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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Where's Beth © Aaron
Features, Interviews, MusicAugust 27, 2026<August 27, 2026

“The Hurt Is Softer Than We Know”: Where’s Beth Finds Beauty in the Mess of Being Alive on ‘Ache Is A Cricket In The Night’

Closebye © Conor Henry McNamara
Interviews, Music, Today's SongAugust 26, 2026<September 6, 2026

“It Feels Like Our Luck Is Changing”: NYC’s Closebye Choose the Unknown on “No Troubles Left At All,” a Spellbinding Indie Rock Anthem of Survival and Renewal

Pamphlets © 2026
Interviews, Music, PremieresAugust 26, 2026<August 26, 2026

“Existence Is the Best Form of Resistance”: Pamphlets Tear into Power’s Endless Hunger on “Against the Forces of Nature,” a Feverish Post-Punk Eruption

before close © 2026
Interviews, Music, PremieresAugust 26, 2026<August 26, 2026

“If You Only Gave It One More Try”: before close & Amelia Coburn Trace Love Through the Seasons on “roisin,” an Achingly Beautiful Folk Spell

Lila Forde © Robbie Jeffers
Interviews, Music, Music Videos, PremieresAugust 26, 2026<August 26, 2026

“Life Is Still the Sweetest Thing”: Lila Forde Rekindles Love’s First Spark on “Do It All Over,” a Radiantly Soulful Slice of Summer Bliss

BAILEN © Alex Brown
Artist to Watch, Music, ReviewsAugust 25, 2026<August 25, 2026

“Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph

Ferguson Hi-Fi are: Pete Ferguson, Darren McCaughey, Rachel Wilson, and Shaun Hood © Grant Stewart
Artist to Watch, Debut, Music, ReviewsAugust 25, 2026<August 25, 2026

“Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It”

Josaleigh Pollett © PJ Guinto
Interviews, Music, Today's SongAugust 25, 2026<August 25, 2026

“Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’

Edens © Dan Wendt
Interviews, Music, PremieresAugust 24, 2026<August 24, 2026

“Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion

D’Clair © 2026
Interviews, Music, PremieresAugust 24, 2026<August 24, 2026

“It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie

Atwood Magazine's 164th Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 21, 2026<August 21, 2026

Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler!

Features, Interviews, MusicAugust 20, 2026<August 23, 2026

“I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’

Mildred © Kevin Herhusky
Interviews, Music, Today's SongAugust 20, 2026<August 20, 2026

“The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’

Bad With Phones © Ella King
Interviews, Music, PremieresAugust 19, 2026<August 19, 2026

“If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human”

Afternoon Bike Ride © Akina Chan
Features, Interviews, Music, Track-by-TrackAugust 18, 2026<August 18, 2026

“It’s as Beautiful as It’s Treacherous”: Afternoon Bike Ride Run Headlong Through Love, Loss, & the Fullness of Life on ‘Running With Scissors’

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Recent Posts

  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
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  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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