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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Little Dog Star © 2025
Artist to Watch, Interviews, MusicSeptember 19, 2025<September 19, 2025

Artist to Watch: Little Dog Star Debuts with “It’s You,” a Radiant Anthem of Love, Longing, & London

The Tullamarines © Jack Fenby
Artist to Watch, Interviews, MusicSeptember 18, 2025<September 18, 2025

“If I Say I Love Myself, I’m Lying”: Adelaide’s The Tullamarines on Making Sad-Happy Songs & Finding Strength in Vulnerability

Siibii and Aysanabee "Body to Body" © Vera Oh
Music, Music Videos, PremieresSeptember 17, 2025<September 17, 2025

“Your Love Is Medicine”: Siibii and Aysanabee Premiere “Body to Body,” a Soul-Stirring Anthem of Sacred Intimacy, Healing, & Reclamation

Jake & Shelby © Emmy Meleika
Columns, Music, PremieresSeptember 3, 2025<September 3, 2025

“I Don’t Wanna Be Fragile”: Jake & Shelby Bare Their Souls in “Fragile,” an Achingly Intimate Indie Pop Confessional

Luca Wilding "Leonine" © Aisha Schliessler
Columns, Music, Music Videos, PremieresSeptember 3, 2025<September 17, 2025

“Oh Man, He Must Be Free”: Luca Wilding Explores the Duality of Memory in “Leonine,” a Dreamy Indie Folk Song of Grief, Light, & Liberation

Goldie Boutiliere © Greg Swales
Artist to Watch, Interviews, MusicSeptember 3, 2025<September 3, 2025

“Gangster in a Gown”: Goldie Boutilier Steps into Her Prime as ‘Goldie Montana,’ an Outlaw Era of Grit, Glamour, & Bad Decisions

Nicki Bluhm © Lauren Massie
Music, PremieresSeptember 2, 2025<September 2, 2025

“I’m Just Along for the Ride”: Nicki Bluhm Premieres “Tumbleweed,” a Radiant, Soulful Ode to Surrender & the Present Moment

Jack Garratt 'Pillars' © Wolf James
Features, Interviews, MusicSeptember 2, 2025<October 6, 2025

“There Are Red Flags All Over the Place”: Jack Garratt’s Big Risks Pay Off on ‘Pillars,’ an Unflinching Album of Love, Scars, & Survival

Lindsey Rose Black © Lauren Bennet
Columns, Music, Today's SongSeptember 1, 2025<September 1, 2025

“You Can’t Take the Cunt, Honey, Out of Country”: Lindsey Rose Black Is Unleashed in a Bold, Queer Feminist Fever Dream

Medium Build "Last Time" © Tyler Krippaehne
Columns, Music, Today's SongAugust 31, 2025<August 31, 2025

Medium Build Captures Life’s Beauty & the Ache of Endings in “Last Time,” a Smoky, Soulful, & Smoldering Seduction

Alabama Shakes © Bobbi Rich
Columns, Music, Today's SongAugust 30, 2025<August 30, 2025

“Can We Try Again?”: Alabama Shakes Return After a Decade with “Another Life,” a Seductive & Smoldering Fever Dream

Glom © Sebastian Mejias
Artist to Watch, Interviews, MusicAugust 29, 2025<August 29, 2025

“I want to feel alive”: Glom’s “Glass” Is a Fever Dream of Anxious Beauty & Indie Rock Release

Angelsaur © Ivan Campos
Interviews, MusicAugust 29, 2025<August 29, 2025

“A Chaotic Feast”: Angelsaur Are Unraveled & Unfiltered on ‘The Girls Are Stressed,’ a Raw Reckoning With Everyday Life

Atwood Magazine's 132nd Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 28, 2025<September 6, 2025

Editor’s Picks 132: Goldie Boutilier, Mothé, The Aces, Jack Garratt, G Flip, & Of Monsters and Men!

Lydia Luce "Mammoth" © Ryan Usher
Features, Interviews, MusicAugust 27, 2025<August 28, 2025

“It’s Just the Rhythm of Life”: Lydia Luce Climbs Mountains of Pain, Inner Peace, and Motherhood on ‘Mammoth’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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