• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Ilana Kalish

Ilana Kalish

Ilana Kalish was a jazz fed baby, pop-synched child, emo-soaked teenager and indie-rocked coed. Between working at the friendly corner record store, singing in a garage (sometimes with a band) and sitting under trees while writing short fiction, Ilana also got her degrees in modern dance and creative writing from the University of MD in College Park. All of these adventures eventually resulted in www.skiptothis.com where she shares her adventures down the rabbit hole of the musiverse. A self-proclaimed neologista, Ilana is always dancing with words to music, usually while drinking coffee and smirking. As a writer for Atwood Magazine, Ilana hopes to make you smile and nod happily with her whimsy and impeccable (smirk) taste in music.

Delta Rae © Shervin Lainez
Features, Interviews, MusicFebruary 19, 2020<February 28, 2020

Interview: Delta Rae’s Ian Hölljes on the Band’s Witchy Ways & New Album ‘The Light’

Come on Up to the House - Women Sing Waits
Music, ReviewsNovember 29, 2019<November 29, 2019

Review: ‘Come On Up to the House: Women Sing Waits’ Is a True Gift to Us All

Miles Mosley
Columns, Music, Today's SongNovember 13, 2019<November 13, 2019

Today’s Song: Miles Mosley’s “BROTHER” Will Catapult You Through the Funk’esphere

Features, Interviews, MusicOctober 9, 2019<October 9, 2019

Interview with Barns Courtney: Productive Procrastination & Enjoyable Distraction

ThebandIvory © Bob Sweeney
Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: ThebandIvory’s “After It’s Said and Done” Is a Sagely Indie Rock Aria

Black Pumas © Greg Giannukos 2019
Debut, Music, ReviewsAugust 12, 2019<January 12, 2023

Black Pumas’ Eponymous Debut Album Is a Sonic Box of Chocolates

Opeongo © 2019
Music, PremieresAugust 1, 2019<October 22, 2019

Premiere: Opeongo’s Expansive Single “Less of Me” Gives Us More

Joseph © Louis Browne
Features, Interviews, MusicJuly 18, 2019<August 22, 2019

Interview with Joseph: Peace and Love Like a “Fighter”

Columns, Music, Music Videos, Today's SongJuly 17, 2019<July 17, 2019

Today’s Song: Lola Marsh’s “Echoes” is a Library Fantasy, Almost

Matthew Frederick
Music, ReviewsJuly 12, 2019<July 11, 2019

Review: Matthew Frederick’s “Tell Me” Truly Wants to Know

Columns, Music, Today's SongJuly 8, 2019<July 8, 2019

Michael Kiwanuka and Tom Misch Collaborate and It’s “Money”

Sydney Franklin, Luke James Shaffer © Edward Benitez
Music, PremieresMay 9, 2019<May 9, 2019

Premiere: Sydney Franklin & Luke James Shaffer’s “Blood in the Water” Swells with Heartache in Harmony

Keith Johns
Music, PremieresApril 24, 2019<April 24, 2019

Premiere: Keith Johns’ “Runaway” and “Hold on to Me” Are a Pound of Rock and a Pound of Flow

Pelle Kuipers © 2019
Columns, Music, Reviews, Today's SongMarch 26, 2019<March 26, 2019

Pelle Kuipers Charms Us with Deeply Resonant “My Darling”

D'Angelo
Columns, Music, Today's SongJanuary 24, 2019<May 14, 2024

Today’s Song: D’Angelo’s “Unshaken” is the Guarded Knock on a Hidden Door

Posts pagination
1 2 3 4

Recent Posts

  • Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek! August 6, 2026
  • “Creative, Not Destructive”: Cheekface Answer the Cruelty of Trump 2 with Humor, Self-Scrutiny, & Solidarity on ‘Podium’ August 6, 2026
  • “Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow August 6, 2026
  • “I Know You’re Performing”: Charli xcx Explores How the Artist Is Seen in ‘Music, Fashion, Film’ August 6, 2026
  • “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut August 5, 2026
  • “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism August 5, 2026
  • “The World Often Feels Loud Enough Already”: Brighton’s Memorial Find Power in Softness on ‘Jera,’ a Breathtakingly Beautiful Alt-Folk Triumph August 5, 2026
  • “I Feel Like There Are Infinite Possibilities in Music”: Ora Cogan Follows the Pull Toward Tenderness on ‘Hard Hearted Woman’ August 4, 2026
  • “Some Bridges Are Meant to Be Burned”: BAILEN Break Free with “SWIM!!!” – Roaring Back Fiercer, Freer, & on Their Own Terms August 4, 2026
  • “Re-Membering My Skin”: Bad Tiger Reawakens the Body on “Spin,” a Kaleidoscopic Rush of Rupture & Renewal August 4, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services