Today’s Song: Bon Iver Evoke a New Season on “AUATC” (SEASON FIVE Episode 2.)

AUATC - Bon Iver
AUATC - Bon Iver
A celebration of luminaries and sounds come together Bon Iver on the poetic, piano-led, breezy, and anti-capitalist “AUATC.”
 follow our Today’s Song(s) playlist

Atwood Magazine Today's Songs logo

Stream: “AUATC” – Bon Iver

(adsbygoogle = window.adsbygoogle || []).push({});

Beloved artists and elements of transitioning seasons join in Bon Iver’s “AUATC,” a beautiful anti-capitalist piece with layers of nostalgic instrumentals, nature-adjacent sounds, varied vocals, and pitch experimentation.

With an early draft circling the internet in 2018, “AUATC”’s tone swells today; the piano-led luminary-filled allegorical piece was officially released on August 5th featuring none other than Bruce Springsteen, Jenny Lewis, Jenn Wasner and Elsa Jensen. The beautiful tune was paired with a message from the band on toppling capitalism and greed, and numerous ways to contribute – including links to local, national, and international causes. It can be found in full below*.

AUATC - Bon Iver
AUATC – Bon Iver

“AUATC,” an acronym for Ate Up All Their Cake (alternately titled “SEASON FIVE Episode 2”), follows up Bon Iver’s first 2020 release pilot “PDLIF” (Please Don’t Live in Fear, SEASON FIVE Episode 1). SEASON FIVE hints at their next project, these two releases have already exhibited the title’s cinematical meaningfulness, breezes through different seasons, and creations, leading you into a season of new intricate spaces. On “AUATC,” Justin Vernon’s pitched-up vocals carry a soft air as he accompanies confident blossoming strings, shaky morphagene sounds, distant drum hits, and an uplifting, gospel-y piano under gold sunlight as it blows through rustling leaves.

This fifth season pursues Bon Iver’s previous albums thematically, beginning at resting woods and frostbites from For Emma, Forever Ago, to the reemerging landscapes, blossoming, and expansion of Bon Iver, into 22, A Million’s harsh uncertainty, fracturing and reinvention under the summer heat, and winding down into i,i, and autumn’s soft, thoughtful, focused, unsteady drift and understanding. Season Five is now where Bon Iver is immersed in and expanding from within. This undiscovered season sounds the shifts in nature and culmination of elements of all seasons, and displays their next installation, a cinematic, orchestrated as a communal one, as opposed to their previous more isolated personal works.

The song’s tone of strength and community is set in the artists’ collaboration on the layered collectivist, anti-capitalist protest tune.

With indie-rock’s icon and gem Jenny Lewis’ always sweet, magnetic ease and wisdom, Vernon’s airy vocals (certain, labile and light,) and Springsteen’s truly classic, grounding voice, each of their beautifully different motions are united in a strong blend of forces familiar and comforting in all entirely different ways.

As the artists sing in unison about the too familiar individual’s silent experiences, the unremitting burden of poverty is patronized while characters such as on the single artwork (an animated man in a suit, smiling with an exaggeratedly full belly) lie in abundance and unwillingness to empathize, basking in their own false glory. The lyrics’ are as poetic and cryptic as most of Bon Iver’s work, but to me read as a narrative from a tired, critical character offering advice sprinkled with allegories and satire.

Bon Iver © Graham Tolbert And Crystal Quinn
Bon Iver © Graham Tolbert And Crystal Quinn

The song clocks in at 2:22 – 222, as the number of creation and one that has been referenced in Bon Iver’s work before (album 22, A Million and its title track “22 (Over S∞∞N)”. Alongside, the Marie Antoinette eat-their-cake trope title, and a chorus depicting a Biblical story in which Jesus reassures Mary’s sister Martha only with words telling her not to worry as she scrambles for goods hosting them. The chorus ends with the lines, “There’s no master, help is surely on its way. Don’t bask in the glory of mine. They can’t come take that part away.”

Each verse follows a structure;

Well, you’re up all night
And your head’s down low
If you can see your own kite,
a little lighton it, oh Lord?
You know a burdenain’t a bust
You are the only way to trust
It’sonly fair itburns up inthat rust
They ate up all their cake
And they drank their own wine
They were always on the take,
will you shed a little light on it?
Well, you know the burden ain’t a gust
The only path to love is touch
I’ll always know that all that proper mounts too much
Well you’re up all night
And your neighbors don’t know
Man, your neighbors don’t know,
so shed a little light on it
You know a burden ain’t a bust
You know that truth’s been known to crutch
Only them who’s pauper lays him up.

The commentator speaks over the individual’s struggles in a quietly burdensome life within this “every man for himself” culture; where one must just “work harder” to deserve comfort. This simplicity is easier for the privileged to accept speaking only from a place of their comfort – to look down on those without the same opportunities with condescending “not working hard enough” finger pointing rather than acknowledge suppressive and exploitative systems that support them – ironically pointing fingers on complacency. The commentator dips into that contrasted with lines of acknowledgement, like closing lyrics, “You know that truth’s been known to crutch, only them who’s pauper lays him up.

It always is refreshing when artists vocalize the real potential of life and art beyond privilege and capitalism, despite its exploitative and deceptive insistence. Bon Iver is consistent in this fight for humanity that we can hopefully soon look back on in nostalgia.

— —

Stream: “AUATC” – Bon Iver

(adsbygoogle = window.adsbygoogle || []).push({});

*Below is the statement Bon Iver released with “AUATC”:

“Each and every person on earth deserves to live fully with dignity, equity, justice, and joy. Instead, our capitalistic societies have created a world that is most supportive of the wealthy and the elite, and the predatory corporations and policies that drive their disproportionate success.

The average person is cast aside and unheard; marginalized communities are further oppressed due to race, economic status, gender, sexual orientation, creed, criminal record, housing stability, education, ability, documentation status, and more. The pandemic further magnifies these grave inequities and this unchecked greed.

We must continue the fight to topple capitalism as we know it, and recognize our collective participation in its dominant institutions. Bon Iver acknowledges our own position within and use of capitalistic practices. It is with recognition of our privilege that we are fully committed to using our unique platform to challenge and change capitalism within our industry, and far beyond.

We must empower and embrace our vulnerable neighbors. We must fight racism and sexism and classism to build a stronger foundation for the home we all deserve. We must support the leaders and organizations working to change our world for the better. From providing safe and stable housing, to empowering women, to liberating incarcerated people, to celebrating art and music, to fighting climate change, these organizations work tirelessly to foster a world that celebrates our humanity on a local, national, and global level. Please explore, support, and take action:

— —

:: stream/purchase “AUATC” here ::

— — — —

AUATC - Bon Iver

Connect to Bon Iver on
Facebook, Twitter, Instagram
Discover new music on Atwood Magazine
📸 © 2020

 (adsbygoogle = window.adsbygoogle || []).push({});

:: Today’s Song(s) ::

Atwood Magazine Today's Songs logo

 follow our daily playlist on Spotify

 (adsbygoogle = window.adsbygoogle || []).push({});

:: Stream Bon Iver ::

 (adsbygoogle = window.adsbygoogle || []).push({});

(adsbygoogle = window.adsbygoogle || []).push({});

Written By
More from Dahlia

Interview with Busty and the Bass: Nostalgia & New Album ‘Eddie’ Under Summer Skies

Busty and the Bass’s latest album 'Eddie' drips with gold, beaming a...
Read More