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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gatlin © Luke Rogers
Debut, Features, Interviews, Music, Track-by-TrackOctober 28, 2025<October 28, 2025

“I Know Now Who I Am”: Gatlin Reclaims Herself on ‘The Eldest Daughter,’ a Soul-Stirring Debut Rooted in Vulnerability, Intimacy, & Liberation

The Bones of J.R. Jones 'Radio Waves' © Christian Harder
Features, Interviews, MusicOctober 28, 2025<October 28, 2025

“Dim Summer Street Lights”: The Bones of J.R. Jones Tunes into Himself on ‘Radio Waves,’ an Intimate Album of Memory in Motion

Isabel Rumble © Elise Idiens
Features, Music, Premieres, Track-by-TrackOctober 22, 2025<October 22, 2025

“The Heart Knows”: Isabel Rumble Softens into Change on Sophomore LP ‘Hold Everything Lightly,’ a Tender Meditation on Womanhood & Renewal

Arno Sacco "Blue Boy" © Ashley Rottjers
Artist to Watch, Debut, Music, Today's SongOctober 22, 2025<October 22, 2025

“Soft but Intentional”: Arno Sacco Finds Strength in Stillness & Vulnerability on Soul-Stirring Debut “Blue Boy”

The Technicolors © Eric Halvorsen
Columns, Music, Today's SongOctober 21, 2025<October 21, 2025

“Bleed into Normal”: The Technicolors Turn Reckoning into Revelation on “First Class to Nowhere,” a Dreamy & Aching Alt-Rock Reverie

Mothé 'Total Popstar' © Sophia Ragomo
Features, Interviews, MusicOctober 20, 2025<October 20, 2025

Trashy, Smoky, Fun, & Free: Mothé Destroys Perfection and Redefines Pop on ‘Total Popstar,’ Their Unapologetic & Unfiltered Sophomore Album

Atwood Magazine's 134th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 17, 2025<October 17, 2025

Editor’s Picks 134: Asha Banks, Ashley Singh, ANT ENOCH, Winyah, The Sophs, & Perren!

Guthrie © 2025
Artist to Watch, Interviews, MusicOctober 17, 2025<October 17, 2025

Artist to Watch: Melbourne’s GUTHRIE Finds Beauty in the Breaking on “Adrenals,” a Soul-Stirring Anthem of Surrender & Survival

Kramies © 2025
Features, Interviews, Music, PremieresOctober 16, 2025<October 16, 2025

“Goodbye Dreampop Troubadour”: Kramies Premieres His Hauntingly Beautiful, Folkloric Album of Reckoning, Rebirth, & Transformation

Superfan © Ophelia Puccinelli
Artist to Watch, Interviews, Music, Today's SongOctober 15, 2025<October 15, 2025

Artist to Watch: Superfan Channels Quiet Winter Aches into DIY Catharsis on “Miss W Jones,” a Raw & Dreamy Alternative Anthem

Atwood Magazine's 133rd Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 9, 2025<October 22, 2025

Editor’s Picks 133: Louie Blue, Isaia Huron, Bec Lauder, Dear Boy, GUTHRIE, & Arno Sacco!

Olivia Dean ‘The Art of Loving’ © Lola Mansell 10
Music, Our Take, ReviewsOctober 8, 2025<October 8, 2025

Olivia Dean Embodies ‘The Art of Loving’ with Timeless Grace & Smoldering Soul on Her Breathtaking Sophomore Album

Portland’s Jente Pironet © Titus Simoens & Nina Swaans
Music, Music Videos, PremieresOctober 7, 2025<October 7, 2025

“I’m Gonna Scream It All Over the Streets”: Belgium’s Portland Embrace “Exactly What I Need” with a Cinematic, Life-Affirming Indie Pop Anthem

The Format © Carlo Cavaluzzi
Features, Music, This Just In, Today's SongOctober 6, 2025<October 7, 2025

“I’d Fake My Death If It Weren’t Such a Mess”: The Format Rise Again with Restless Anthem “Holy Roller,” a Fiery, Feverish Prelude to Third Album ‘Boycott Heaven’

Soft Loft "Dorm" © Flavio Leone
Artist to Watch, Interviews, MusicOctober 3, 2025<October 8, 2025

“I See Mountains, I See Forests”: Soft Loft’s Soul-Stirring “Dorm” Is a Golden Hymn of Perseverance, Hope, & Humanity

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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