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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Muroki 'Timezones' © 2024
Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Muroki Traverses Genres and ‘Timezones’ in His Cheeky, Sexy, & Soulful Third EP

Now That's What I Call Fantastic Cat - Fantastic Cat
Features, Interviews, Music, Track-by-TrackJuly 2, 2024<July 2, 2024

Feature: ‘Now That’s What I Call Fantastic Cat’ Is a Stunning Show of Hope & Humanity from Folk Rock Supergroup Fantastic Cat

Julia Logan "Mirrors" © Olof Grind
Artist to Watch, Columns, Interviews, Music, Today's SongJuly 2, 2024<July 2, 2024

“It’s a story of frustration, struggle, and hope”: Julia Logan Embraces Her Restless Heart in “Mirrors”

I Just Needed You to Know - Girl Scout
Artist to Watch, Columns, Music, Today's SongJuly 1, 2024<July 1, 2024

Today’s Song: The Raw, Exhilarating Rush of Girl Scout’s Angsty & Feverish “I Just Needed You to Know”

Country - Medium Build © Tyler Krippaehne
Features, Interviews, MusicJune 28, 2024<June 29, 2024

“The goal was to make something sweet, raw, and direct”: Medium Build Discusses His Achingly Beautiful Album, ‘Country’

Radiosoul - Alfie Templeman
Features, Interviews, Music, Track-by-TrackJune 28, 2024<June 28, 2024

Track-by-Track: Alfie Templeman’s ‘Radiosoul’ Is a Soaring, Spirited Coming-of-Age Triumph

cehryl 'willow tree' © Gemma Harrad
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024

“Transient, Introspective, & Cinematic”: cehryl Delves into the Intimate World of ‘willow tree,’ Her Soul-Stirring Third Album

Stephen Sanchez 'Angel Face' © Luke Rogers
Features, Interviews, MusicJune 27, 2024<June 27, 2024

Interview: Stephen Sanchez Talks Fame, Fortune, & His New Songs Off ‘Angel Face (Club Deluxe)’

Zora - Sheppard
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 29, 2024

Track-by-Track: Sheppard Shine Like the Sun on ‘ZORA,’ Their Luminous, Euphoric, & Cinematic Fourth Album

Linn Koch-Emmery 'Borderline Iconic' © Jonas Carmhagen
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024

‘Borderline Iconic’: Linn Koch-Emmery Unpacks Her Feverish, Triumphant, & Aching Sophomore Album

Alexander Biggs © 2024
Music, PremieresJune 26, 2024<June 26, 2024

Premiere: Basking in Alexander Biggs’ Dreamy, Beachy & Aching Reverie, “don’t mean a thing”

Marlin's Dreaming © Chris Mauger
Music, Music Videos, PremieresJune 25, 2024<June 25, 2024

“Hello My Dear”: Marlin’s Dreaming Craft a Soul-Stirring Meditation on Home & Change, Time & Place

New Gaze © Aubrey Simpson
Debut, Music, Music Videos, PremieresJune 25, 2024<June 25, 2024

“We’re all we can see”: London’s New Gaze Bask in Infatuation’s Glow on Sun-Kissed, Love-Soaked Debut

Murray Matravers of the band hard life, FKA easy life © Isaac Lamb
Debut, Music, Reviews, This Just InJune 25, 2024<May 16, 2025

“It’s a hard life, I can’t lie it’s been a rush”: easy life Return As hard life With Triumphant Single “tears”

Alycia Lang © Al Binghama
Debut, Features, Interviews, Music, Track-by-TrackJune 21, 2024<June 21, 2024

Speak the Word to Hear the Sound: Alycia Lang Unpacks the Grief, Passion, & Vulnerability at the Heart of Her Debut Album

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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