerable releases. She is the daughter of musicians, growing up with a recording studio in her backyard. When you hear her captivating music you can tell she has been honing in on her craft for a long time. That has led Lozinski to sing with greats like Tony Bennett and Queen Latifa. “Me” shines another light on her truly immense talent.
:: “When All Your Friends Are Gone” – Marc Del Giudice ::
Mitch Mosk, Beacon, New York
Dreamy and dramatic, buoyant and brooding, “When All Your Friends Are Gone” is a seductive, light-in-the-darkness kind of soul-pop anthem. Independently released November 22nd, the third-ever single by New Jersey singer/songwriter Marc Del Giudice is as aching as it is uplifting: A reminder that behind every (metaphorical) door is something new – a great unknown full of possibility. Of course, while this truth is evergreen such a hopeful headspace is not; often, we are the biggest barrier to our own success, and the best thing we can do when we’re struggling is to get out of our own way.
“This song captures the struggle of feeling isolated while watching others thrive, ultimately conveying a message of resilience and self-empowerment,” Giudice tells Atwood Magazine. “I wrote it during a time where I was searching for a new beginning. It’s always hard when you feel alone, but going through that makes you grow as a person.”
He continues, “The character’s journey from despair to realization emphasizes the importance of personal growth and the pursuit of positivity, encouraging listeners to embrace change and seek out new opportunities even in the darkest times.”
I can absolutely see “When All Your Friends Are Gone” becoming a culty kind of underdog anthem – a fervent, feel-good reverie beloved by those in the know. Full of raw emotion and dazzling energy, Marc Del Giudice’s new song is something to embraced and cherished, driving us to be our best selves without sugarcoating the pain of endings and loss.
:: “Running” – Projective ::
Danielle Holian, Galway, Ireland
Irish seven-piece Projective make a radiant entry into the Neo-Soul, Jazz, and Hip-Hop landscape with their debut single “Running.” Already celebrated for their electrifying live performances and dynamic presence on the Irish music scene, the band channels their well-earned reputation into a track that feels both polished and deeply emotive. Produced by Cian Sweeney, “Running” opens with a gentle interplay of finger-picked guitar, warm bass, and ethereal vocal harmonies. This sonic delicacy sets a contemplative tone, perfectly framing the lead vocalist’s silky delivery and the melancholic beauty of the lyrics. The soundscape swells with a subtle rhythm, drawing listeners into a tranquil yet poignant meditation on the struggles of an overactive, anxious mind.
At just under a minute, the track pivots dramatically, injecting a drum-and-bass-inspired pulse that electrifies the arrangement without losing its introspective core. Layered guitar lines and choral backing vocals enrich the momentum, while the evolving grooves embrace influences of gospel, R&B, and hip-hop. This seamless fusion culminates in a breakdown that pairs an elegant rap with the track’s chilled yet vibrant atmosphere. “Running” is a bold statement from Projective, showcasing their ability to craft a nuanced, genre-blending sound that feels simultaneously contemporary and timeless. With such a promising debut, Projective are not just a band to watch — they’re a band to follow closely as they carve out their unique niche.
:: “Thinkin Bout You” – TROPEZ ::
Danielle Holian, Galway, Ireland
Tropez’s latest single “Thinkin Bout You” is a dazzling showcase of his eclectic artistry, brought vividly to life in a visually stunning music video directed by Christopher Hill. Blending indie pop, funk, synth-wave, and R&B, the track captures Tropez’s signature sound—a nostalgic yet forward-looking fusion of genres elevated by GRAMMY-winning producer Ben Allen III’s polished mix. The song’s sci-fi-inspired narrative explores the intersection of love and technology, drawing from cultural touchstones like The Matrix and Black Mirror to imagine a near-future where consciousness and virtual reality intertwine. Hill’s video masterfully visualizes this concept, juxtaposing synthetic landscapes with human emotion to create an experience that is as thought-provoking as it is aesthetically striking. With its infectious grooves and bold storytelling, “Thinkin Bout You” cements Tropez as a trailblazer in genre-bending music and leaves fans eagerly anticipating his upcoming album.
:: “The Sound of X-Mas”- LiMaVii ::
Chloe Robinson, California
As Christmas approaches, we begin to feel the joyous spirit of the season. There is warmth that fills the air and a sense of hope captures the heart. LiMaVii’s “The Sound of X-Mas” is a festive track that immerses listeners in a rich sound of holiday bliss. The passionate piece commences with pizzicato strings, bells and horns crafting the ideal celebratory feel. Her smooth, pop vocals and positive lyrics wishing everyone love and happiness makes the song connect with your soul. This infectious release emits a radiant glow that is pure magic.
Polish artist Lidia Magdalena aka LiMaVii is a singer, songwriter, dancer, model, and energy healer. Her mesmerizing music encapsulates those healing vibes. As a kid she had to learn to heal from her own hardships. She reveals, ” When I was just 13, my parents divorced—on December 6th, Saint Nicholas Day. It was a difficult time, especially during such a season of hope and light. But even as a child, I found a way to understand; perhaps it was meant to be if it brought them closer to true happiness. And in my heart, I longed for happiness too.” The Sound of X-mas” is a collaboration with SaVaa and Miklos Malek (Jennifer Lopez, Anastacia) and with this single she brings more cheer.
:: “Happy Xmas (War Is Over)” – Wine & Warpaint ::
Mitch Mosk, Beacon, New York
Oof. Wine & Warpaint’s cover of “Happy Xmas (War is Over)” hurts in the best of ways – and while it’s unlikely to be going on many “merry and bright” playlists, the Virginia band’s reinterpretation of the John Lennon and Yoko Ono holiday classic nevertheless feels festive in its own churning, dark, and dramatic way.
“I actually never liked this song as a kid, but recently I heard an acoustic version of it and realized that it’s a protest song masquerading as a Christmas song,” Wine & Warpaint’s vocalist Brandon O’Neill explains. “That completely reframed the way I thought about it, and it’s been one of my favorite Christmas songs ever since. We tried to disentangle its radical anti-war message from its ‘70s aesthetic so that a new generation can engage with it, and selfishly, so I can hear it the way I’ve always wanted.”
“The idea of inward transformation being the first step towards outward impact (‘war is over, if you want it’) is an idea we’re super interested in as a band and just adds to our connection with it.”
Wine & Warpaint create an intense space for raw reckoning, candid reflection, and even some hope as they marry intimate feelings with heavy energies, ultimately leaving us with a sense of aching and yearning as we set our sights toward a new year filled with potential and possibility… and ongoing war.
:: “Forever” – Analise ::
Danielle Holian, Galway, Ireland
Analise’s latest single “Forever” is a masterclass in emotional storytelling and sonic evolution, further solidifying her status as a rising force in the alt-indie scene. Seamlessly blending folk-inspired lyricism with dreamy bedroom-pop production, “Forever” transitions from raw acoustic intimacy to an ethereal soundscape, showcasing Analise’s ability to evoke complex emotions with ease. Drawing comparisons to artists like Clairo and Adrianne Lenker while carving a space uniquely her own, Analise captures the bittersweet courage of letting go and forging a new path. Her heartfelt vocals and lush harmonies create a deeply personal yet universally resonant experience, embodying the perfect balance of vulnerability and resilience. “Forever” is a mesmerizing track that promises an exciting future for this breakout artist, leaving listeners eager for what comes next.
:: “Marianne” – Suki Summer ::
Danielle Holian, Galway, Ireland
Suki Summer’s latest single “Marianne” is a bittersweet gem that feels like a love letter to fleeting summer romances and the emotions they stir. Suki delivers a track that’s as haunting as it is dazzling. Inspired by a brief but intense connection during her travels through Europe, “Marianne” captures the elation and heartbreak of a love destined to fade. With lyrics steeped in yearning and a nostalgic backdrop of dreamy synths and melancholic guitars, Suki crafts an immersive soundscape that lingers long after the last note fades.
From the shimmering verses that recall stolen moments to the achingly raw vocal delivery in the chorus, the song feels like a diary entry set to music. Suki’s storytelling shines as she channels the sadness of saying goodbye and the joy of having experienced something beautiful, even if fleeting. The layered harmonies and intricate production, led by Basil’s musical contributions, perfectly mirror the duality of light and loss. Suki’s vulnerability, brought to life with the help of recording engineer Neil, resonates deeply, making this track an anthem for anyone who has felt the sting of an unforgettable goodbye. With “Marianne,” Suki Summer not only showcases her musical versatility but also her ability to turn personal moments into universal experiences, leaving listeners eagerly anticipating her next chapter.
:: “Yearling Female” – Teagan Johnston ::
Mitch Mosk, Beacon, New York
You once knew her as the alt-pop artist Little Coyote, and today I’m excited to properly reintroduce Atwood’s readers to Teagan Johnston. The Toronto-based singer/songwriter shed her alias a few years ago and has since been releasing the most vulnerable music of her career under her given name, daring audiences to get all up in their feels through vulnerable, intimate songs that ache inside and out. Her one and only single of this year, “Yearling Female” is utterly breathtaking: A soul-stirring, emotionally charged, and brutally raw reflection on how women are treated, talked about, and made to see themselves in society.
Skinned my elbow
from just sitting at the bar
Shifting uncomfortably,
wondering what he was looking for
Stopped on my way home
at the corner store
To buy my love a pack of cigarettes,
not sure which to ask for
And then I danced the whole way home,
screaming “Baby why don’t you come over?”
To the tune of Chappell Roan
And I’m in these streets alone,
flipped my middle finger
to the crossing light
where he once made me run
“I read a story about a young grey wolf who was tortured and killed at a bar in Wyoming,” Johnston tells Atwood Magazine. “Every article described the wolf as a ‘Yearling Female’ and I couldn’t help but think about how stories of abuse are so often perpetrated against young women or a ‘yearling female’ in animal terms. I thought about how much growing up with the cultural narrative that bad things happen to young women has affected me and led me to view myself always as prey instead of predator – exemplified on the lyrics, ‘How come no one ever told me, I could be scary not only scared?’”
“In writing this song, I was really hoping to empower myself to consider myself as a potential threat or predator instead of giving that power to others, specifically men – who have threatened my safety in the past. Being afraid has never helped me prepare for a fight or protect myself; it’s only left me unable to live my life, and I hope maybe this song can also help others feel stronger and less afraid.”
She rises to a fever pitch in the song’s invigorating chorus:
Like a yearling female being hunted for prey
Can’t catch me, can’t kill me,
can’t take my love away
For the city that loves me
and this boy who loves me too
Can’t catch me, can’t kill me,
but I could kill you
That’s not my daddy, that’s my pony
That’s not my daddy, that’s my pony
How come no one ever told me?
I could be scary, not only scared…
Passionate, poignant, and absolutely enthralling, “Yearling Female” channels pain into empowerment and inner turmoil into inner strength. It’s a stunning display of artistry and songwriting talent from Teagan Johnston, and a song that will be with us for years and years to come.
:: “Ghosts” – BATTLEFLAGG ::
Chloe Robinson, California
We all know about nostalgia, a wistful affection for the past, but have you heard of solastalgia? If you Google the term it is best described as “the distress people feel when environmental change impacts them while they are still in their home environment.” BATTLEFLAGG’s “Ghosts” is the first track off their EP entitled Solastalgia. The moody, synth-driven single transports the listener through a journey of lost connections while one’s world begins to fade. The dreamy vocals pair seamlessly with the haunting backdrop for a song that leaves a lasting impression. The dark, animated video opens with a man taking part in his vices such as pills, alcohol and cigarettes. As the video continues he walks past familiar places like the gym and lounge. The man also speeds down a spiral road. These unique images create a compelling visual that is eerily thought provoking.
BATTLEFLAGG is a project of Philadelphia-based singer/songwriter Jeff Hartwig. Formed in 2020, it was born out of an age of personal, social and political unrest. Hertwig fuses indie rock and synth-pop along with emotive lyrics that cut deep. When conveying the take away of his music he states, “When listening to these songs unfold, I want the listener to understand, and feel the power of, the simple moments described within, and how such moments can connect to the grand expression that is our individual lived experience.” “Ghosts” is a piece that many can resonate with on a profound level.
:: bedtime stories mp3 – miso808 ::
Danielle Holian, Galway, Ireland
miso808’s debut EP bedtime stories mp3 is an extraordinary fusion of sound, emotion, and storytelling that defies genre boundaries. With roots in Shanghai and a base in Los Angeles, miso808 weaves her cultural heritage into a cinematic, bilingual soundscape that takes listeners on a journey through self-discovery, love, and heartbreak. From the seductive, Eastern-infused reinterpretation of the surf-rock classic “misirlou” to the haunting introspection of “crown,” this EP blends alternative pop, indie, and R&B in a way that feels both nostalgic and entirely new. Each track feels like a chapter in a larger, ever-evolving narrative, where miso808’s sharp lyricism and experimental production transport listeners to a world where emotions are raw, unfiltered, and beautifully complex.
The real strength of bedtime stories mp3 lies in its ability to marry sound with storytelling. Tracks like “1001” and “dazzling” showcase her deftness at blending cultural references with modern production, offering a fresh take on traditional themes while reflecting on the complexities of passion, love, and identity. The EP’s final tracks, “intuition” and “meant to be,” delve into the emotional nuances of queer self-discovery, capturing the thrill and anxiety of personal awakening. With its captivating blend of Eastern and Western influences, immersive storytelling, and vulnerability, bedtime stories mp3 is a sonic world that beckons listeners to dive in and discover the depths of miso808’s creative vision.
:: “Search Party” – Winter Gardens ::
Danielle Holian, Galway, Ireland
Brighton-based quartet Winter Gardens are back with their mesmerizing new single “Search Party” – and wow, what a trip it is. Like peering into a kaleidoscope of sound, the track blends brooding shoegaze, psychedelia, and rock with a haunting narrative that lingers long after the final note. The celestial vocals of Ananda Howard and Jasmine Ardley feel like ghosts whispering secrets over angular guitar riffs, while the fuzzy bass (famously revived with the help of a banana skin and a soldering iron!) pulses beneath like a heartbeat on edge. With a storyline inspired by the dark comedy series ”Search Party” – featuring a twisted dance of obsession and trauma – this song is as gripping as it is atmospheric. Turn off the lights, crank up the volume, and get lost in the eerie brilliance of Winter Gardens.
:: “she want prada” – 80purppp ::
Mitch Mosk, Beacon, New York
Every time I hear this song, I just want to get up and get down! A feel-good groove with infectious vocals to match, “she want prada” is an irresistibly smooth, smile-inducing seduction from Edmonton, Alberta’s 80purppp. It’s love and desire manifest in song; from the beat, to the melody, to his lyrics, and everything in-between, 80purppp orchestrates a moment of intimacy and connection, urging us to get as close as we can – and to savor those special moments.
“This song just felt so fun,” he tells Atwood Magazine. “I recently realized how much I love making people move with my music, so this one definitely has more of a bounce to it. I love making deep music with a bunch of layers and double meanings, but sometimes you meet someone you just can’t afford, and you gotta dance that off.”
You don’t have to tell me twice: “she want prada” is dreamy, smoldering, and endlessly alluring – a perfect companion to those long, cold winter nights ahead.
:: “John on the Ceiling” – bdrmm ::
Mitch Mosk, Beacon, New York
A wash of shiver-inducing shoegaze consumes the senses as bdrmm engulf not just our ears, but our very souls with their spellbinding ‘late-night’ sound. Released November 12th, 2024 via Mogwai’s Rock Action Records, “John on the Ceiling” – the lead single off their upcoming third album Microtonic – sees the Hull based quartet confronting human behavior through a darkly ethereal, atmospheric, and all-consuming sonic haze.
As we stand by, fascinated,
All the pieces laid to rest.
From the outside, looking inwards,
All seems perfect once again.
From our problems that they share,
Have been dampened, soaked in doubt.
While they stand there, thinking of the
ways to escape what’s said and done.
“The themes surrounding ‘John on the Ceiling’ are that of confusion and doubt,” vocalist and guitarist Ryan Smith explains. “When something ends and another starts, you lure yourself into a false sense of security that the mistakes made won’t happen again. This happens over and over until you are paralysed in limbo. Can people ever truly change?”
Smith and co. deliver a soul-stirring moment of smoldering self-reflection in the chorus, his voice soaring high while removing the rose-colored glasses so many of us rely on.
So don’t go changing the moments,
Hold our pasts in time.
The pieces that never last
have found their place in us.
The kind of song that lights a fire deep down inside, “John on the Ceiling” is cathartic and cleansing – a fiery fusion of shoegaze and UK garage ready to engulf its audience, and ensure we pay extra special attention to bdrmm over the months to come.
While the faceless
bite their tongues, we
all need something
to hold onto.
When they step down
drenched in loss, they
will finally realise
what they’ve done.
So don’t go changing the moments,
Hold our pasts in time.
The pieces that never last
have found their place in us.
— — — —
Connect to us on
Facebook, Twitter, Instagram
Discover new music on Atwood Magazine
:: Weekly Roundup ::
follow WEEKLY ROUNDUP on Spotify
:: This Week’s Features ::
