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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

bdrmm © Stew Baxter
Columns, Music, Today's SongFebruary 11, 2025<February 11, 2025

Today’s Song: bdrmm’s “John on the Ceiling” Is a Dark Wash of Shiver-Inducing Shoegaze

Atwood Magazine's 109th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 7, 2025<February 8, 2025

Editor’s Picks 109: Sharon Van Etten & The Attachment Theory, JayWood, Vacation Manor, Mumford & Sons, Dreamer Isioma, & Blind Pilot!

Mary Eliza © Katie Oscar
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2025<February 6, 2025

Loud, Vulnerable, & Raw: Mary Eliza Weaves Quiet Strength into a Sonic Reckoning on Debut Album ‘Spider’

ECHOS © Slater Goodson (Good Media)
Music, Music Videos, PremieresFebruary 6, 2025<February 6, 2025

Premiere: Echos Breaks Herself Open on “QUIET, IN YOUR SERVICE,” an Alt-Rock Anthem of Upheaval & Empowerment

Angie McMahon 'Light Sides' © Young Ha Kim
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Growth, Grief, & Gratitude: Angie McMahon Reflects on Her Intimate Journey from Darkness to ‘Light Sides’

Las Nubes © Sal Rispoli
Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Heavy, Cathartic, & Saudade: Las Nubes Brave Life’s Storms on Fiery Sophomore LP ‘Tormentas Malsanas’

CIAO MALZ © Alex SK Brown
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Track-by-Track: Brooklyn’s CIAO MALZ Debuts With ‘Safe Then Sorry,’ an Unrestrained Record of Risks & Rewards

Penny and Sparrow © Claire Schaper
Music, PremieresJanuary 29, 2025<January 30, 2025

Premiere: Penny and Sparrow’s “Breakdown” Is an Intimate, Honest, & Fun Indie Folk Confessional

Foley 'That’s Life, Baby!' © Frances Carter
Music, PremieresJanuary 29, 2025<January 31, 2025

Premiere: The Sweaty, Irresistible Heat of Foley’s “Fever”

Atwood Magazine's 108th Editor's Picks
Columns, Editor's Picks, Features, MusicJanuary 28, 2025<January 28, 2025

Editor’s Picks 108: Bria Salmena, TOLEDO, Mon Rovîa, Mary Eliza, jasmine.4.t, & MEGGO!

Salim Nourallah © Gavin Nourallah
Music, PremieresJanuary 22, 2025<January 22, 2025

Premiere: Salim Nourallah’s “Damage” Explores the Universality of Pain & Trauma to the Human Experience

Atwood Magazine Editor's Picks 107
Columns, Editor's Picks, Features, MusicJanuary 17, 2025<January 17, 2025

Editor’s Picks 107: Bartees Strange, Willow Avalon, Sly Jr., The 7:45s, The Zew, & Thee Holy Brothers!

Tom Conneely & Birds of Paradise © Kory Thibeault
Music, PremieresJanuary 16, 2025<January 16, 2025

“Wildfire in your eyes”: Tom Conneely & Birds of Paradise Reminisce on Love Lost in Wistful “I Know It”

Gizmo Varillas © Sebastian Madej
Artist to Watch, Music, Music Videos, PremieresJanuary 15, 2025<January 15, 2025

“One heart, one soul, one life”: Gizmo Varillas’ Inner Light Shines on “Into the Night,” a Sun-Kissed Love Song to Life Itself

Hannah McKittrick © Ollie Cox
Columns, Music, Today's SongDecember 17, 2024<December 17, 2024

Today’s Song: Melbourne’s Hannah McKittrick Cuts Like a Knife in “Utensil,” a Softly Stirring Alt-Rock Upheaval

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Recent Posts

  • Jess Moskaluke Is Defining Country on Her Own Terms May 12, 2025
  • Editor’s Picks 120: Reem Mitten, hard life, BEL, Lord Huron, girlpuppy, & Young Gun Silver Fox! May 9, 2025
  • Premiere: Emily Vaughn Flirts with Passion on Fun, Frisky, & Feel-Good “Call It What It Isn’t” May 9, 2025
  • Interview: KALEO Reflect on Life, Society, & Their Roots in Impactful Third Album ‘MIXED EMOTIONS’ May 9, 2025
  • Maroon 5 & LISA’s “Priceless”: A Collaboration That’s Anything But Ordinary May 9, 2025
  • “Take a moment and soak it in”: Gizmo Varillas Sees ‘The World in Colour,’ And So Can You May 9, 2025
  • Premiere: OSKA Finds Quiet Strength in “Gloria,” a Soul-Stirring Song of Resilience & Self-Liberation May 8, 2025
  • “The Anthology of Depression”: Litany’s Beth Cornell Unpacks & Embraces Her Mental Health Journey on Breathtaking Debut LP ‘Sadgirl’ May 8, 2025
  • Today’s Song: Wet Leg Channel Their Anger on “Catch These Fists” May 8, 2025
  • Premiere: Ken Yates’ Delicate & Driving “Under the Cover of Light” Shines with Empathy, Intimacy, & Emotional Release May 7, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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