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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Earthquake Lights © Shervin Lainez
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Earthquake Lights’ Sweet, Smooth, and Emotionally Raw “May Day”

Loose Wing © Doug Arney
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Loose Wing’s “Beverly” Captures Emotional Distress with Poignant Grace

Broods © Dana Trippe
Features, Interviews, Music, ReviewsFebruary 4, 2019<February 19, 2019

Confident Vulnerability: An Interview with Broods

Gabriella Rose - Lost In Translation EP 2019
Debut, Features, Music, ReviewsFebruary 1, 2019<February 1, 2019

Review: The Stirring Vulnerability of Gabriella Rose’s Intimate Debut EP ‘Lost in Translation’

Sophia Danai © Beau Partlow
Music, PremieresFebruary 1, 2019<February 1, 2019

Premiere: Breaking the Cycle of Abuse with Sophia Danai’s “Daughter”

Like Swimming © Johan Knobe
Music, PremieresFebruary 1, 2019<February 1, 2019

Premiere: “The Ground,” Like Swimming’s Emotional Explanation of White Privilege

Ian George © Danielle Aubert
Debut, Music, PremieresJanuary 31, 2019<January 31, 2019

Premiere: Introducing “The Wild & the Untamed” Folk Troubadour Ian George

Dancing on Tables © Rory Barnes
Music, Music Videos, PremieresJanuary 31, 2019<January 31, 2019

Premiere: Heartbreak & Longing in Dancing on Tables’ Breakup Ballad “Black”

Editor's Picks 01-28-2019
Columns, Editor's Picks, Features, MusicJanuary 30, 2019<March 19, 2019

Editor’s Picks: January 28, 2019

Georgia Meek © Alex Cullen
Music, PremieresJanuary 30, 2019<January 30, 2019

Premiere: Pressure & Sacrifice in Georgia Meek’s Passionate Anthem “Pray”

exes x jome press photo
Music, Premieres, ReviewsJanuary 30, 2019<February 19, 2019

Premiere: Coping with Grief in EXES & JOME’s Poignant “Stay Still”

Gypsy Temple by Travis Trautt
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Majesty and Passion in Gypsy Temple’s Uplifting “Pick a Number”

Catharine Daddario stars in Wyland's "Nowhere Now" video
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Discovery & Transformation in Wyland’s Cinematic “Nowhere Now” Video

Margot © Ben Andrewes
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Margot’s Driving “Coffee Stained Scars” Evokes Isolation, Disconnect, & Alone Time

Everything by Yellow Shoots
Music, Music Videos, PremieresJanuary 28, 2019<January 28, 2019

Video Premiere: Yellow Shoots’ “Everything” Is a Bold, Trippy Homecoming

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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