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Ethan Germann

Ethan Germann

I am a recent graduate of Loyola University New Orleans, where I studied business with a focus on the music industry. Writing for Atwood Magazine has allowed me to highlight the music that is most relevant to my current life situations and to recognize outstanding talent. My musical tastes range anywhere from R&B/pop crossover artists to more soulful throwback sounds, though I choose to write about artists with standout stories, lyrics, and melodies that transcend genre. Favorite artists include Sabrina Claudio, The Internet, Jorja Smith, Kali Uchis, Zak Abel, Tom Misch, and Louis The Child. I am living in Los Angeles, focusing my time on a career in artist management.

Vitamin D - drumaq
Music, ReviewsSeptember 18, 2019<September 18, 2019

Review: Pop Newcomer drumaq Wears His Heart On His Sleeve In ‘Vitamin D’

John The Blind © Jimmy Fontaine
Music, PremieresMay 9, 2019<May 9, 2019

Premiere: John The Blind Trusts His Intuition on Prismatic “Paranoid”

Columns, Music, Music You Should KnowNovember 21, 2018<November 22, 2018

Music You Should Know: Tommy Genesis Begs You To Shut Up and Listen

Sasha Sloan © Nicolita Bradley
Debut, Features, Interviews, MusicJuly 9, 2018<July 18, 2018

The Voice of Our Generation: An Interview with Sasha Sloan

Mulherin © Tommy Kha
Columns, Music, Today's SongFebruary 15, 2018<February 15, 2018

Today’s Song: Mulherin Indulge in “All to Myself”

As She Pleases - Madison Beer
Features, Music, Our Take, ReviewsFebruary 7, 2018<February 7, 2018

Our Take: Madison Beer Does It Her Way on ‘As She Pleases’ EP

When I Was Young EP - MØ
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: Dissecting MØ’s Heart-Tugging EP ‘When I Was Young’

Alia © Ilana Morgan
Columns, Music, Today's SongJanuary 9, 2018<January 9, 2018

Today’s Song: Alia Gets Up Close and Personal with “Brain”

lauv © Jennica Mae
Columns, Music, Today's SongJanuary 4, 2018<January 4, 2018

Today’s Song: Take a Honeymoon to France with Lauv’s “Paris in the Rain”

Hudson Thames © 2017
Features, Interviews, MusicSeptember 8, 2017<July 18, 2023

The Sound of Timeless Youth: A Conversation with Hudson Thames

Music, Our Take, ReviewsSeptember 5, 2017<September 5, 2017

Our Take: Luke Christopher’s TMRWFRVR, A Movement For The Future

Boy - Bibi Bourelly
Columns, Music, Music You Should KnowAugust 24, 2017<August 25, 2017

Music You Should Know: Bibi Bourelly’s Intimate Live Studio Project “Boy”

Manic Revelations - Pokey LaFarge
Music, Our Take, ReviewsJune 14, 2017<June 13, 2017

Our Take: Pokey LaFarge’s ‘Manic Revelations’ Is a True American Story

Stoop Kids © 2017
Features, Music, PremieresMay 4, 2017<May 4, 2017

Premiere: The Purposeful Pandemonium of Stoop Kids’ Mixtape ‘Queue’

Earl St. Clair © Def Jam 2017
Features, Interviews, MusicMarch 29, 2017<April 5, 2017

The Healing Process: A Conversation with Earl St. Clair

Posts pagination
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Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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