• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Rare Occasions (from left to right): Peter Stone, Jeremy Cohen, Brian McLaughlin, and Luke Imbusch // credit: Jonas Meyer 8.6
Features, Music, Our Take, ReviewsAugust 11, 2016<June 16, 2022

Our Take: Daring and Depth on The Rare Occasions’ “Futureproof” EP

COTE © Jen Trahan
Columns, Debut, Music, Today's SongAugust 10, 2016<December 17, 2018

Today’s Song: Intimate Reflections on COTE’s Debut “London”

Youth Culture © Brigid Crispi
Debut, Features, Interviews, MusicAugust 8, 2016<August 8, 2016

Youth Culture’s “U:Me” Navigates Young Lust

Private Island 2016
Features, Music, Our Take, ReviewsAugust 5, 2016<August 5, 2016

Our Take: Private Island’s “Sunbreak” EP is a Coming-of-Age Treasure

Newbury Park, CA six-piece HUNNY
Columns, Music, Today's SongAugust 4, 2016<August 4, 2016

Today’s Song: HUNNY’s “Colder Parts” Lights an Empowering Fire

Vylet
Debut, Features, Music, PremieresAugust 3, 2016<August 3, 2016

Exclusive Premiere: Vylet Debuts with Youthful Turmoil on “Why”

KOLAJ © Koury Angelo
Debut, Features, Interviews, MusicAugust 3, 2016<August 3, 2016

Pop Outside the Box: A Conversation with KOLAJ

Lone Kodiak © Erin Marie Miller (www.erin-miller.com)
Features, Music, PremieresAugust 2, 2016<August 2, 2016

Exclusive Premiere: Lone Kodiak Engulf & Ignite on Daughter’s “Smother”

Blondfire "Domino" still
Features, Interviews, Music, Music VideosJuly 29, 2016<July 29, 2016

The “Domino” Effect: True Confessions with Blondfire

Weathers "Happy Pills" still
Columns, Debut, Music, Today's SongJuly 22, 2016<February 12, 2019

Today’s Song: Weathers’ “Happy Pills” and the Coming-of-Age Struggle

Debut, Features, Music, PremieresJuly 18, 2016<July 18, 2016

Exclusive Premiere: Mean Siders Debut with Unforgiving Energy on “Fashioned Ribs”

CAFUNÉ © Savannah Daras
Features, Interviews, MusicJuly 15, 2016<July 15, 2016

“Don’t You Forget” to Love Yourself: An Interview with CAFUNÉ

still from Deepakalypse's "Dim Sum" music video
Features, Music, Music Videos, PremieresJuly 14, 2016<July 14, 2016

Exclusive Premiere: Deepakalypse’s “Dim Sum” Soaks Up the Summer Sun

still from Jeremy & The Harlequins' "Into the Night" music video
Features, Interviews, Music, VideoJuly 13, 2016<July 13, 2016

INTERVEW: Jeremy & the Harlequins’ Never-Ending Journey “Into the Night”

Cicada Rhythm perform "Static in My Dream"
Atwood x LiveSyphon, Columns, Features, Music, VideoJuly 12, 2016<July 13, 2016

Atwood Magazine and LiveSyphon Present: Cicada Rhythm’s Breathtaking Chemistry

Posts pagination
1 … 281 282 283 284 285 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services