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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 169th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 21, 2026<October 21, 2026

Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson!

Adelide © Caroline King
Interviews, Music, PremieresOctober 20, 2026<October 20, 2026

“I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’

Laila Smith ‘Something Dreadful Is Going to Happen’ © courtesy of the artist
Artist to Watch, Debut, Features, Interviews, MusicOctober 20, 2026<October 20, 2026

“The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP

Lottie McLeod 'The Boathouse' EP © Ghina Sari
Features, Interviews, Music, Track-by-TrackOctober 20, 2026<October 20, 2026

“Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph

MUANH © Andjani Autumn
Artist to Watch, Debut, Interviews, Music, Today's SongOctober 19, 2026<October 21, 2026

“There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust

Oh Wonder "Mad World" © Charlotte Patmore
Music, Reviews, This Just InOctober 19, 2026<October 20, 2026

“Let’s Crawl into the Arms of Love”: Oh Wonder Face the Darkness Together on “Mad World,” a Heartfelt Anthem of Hope

Spring Term © Claire Hensley
Artist to Watch, Interviews, Music, Today's SongOctober 16, 2026<October 16, 2026

“The Sun Is Like a Garment”: Spring Term Blooms into a Radiant Era of Love & Possibility with “Jacaranda,” a Kaleidoscopic Indie Pop Fever Dream

Big Guy & The Very Large Men © Kohl Almire
Artist to Watch, Features, Interviews, Music, PremieresOctober 15, 2026<October 16, 2026

“At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs

King Mei Mei © Liz Fang
Debut, Interviews, Music, PremieresOctober 15, 2026<October 15, 2026

“Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom

The Upsides © Brittany Rose Queen
Features, Music, Premieres, Track-by-TrackOctober 13, 2026<October 13, 2026

“Got Some Damage I Can Show Ya”: The Upsides Confront Adulthood’s Chaos Together on ‘In the Maze,’ a Roaring, Cathartic Indie Rock Reckoning

Antonio Miguel Areia © 2026
Interviews, Music, Music Videos, PremieresOctober 13, 2026<October 13, 2026

“Every Step I Fall”: Antonio Miguel Areia Dances with Desperation on “Zugzwang,” a Seductive Debut of His ‘Evil Bossa’ Sound

Wilby © Isaac Namias
Debut, Features, Music, Track-by-TrackOctober 13, 2026<October 13, 2026

“Powerful, Soft, & Sincere”: Wilby Lays Her Soul Bare on ‘Center of Affection,’ an Intimate Indie Rock Debut Fueled by Love, Reckoning, and Hard-Won Tenderness

Eliza Hull © Michelle Grace Hunder
Music, ReviewsOctober 12, 2026<October 12, 2026

“How Do We Make It Better?”: Eliza Hull Reckons with the Distance Inside Love on “Better,” a Soul-Stirring Slow-Burn of Doubt and Devotion

Atwood Magazine's Editor's Picks 168!
Columns, Editor's Picks, Features, MusicOctober 9, 2026<October 9, 2026

Editor’s Picks 168: Formal Sppeedwear, Black Bananas, Brother Wallace, Palace, Dummy, & Brickhouse!

Laz Lo © L’autre Œil Media
Features, Interviews, MusicOctober 9, 2026<October 9, 2026

“Underneath All of That Is Connection”: Laz Lo Channels Departure into Devotion on ‘Homestretch,’ an Intimate Alt-R&B Portrait of the Love We Carry with Us

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Recent Posts

  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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