• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Baylee Less

Baylee Less

Baylee is an aspiring music journalist who currently contributes to Atwood Magazine and the I Love Memphis Blog. A native (and proud) Memphian, she spends most of her time waiting for the next Bonnaroo, quoting School of Rock, and late night ordering Domino's cheesy bread. Follow me on Twitter for comments on the juiciest releases, climate change, and general revelry.

Features, Interviews, MusicJuly 17, 2020<August 23, 2020

Funky, Fresh, and Taking Up Space: The Aces’ New Album ‘Under My Influence’

Jessica Nicole Brown © 2020 8
Debut, Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Jessica Nicole Brown Is Raw, Bright, & Real on Debut EP ‘Girl, I Don’t Know’

Jess Williamson © Kathryn Vetter Miller
Features, Interviews, MusicMay 13, 2020<May 15, 2020

Interview with Jess Williamson: The Beauty of Going Through Life Alone

Die 4 Ur Love - Tei Shi
Music, Reviews, This Just InMay 7, 2020<May 7, 2020

This Just In: Tei Shi Dances Her Way Past Desire & Devotion in “Die 4 Ur Love”

IVERSON © Nicole Bitonti
Music, PremieresMay 7, 2020<May 6, 2020

Premiere: IVERSON Reflect on the “Purity of Youth” with Lush, Electrifying Energy

GAYLE © Jimmy Fisco
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: GAYLE’s “happy for you” Wistfully Confronts the Conflicting Ache of Moving On

Chris Milam © Lisa Hubbard
Columns, Music, Today's SongApril 23, 2020<April 22, 2020

Today’s Song: Wistful, Symphonic, and Verdant, Chris Milam Radiates in “Phoenix”

Columns, Music, Today's SongApril 9, 2020<April 9, 2020

Today’s Song: McCall Exhilarates with Fire, Pop, and Personal Antagonism in “Disaster”

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Feature: Rihanna Unapologetically Returns with New Album ‘Bad Girl Gone Good’

Debut, Music, Premieres, Track-by-TrackMarch 24, 2020<March 24, 2020

EP Premiere: ZEMBU’s Debut EP ‘recall’ Offers a Spectral Journey of Self-Discovery

Columns, Music, Reviews, Today's SongMarch 24, 2020<March 26, 2020

Today’s Song: Pip Millett’s “June” Warms Us With Nostalgia for a Simpler Time

Features, Interviews, MusicMarch 19, 2020<March 19, 2020

Escaping Monotony: An Interview with Alfie Templeman

Gatlin © Hannah Hall
Music, PremieresMarch 12, 2020<March 12, 2020

Premiere: The Subtle Brilliance of Gatlin’s “I Think About You All The Time”

Music, Reviews, This Just InMarch 6, 2020<March 6, 2020

This Just In: Healy Exquisitely Wrestles with the Swift Passage of Time in “Nikes On”

The Aces © Red Bull Records
Features, Interviews, MusicMarch 4, 2020<May 15, 2020

Feature: The Aces’ Irresistible “Daydream” Is an Electric, Playful, and Authentic Return

Posts pagination
1 2 3 4

Recent Posts

  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services