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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Josaleigh Pollett © PJ Guinto
Interviews, Music, Today's SongAugust 25, 2026<August 25, 2026

“Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’

Edens © Dan Wendt
Interviews, Music, PremieresAugust 24, 2026<August 24, 2026

“Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion

D’Clair © 2026
Interviews, Music, PremieresAugust 24, 2026<August 24, 2026

“It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie

Atwood Magazine's 164th Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 21, 2026<August 21, 2026

Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler!

Features, Interviews, MusicAugust 20, 2026<August 23, 2026

“I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’

Mildred © Kevin Herhusky
Interviews, Music, Today's SongAugust 20, 2026<August 20, 2026

“The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’

Bad With Phones © Ella King
Interviews, Music, PremieresAugust 19, 2026<August 19, 2026

“If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human”

Afternoon Bike Ride © Akina Chan
Features, Interviews, Music, Track-by-TrackAugust 18, 2026<August 18, 2026

“It’s as Beautiful as It’s Treacherous”: Afternoon Bike Ride Run Headlong Through Love, Loss, & the Fullness of Life on ‘Running With Scissors’

Kelly Hunt © makemade
Interviews, Music, PremieresAugust 18, 2026<August 18, 2026

“Better to Climb and Take the Fall”: Kelly Hunt Rewrites Humpty Dumpty on “All The King’s Horses,” a Breathtaking Folk Ballad About Risking Everything for Love

Atwood Magazine's 163rd Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 14, 2026<August 17, 2026

Editor’s Picks 163: Sebastian Schub, Aubory Bugg, Tiger Lewis, Roe Kapara, Jack Cullen, & Marfa!

Hank Heaven © Isaac Namias
Features, Interviews, Music, Today's SongAugust 14, 2026<August 14, 2026

“To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’

Don't Tell Iris "Through The Gate"
Music, Music Videos, PremieresAugust 13, 2026<August 13, 2026

“It’s a Sick Twist of Fate and It Chills Me”: Don’t Tell Iris Wrestle with the Past’s Pull on “Through the Gate,” a Haunted Alt-Rock Reckoning

Oh Louise © Nina Price
Debut, Interviews, Music, PremieresAugust 13, 2026<August 13, 2026

“I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone”

Portair and Joy Williams © Rodrigo Bardin, Hannah Corwin
Interviews, Music, PremieresAugust 13, 2026<August 13, 2026

“I’ve Lost the Feeling of How to Be Loved by You”: Portair & Joy Williams Grieve the Slow End of Love with Haunting Indie Folk Beauty

Dali Rose
Interviews, Music, PremieresAugust 12, 2026<August 12, 2026

“It’s Like Making Love”: Dali Rose’s Star Burns Bright on “Parisian Mama,” a Smoldering Alt-R&B Fantasy

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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