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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Fantastic Cat 'Cat Out of Hell' 9.4
Music, Our Take, ReviewsApril 14, 2026<April 14, 2026

“Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph

Park Hills Circle © Maren Celest
Interviews, Music, PremieresApril 14, 2026<April 14, 2026

“A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie

Atwood Magazine's 152nd Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 10, 2026<April 10, 2026

Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!

Noshows "FOMO" © Zach Munowitz
Interviews, Music, Today's SongApril 9, 2026<April 9, 2026

“Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream

The Undercover Dream Lovers © Jacob Cummings
Interviews, Music, Today's SongApril 6, 2026<April 11, 2026

“You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

Charlie Lim © Rin Tachihara
Music, Music Videos, PremieresApril 3, 2026<April 9, 2026

“Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

Stephen Sanchez "Sweet Love" © 2026
Interviews, Music, Today's SongApril 3, 2026<April 3, 2026

“SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

Myra Lee "Magpie" © Laila Holmes
Debut, Interviews, Music, PremieresApril 2, 2026<April 2, 2026

“Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

MUNA "Dancing on the Wall" © Dean Bradshaw
Columns, Music, Today's SongApril 2, 2026<April 2, 2026

“I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

Atwood Magazine's 151st Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 1, 2026<April 2, 2026

Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

MEEK "Fabulous" © courtesy of the artist
Artist to Watch, Debut, Interviews, MusicApril 1, 2026<April 2, 2026

“I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem

Oliver Pinder "Such an Angel" © Lily Ajab
Interviews, Music, PremieresMarch 31, 2026<March 31, 2026

Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment

Babes in Canyon "Echo" © Rachel Bennett
Interviews, Music, Music Videos, PremieresMarch 31, 2026<April 2, 2026

“F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra

Fantastic Cat © Vivian Wang, Fikri Abdurakhman
Interviews, Music, Today's SongMarch 31, 2026<March 31, 2026

“Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry

Eliza Edens © Juliet Farmer
Interviews, Music, PremieresMarch 30, 2026<March 31, 2026

“Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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