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Madeleine Eggen

Madeleine Eggen

Madeleine Eggen is a New York-based writer and Sarah Lawrence College graduate. She enjoys music journalism, feature writing, digital humanities, and the art of the ridiculously intricate playlist. Madeleine can be reached at madeleine.eggen[at]gmail.com!

Daffo © Nolan Knight
Artist to Watch, Debut, Features, Interviews, MusicOctober 3, 2025<October 3, 2025

Looking for a “Quick Fix”? Daffo’s ‘Where the Earth Bends’ Is a Raw Reflection on Confronting Your Vices

Runnner 'A Welcome Kind of Weakness' © Maya Ragazzo
Features, Interviews, MusicSeptember 10, 2025<September 5, 2025

Reflection, Restlessness, and a Set of Car Keys: A Conversation with Runnner’s Noah Weinman on ‘A Welcome Kind of Weakness’

Annie DiRusso © Danica Robinson
Debut, Features, Interviews, MusicApril 16, 2025<April 16, 2025

“It’s me getting myself where I need to go”: Annie DiRusso Explores the Art of Growing Up with Debut Album, ‘Super Pedestrian’

The Japanese House's Amber Bain © Carissa Gallo
Features, Interviews, MusicAugust 2, 2024<August 2, 2024

The Japanese House Has Nothing to Hide: Amber Bain on Queerness, Artistry, & Honesty

The Greeting Committee © Tyler Krippaehne
Features, Interviews, MusicJuly 17, 2024<July 23, 2024

Interview: The Greeting Committee Cycle from Pondering to Pop with ‘Everyone’s Gone and I Know I’m the Cause’

of Montreal's Kevin Barnes © Shervin Lainez
Features, Interviews, MusicMay 16, 2024<May 16, 2024

“I see myself as a pirate in a lot of ways”: of Montreal’s Kevin Barnes Talks New Album ‘Lady on the Cusp’ & Embracing Unpredictability

Bright Future - Adrianne Lenker © Germaine Dunes
Music, ReviewsApril 5, 2024<April 5, 2024

“To the ocean of your love, I am a river”: Adrianne Lenker Has Crafted a ‘Bright Future’ with Her Latest Album

Goo Goo Dolls © Claire Marie Vogel
Features, Interviews, MusicNovember 7, 2022<March 11, 2023

“Just Keep At It, Man”: Goo Goo Dolls’ Robby Takac on Donuts, New York, & New Album ‘Chaos in Bloom’

Jukebox the Ghost © Shervin Lainez
Features, Interviews, MusicAugust 17, 2022<September 29, 2022

“We’re a Little Bit Ridiculous”: Jukebox the Ghost’s Ben Thornewill Talks Band’s Early Years, His Love for Chaos, & New Album ‘Cheers’

Wasia Project © 2022
Music, ReviewsJuly 21, 2022<July 13, 2022

Review: Wasia Project’s Debut EP ‘how can i pretend?’ Is Your Next Heartstopper

Flowers of palo © 2022
Columns, Music, Today's SongJune 23, 2022<June 23, 2022

Today’s Song: Flowers of palo Are Blossoming into the Next Indie Powerhouse with “Soho Abode”

Recent Posts

  • Roundtable Discussion: A Review of Madonna’s ‘CONFESSIONS II’ October 16, 2026
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  • Atwood Magazine’s Weekly Roundup: October 16, 2026 October 16, 2026
  • “The Sun Is Like a Garment”: Spring Term Blooms into a Radiant Era of Love & Possibility with “Jacaranda,” a Kaleidoscopic Indie Pop Fever Dream October 16, 2026
  • “As Long as We Keep Going Back to Each Other”: hey, nothing on Friendship, Burnout & Their Hard-Won Debut Album, ‘Hound’ October 15, 2026
  • Live Review: Laundry Day’s Shows Are Larger Than Life October 15, 2026
  • Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS October 15, 2026
  • “At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs October 15, 2026
  • “Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom October 15, 2026
  • “A Big Joyful Loud Mess”: Stella Dunai Finds the Courage to Connect on “Move on!” October 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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