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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mildred © Kevin Herhusky
Interviews, Music, Today's SongAugust 20, 2026<August 20, 2026

“The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’

Bad With Phones © Ella King
Interviews, Music, PremieresAugust 19, 2026<August 19, 2026

“If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human”

Afternoon Bike Ride © Akina Chan
Features, Interviews, Music, Track-by-TrackAugust 18, 2026<August 18, 2026

“It’s as Beautiful as It’s Treacherous”: Afternoon Bike Ride Run Headlong Through Love, Loss, & the Fullness of Life on ‘Running With Scissors’

Kelly Hunt © makemade
Interviews, Music, PremieresAugust 18, 2026<August 18, 2026

“Better to Climb and Take the Fall”: Kelly Hunt Rewrites Humpty Dumpty on “All The King’s Horses,” a Breathtaking Folk Ballad About Risking Everything for Love

Atwood Magazine's 163rd Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 14, 2026<August 17, 2026

Editor’s Picks 163: Sebastian Schub, Aubory Bugg, Tiger Lewis, Roe Kapara, Jack Cullen, & Marfa!

Hank Heaven © Isaac Namias
Features, Interviews, Music, Today's SongAugust 14, 2026<August 14, 2026

“To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’

Don't Tell Iris "Through The Gate"
Music, Music Videos, PremieresAugust 13, 2026<August 13, 2026

“It’s a Sick Twist of Fate and It Chills Me”: Don’t Tell Iris Wrestle with the Past’s Pull on “Through the Gate,” a Haunted Alt-Rock Reckoning

Oh Louise © Nina Price
Debut, Interviews, Music, PremieresAugust 13, 2026<August 13, 2026

“I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone”

Portair and Joy Williams © Rodrigo Bardin, Hannah Corwin
Interviews, Music, PremieresAugust 13, 2026<August 13, 2026

“I’ve Lost the Feeling of How to Be Loved by You”: Portair & Joy Williams Grieve the Slow End of Love with Haunting Indie Folk Beauty

Dali Rose
Interviews, Music, PremieresAugust 12, 2026<August 12, 2026

“It’s Like Making Love”: Dali Rose’s Star Burns Bright on “Parisian Mama,” a Smoldering Alt-R&B Fantasy

Games We Play © Juan Flores-Mena
Artist to Watch, Interviews, Music, Today's SongAugust 12, 2026<August 12, 2026

“I Hope I Don’t Give Up”: Games We Play Fights the Urge to Quit on His Explosive Pop-Punk Anthem “Is This What I’m Made Of”

ARCHIE © Meg Houghton
Interviews, Music, Today's SongAugust 11, 2026<August 11, 2026

“Oh, I Put My Feelings on Hold Again”: Australia’s ARCHIE Turn Self-Erasure into Dreamy Indie Pop Catharsis on “Nine”

Atwood Magazine's 162nd Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 6, 2026<August 6, 2026

Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek!

Alex Izenberg © Isabella Uhl
Interviews, Music, Today's SongAugust 6, 2026<August 6, 2026

“Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow

Theophobia © Dillon Edlin
Debut, Features, Music, Track-by-TrackAugust 5, 2026<August 5, 2026

“Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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