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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Tom A. Smith and swim school's Alice Johnson © 2024
Columns, Music, Today's SongNovember 2, 2024<November 1, 2024

Tom A. Smith’s Emotionally Charged Masterpiece, “I Don’t Want You to Have to Remember Me for Longer Than You Ever Knew Me” (ft. swim school)

Amahla © Justina Stasiunaite
Columns, Music, Today's SongNovember 1, 2024<November 1, 2024

“Please don’t waste my time when rent is due”: Amahla’s Inner Light Shines on “Money”

BENJAMIN - Jake Isaac
Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 2, 2024

“Soul, Stories, & Sentiments”: Jake Isaac Shines a Light on ‘BENJAMIN,’ His Beautifully Intimate Fourth Album

Clearwater Swimmers © Preston Ossman
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut

Tangerine © Miró Justad
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’

Soda Blonde are (L to R): Dylan Lynch, Faye O’Rourke, Donagh Seaver O’Leary, and Adam O’Regan © 2024
Columns, Music, Today's SongOctober 31, 2024<October 31, 2024

Today’s Song: Soda Blonde’s “Bully” Is an Irresistible Anthem of Angst, Brain Rot, & Inner Turmoil From Dublin’s Finest

Bermuda Search Party © Stephanie Larsen
Music, Music Videos, PremieresOctober 30, 2024<October 30, 2024

“It’s the fear of drowning that helps us swim”: Boston’s Bermuda Search Party “Shiver” Through Fear With Grace & Strength

Jake & Abe © Charlie Weinmann
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2024<October 30, 2024

Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’

Devarrow © Bells Larsen
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<November 7, 2024

Track-by-Track: Finding Joy in Devarrow’s Fun, Carefree, & Cathartic Fourth Album, ‘Heart Shaped Rock’

Skinny Dyck © Heather Saitz
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<October 29, 2024

“Country, but not country”: Inside Skinny Dyck’s Gentle, Dreamy, and ‘Easygoing’ Sophomore Album

Gordi and SOAK © Nicola O’Reilly
Columns, Music, Today's SongOctober 28, 2024<October 27, 2024

“Everything is fleeting except you and I”: Gordi & SOAK Craft a Sacred Space in “Lunch At Dune,” a Folktronic Breath of Love and True Connection

Mk.gee "ROCKMAN" © Will Shaw
Columns, Music, Today's SongOctober 27, 2024<October 27, 2024

“Honey, just shut up and ride”: Mk.gee’s Dreamy, Seductive, & Smoldering “ROCKMAN”

Cecilia Castleman © Carly Butler
Artist to Watch, Columns, Music, Today's SongOctober 24, 2024<October 24, 2024

Today’s Song: Cecilia Castleman’s Wistful “Looking for June” Aches With the Sting of Growing Apart

Lola Young © Sophie Jones
Features, Interviews, MusicOctober 24, 2024<October 24, 2024

“Finding my voice has been a journey of resilience”: Lola Young Is Raw, Honest, Unapologetic, & Messy – and We Wouldn’t Have Her Any Other Way

Carmody and Tal Janes are Oh My Sun © Rebecca Zephyr Thomas
Debut, Music, PremieresOctober 24, 2024<October 24, 2024

Premiere: London Duo Oh My Sun Debut With “5 Pieces,” a Dreamy, Sweet, & Sun-Kissed Seduction

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Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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