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Baylee Less

Baylee Less

Baylee is an aspiring music journalist who currently contributes to Atwood Magazine and the I Love Memphis Blog. A native (and proud) Memphian, she spends most of her time waiting for the next Bonnaroo, quoting School of Rock, and late night ordering Domino's cheesy bread. Follow me on Twitter for comments on the juiciest releases, climate change, and general revelry.

Dirt EP - Hayden Calnin
Features, Music, Our Take, ReviewsJuly 17, 2017<July 17, 2017

Our Take: Hayden Calnin Grieves with Grace in ‘Dirt’ EP

Neu Youth © Úna Blue
Debut, Music, Premieres, ReviewsJuly 12, 2017<July 12, 2017

EP Premiere: Neu Yeuth Shimmer in Debut Self-Titled EP

Lucy Rose © Harry Wade
Music, Our Take, ReviewsJuly 12, 2017<July 12, 2017

Our Take: Lucy Rose Endears and Inspires with ‘Something’s Changing’

Subluxe - Healy
Debut, Music, Our Take, ReviewsJune 23, 2017<June 23, 2017

Our Take: Healy’s ‘Subluxe’ Glows with Nostalgia and Introspection

Bonnaroo 2017 logo
Features, Festival, Music, News, PreviewsJune 5, 2017<June 24, 2017

Surviving the Farm: (Y)Our Music Guide to Bonnaroo 2017

You Don't Know About Me - Ella Vos
Columns, Music, Today's SongJune 1, 2017<May 31, 2017

Today’s Song: Confronting Negativity in Ella Vos’ New Single “You Don’t Know About Me”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
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