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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

spill tab and boylife © Jade Sadler
Interviews, Music, Today's SongJanuary 14, 2026<January 14, 2026

“Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife)

Cleo Reed 'CUNTRY' © Amandla Baraka
Features, Interviews, Music, Track-by-TrackJanuary 13, 2026<January 14, 2026

“The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’

Quarters © Theodore Sielatycki & Oliver J. Frisby
Interviews, Music, Today's SongJanuary 13, 2026<January 13, 2026

“You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR”

With Heaven on Top - Zach Bryan
Music, ReviewsJanuary 12, 2026<January 12, 2026

“You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life

Lucia © Sam Martinsen
Interviews, Music, Today's SongJanuary 11, 2026<January 11, 2026

“These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean”

chelsea jordan © Mykah Knox
Artist to Watch, Interviews, Music, Today's SongJanuary 10, 2026<January 10, 2026

“When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out”

Witch Post "Changeling" © Parker Love Bowling
Artist to Watch, Interviews, Music, Today's SongJanuary 9, 2026<January 9, 2026

“We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling”

Brigitte Calls Me Baby © Scarlet Page
Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026

Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread

TOLEDO "Nothing Yet" © 2025
Features, Interviews, Music, Today's SongJanuary 8, 2026<January 8, 2026

“Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet”

Wishlist © Lauren Kimber
Debut, Interviews, Music, Today's SongJanuary 7, 2026<January 7, 2026

“Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving”

DM Arthur © 2025
Interviews, Music, Today's SongJanuary 6, 2026<January 6, 2026

“Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap”

Girl Scout © Lamia Karic
Interviews, Music, Today's SongJanuary 5, 2026<January 12, 2026

“If You Go, I Go, Forever”: Stockholm’s Girl Scout Find Kinship, Conviction, & Belonging on “Same Kids”

Atwood Magazine's 142nd Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 30, 2025<December 30, 2025

Editor’s Picks 142: spill tab, praise., Francis of Delirium, Boyish, Quarters, & Wishlist!

Telescreens © Monty Hamm
Interviews, Music, Today's SongDecember 30, 2025<December 28, 2025

“Screaming Together Is How We Feel Less Alone”: NYC’s Telescreens Turn Numbness into Communal Release on “Nothing”

Queen Quail "Narcissus" © Celeste Call
Debut, Interviews, Music, Today's SongDecember 29, 2025<December 28, 2025

“You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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