• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hailey Knox © Shervin Lainez
Features, Interviews, Music, PremieresNovember 15, 2018<February 12, 2019

Feature: The Beautiful Vulnerability of Hailey Knox’s “Hardwired”

Sharaya Summer © 2018
Debut, Music, Premieres, ReviewsNovember 14, 2018<February 20, 2019

EP Premiere: Sharaya Summers’ Rich, Raw, and Dreamy Debut ‘Bend Before We Break’

The Western Den © Jordan Rich
Music, PremieresNovember 14, 2018<November 14, 2018

Premiere: The Western Den’s Haunting “Hem” Contemplates Place and Purpose

Windows Down & Dying - TONKS
Debut, Interviews, Music, PremieresNovember 13, 2018<November 13, 2018

Album Premiere: TONKS Unveils His Stirringly Vulnerable Debut ‘Windows Down & Dying’

Deanna Petcoff © 2018
Features, Interviews, Music, This Just InNovember 9, 2018<October 16, 2024

This Just In: Deanna Petcoff Dives Into Her Energizing, Dynamic “Stress”

The Family - Timber album art
Debut, Features, Music, PremieresNovember 8, 2018<November 8, 2018

Album Premiere: Timber Debut ‘The Family’ with an Enchanting Ambient Allure

RKCB © Alex Stoddard
Music, PremieresNovember 7, 2018<November 8, 2018

Premiere: Falling Hard for RKCB’s Sexistential Lament “Know Love”

Gabriella Rose © Chris Molitor
Music, PremieresNovember 6, 2018<November 6, 2018

Premiere: The Raw, Tender Beauty of Gabriella Rose’s Debut “Lost in Translation”

Henry Jamison © Patrick McCormack
Features, Interviews, Music, ReviewsOctober 31, 2018<November 9, 2018

Interview: Henry Jamison’s Inspiring & Transcendent “Gloria”

vverevvolf © Ashlynn Danielsen
Music, Music Videos, PremieresOctober 31, 2018<October 30, 2018

Premiere: Indulge in vverevvolf’s Energetic, Addictive “Sugar & Spice”

DYLN © Shervin Lainez
Debut, Features, Music, Premieres, ReviewsOctober 30, 2018<October 30, 2018

EP Premiere: DYLN’s Darkness Shines in Stunning Debut ‘Chapter 1: The Truth’

Timber © Wes Frazier
Music, PremieresOctober 29, 2018<October 29, 2018

Premiere: The Reflective Allure of Timber’s “Shuttlecock”

Jake Fields © 2018
Music, PremieresOctober 25, 2018<October 25, 2018

Premiere: The Exciting Rush of Jake Fields’ “The Other Side of Waiting”

Birch © Vladka Malyuta
Music, Music Videos, PremieresOctober 24, 2018<October 24, 2018

Premiere: Step into the Future of Feminism with Birch’s “femme.two”

Henry Street - ALAE
Debut, Music, Premieres, ReviewsOctober 24, 2018<October 26, 2018

Album Premiere: Alae Emerge with Intimate & Effortless Debut ‘Henry Street’

Posts pagination
1 … 209 210 211 212 213 … 291

Recent Posts

  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
  • “Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’ December 11, 2025
  • “Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become December 11, 2025
  • Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’ December 11, 2025
  • “Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love December 11, 2025
  • “I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More December 10, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services