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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Georgia Meek © Alex Cullen
Music, PremieresJanuary 30, 2019<March 12, 2026

Premiere: Pressure & Sacrifice in Georgia Meek’s Passionate Anthem “Pray”

exes x jome press photo
Music, Premieres, ReviewsJanuary 30, 2019<February 19, 2019

Premiere: Coping with Grief in EXES & JOME’s Poignant “Stay Still”

Gypsy Temple by Travis Trautt
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Majesty and Passion in Gypsy Temple’s Uplifting “Pick a Number”

Catharine Daddario stars in Wyland's "Nowhere Now" video
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Discovery & Transformation in Wyland’s Cinematic “Nowhere Now” Video

Margot © Ben Andrewes
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Margot’s Driving “Coffee Stained Scars” Evokes Isolation, Disconnect, & Alone Time

Everything by Yellow Shoots
Music, Music Videos, PremieresJanuary 28, 2019<January 28, 2019

Video Premiere: Yellow Shoots’ “Everything” Is a Bold, Trippy Homecoming

Gnash © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 28, 2019<February 1, 2019

Music for Feeling Better: An Interview with gnash

Harmony Hall - Vampire Weekend still 1
Features, Music, Reviews, This Just InJanuary 25, 2019<December 18, 2019

Vampire Weekend’s Radiant “Harmony Hall” Shines with Energizing Conviction

Craig Stickland © 2019
Music, PremieresJanuary 25, 2019<January 25, 2019

Premiere: Get High on Craig Stickland’s Fiery Celebration “Burn It Down”

Jon Bryant © Carly Dame
Music, Music Videos, PremieresJanuary 24, 2019<January 24, 2019

Premiere: Assuming Responsibility with Jon Bryant’s Poignant “Did What I Did”

The National Lights
Music, PremieresJanuary 24, 2019<January 24, 2019

Premiere: “Lantern and Whalebone,” The National Lights’ Nautical Reflection

Hannie © 2019
Music, Premieres, ReviewsJanuary 24, 2019<January 24, 2019

Premiere: Sing Your Heart Out to HANNIE’s “Drama”

The Weight of Melted Snow - French For Rabbits
Features, Music, PremieresJanuary 24, 2019<October 17, 2019

Album Premiere: Heartbreak & Mending in French for Rabbits’ Achingly Beautiful ‘The Weight of Melted Snow’

Raquel Bell Who Gets To Name The Name still
Columns, Music, PremieresJanuary 23, 2019<January 23, 2019

Premiere: Hopes, Dreams, and Strawberries in Raquel Bell’s Waltz “Who Gets to Name the Name”

Editor's Picks 01-21-2019
Columns, Editor's Picks, Features, MusicJanuary 22, 2019<January 30, 2019

Editor’s Picks: January 21, 2019

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Recent Posts

  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
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  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
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  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
  • “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” March 15, 2026
  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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