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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Kam Franklin © Jonathan Burgos
Debut, Interviews, Music, Today's SongOctober 1, 2026<October 1, 2026

“The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut

The Madelines © Mars Alba
Artist to Watch, Debut, Interviews, Music, Today's SongSeptember 30, 2026<September 30, 2026

“I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower

Aubory Bugg © Caity Krone
Debut, Features, Interviews, MusicSeptember 29, 2026<September 29, 2026

“This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut

SNACKTIME © Anthony Mulcahy
Music, ReviewsSeptember 28, 2026<September 28, 2026

“A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay”

Martin Luke Brown © Madison Rensing
Interviews, Music, Today's SongSeptember 28, 2026<September 28, 2026

“More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything

Peter Stone © Brooke Banister
Interviews, Music, PremieresSeptember 28, 2026<September 28, 2026

“My Last Breath Would Be a Poem for You”: Peter Stone Finds the Sacred in Everyday Love on “Dust Motes,” a Sun-Soaked Indie Folk Reverie

Clever Hopes © Daniel Ledwell
Interviews, Music, Music Videos, PremieresSeptember 25, 2026<September 25, 2026

“Showing Up Doesn’t Always Look Heroic”: Clever Hopes Makes Space for Grief & Love on the Tenderly Radiant “Fumbled Dreams” ft. Jenn Grant

Marfa © courtesy of the band
Interviews, Music, Today's SongSeptember 25, 2026<September 25, 2026

“The Best Songs Fall Out of the Sky”: Americana Duo Marfa Are Giving Old-School Songcraft a Fresh, Modern Twist

Chase Elodia © 2026
Interviews, Music, PremieresSeptember 24, 2026<September 24, 2026

“It’s OK to Cry About the Color Green”: Chase Elodia Celebrates Friendship at Its Most Ridiculous on “Mushroom Trip,” a Lush Indie Folk Ode to the Real Ones

Good Grief - Milk St. album art
Features, Interviews, Music, PremieresSeptember 23, 2026<September 23, 2026

“Holy Cow, This Is a Lot”: Milk St. Meet Life’s Chaos at Full Volume on ‘Good Grief,’ a Bruising, Combustible Eruption of Hardcore Soft Rock

The Empty Pockets © Sarah Elizabeth Larson
Interviews, Music, Music Videos, PremieresSeptember 23, 2026<September 24, 2026

“Choosing Each Other Every Day”: Chicago’s The Empty Pockets Make a Love Song Out of the Daily Grind on “I Never Get Sick of You”

Hollow Hand © James Sharp
Interviews, Music, Today's SongSeptember 22, 2026<September 28, 2026

“You Have to Shoot from the Hip”: Brighton’s Hollow Hand Find Magic in the Everyday with “Here Are the Tulips,” a Broodingly Bright Alternative Rock Reverie

Atwood Magazine's 167th Editor's Picks!
Columns, Editor's Picks, Features, MusicSeptember 11, 2026<September 11, 2026

Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace!

Tooth © Maeve Wong
Debut, Interviews, Music, Today's SongSeptember 10, 2026<September 10, 2026

“Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence”

Weird Nightmare's Alex Edkins © Colin Medley
Interviews, Music, Today's SongSeptember 9, 2026<September 9, 2026

“I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony

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Recent Posts

  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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