• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Ben Niesen

Ben Niesen

An insane man moonlighting as a respectable member of society from Portland, Oregon. A rock ‘n’ roller since his mother first spun The Police’s “Roxanne,” Ben is a lover of all things rock, soul, funk, jazz, blues, electronic and alternative hip-hop. Perhaps it’s easier to list what he doesn’t like: most "gangster" rap, country-western and modern metal disagrees with his stomach. Once upon a time, a friend told him to write about music. So he started doing that under the title of a Willie Bobo cover by Santana. Now he wonders about what Stu McKenzie has for breakfast, why John Congleton is the best damn record producer this side of the millennium, and just how Common came to be his favorite hip-hop star. He’s been working on that last one for nearly a decade now. No answers as of yet.

Yes © Gottlieb Bros
Features, Interviews, MusicNovember 2, 2021<November 1, 2021

“Music to My Ears”: A Conversation with Yes’ Alan White

Shannon Lay © Kai MacKnight
Features, Interviews, MusicOctober 26, 2021<October 26, 2021

Interview: Shannon Lay Finds Her Superpower on ‘Geist’

Essays, Music, ReviewsOctober 12, 2021<October 13, 2021

A Casual Ramble: Press Releases, Cinematic Music, and Kit Sebastian’s Melodi

Mano Le Tough © Kostas Maros 8
Music, Our Take, ReviewsSeptember 28, 2021<September 27, 2021

Our Take: Mano Le Tough Opens Wide the Toy Chest for ‘At the Moment’

Ty Segall © Denee Segall 8.7
Music, Our Take, ReviewsAugust 31, 2021<August 31, 2021

A String Through Spacetime: Notes on Ty Segall’s ‘Harmonizer’

Anika © Sven Gutjahr
Music, ReviewsAugust 26, 2021<August 26, 2021

A Casual Ramble: Optimism, Absurdism, ‘Change’ and Anika

Jenn Champion © Jimmy Bazan
Columns, Music, Today's SongAugust 11, 2021<March 16, 2023

Today’s Song: Jenn Champion Has Got You All Off-Center, Darling.

McKinley Dixon © David Muessig
Debut, Features, Interviews, MusicMay 28, 2021<June 4, 2021

Making a Poet Black: A Dialogue with McKinley Dixon

Dry Cleaning © Steve Gullick
Debut, Features, Interviews, MusicApril 6, 2021<April 6, 2021

“Cheating Together”: A Trade of Emails with London’s Dry Cleaning

Clever Girls © Kay Dargin
Features, Interviews, MusicMarch 26, 2021<April 8, 2021

“How Did This F*cking Happen?”: An Interview with Clever Girls

8.3
Music, Our Take, ReviewsMarch 16, 2021<March 16, 2021

Our Take: King Gizzard’s Brilliant, Ostentatious Double Album ‘K.G.L.W.’

Fela Kuti (R) and Made Kuti (L) © 2021
Columns, Essays, Music, Music You Should KnowMarch 1, 2021<March 2, 2021

Music You Should Know: Father-Son Duo Femi Kuti & Made Kuti Carry the Standard with ‘Legacy +’

Loma © Bryan C. Parker
Features, Interviews, MusicOctober 23, 2020<October 23, 2020

Interview: Loma’s ‘Don’t Shy Away’ and “The Pleasure of Sound”

Bully © Angelina Castillo
Features, Interviews, MusicSeptember 2, 2020<October 6, 2020

With Riot Grrl Rectitude: A Conversation with Bully’s Alicia Bognanno

Out in the World - GUM
Columns, Music, ReviewsAugust 12, 2020<August 11, 2020

A Casual Ramble: GUM’s ‘Out in the World’ & Psychedelic Redundance

Posts pagination
1 2 3 4 5

Recent Posts

  • Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories February 1, 2026
  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services