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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Cherry Bomb "Sorry You're Not Sorry" © Matty Vogel
Artist to Watch, Music, Music Videos, PremieresJune 10, 2026<June 10, 2026

“I Feel Everything”: Cherry Bomb Claims Her Own Salvation on “Sorry You’re Not Sorry,” a Feverish Disco-Pop Exorcism of Guilt, Glamour, & Release

Big Guy & The Very Large Men © Caleb Hoh
Interviews, Music, Music Videos, PremieresJune 9, 2026<June 9, 2026

“Couldn’t Love Myself the Way That I Loved Him”: Big Guy & The Very Large Men Bring Hidden Love Into the Light on “Only Sin,” an Achingly Beautiful Acoustic Reckoning

Litvar © 2026
Interviews, Music, Music Videos, PremieresJune 9, 2026<June 9, 2026

“Even God Won’t Guide You Now”: Litvar Give Grief’s Breaking Point a Voice on “Yeah I Know,” a Charged Indie Rock Eruption

Tired of Fighting "Just for Me" © Adam Lang
Artist to Watch, Interviews, Music, Today's SongJune 9, 2026<June 9, 2026

“Let’s Sing So Loud”: Tired of Fighting Trouble the Heavens on “Just for Me,” a Soul-Shaking Emo Punk Reckoning

Wishlist "I'm Sorry" © Evie Vlah
Artist to Watch, Columns, Music, ReviewsJune 6, 2026<June 6, 2026

“Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral

William Harries Graham Traces the Afterlife of Connection on "NYC" © Col Elmore
Interviews, Music, PremieresJune 4, 2026<June 4, 2026

“I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’

Satya © Lola Lankford
Debut, Features, Interviews, Music, PremieresJune 4, 2026<June 4, 2026

“This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release

Atwood Magazine's 156th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 3, 2026<June 3, 2026

Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

Watashi Wa © Nate Young
Music, PremieresJune 3, 2026<June 3, 2026

“Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

chantel "Into Song Again" © Mitch Fielder
Debut, Music, Music Videos, PremieresJune 3, 2026<June 3, 2026

“I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return

Conor Miley "Peepshow" © Michael-David McKernan
Interviews, Music, Music Videos, PremieresJune 2, 2026<June 2, 2026

“It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

Jacob Brodovsky "Kids" © Matt Horseman
Interviews, Music, Music Videos, PremieresJune 2, 2026<June 2, 2026

“Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning

Fiona-Lee's Every Woman EP © Tatiana Pozuelo
Features, Interviews, Music, Today's SongJune 2, 2026<June 2, 2026

“I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release

Kat Cunning "Sore Thumb" © Josh Kim
Interviews, Music, Today's SongJune 1, 2026<June 1, 2026

“The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

BERENICE "Everybody Loves Italian Girls" © Lene Ray
Artist to Watch, Interviews, Music, PremieresMay 29, 2026<May 29, 2026

“Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full

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Recent Posts

  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
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  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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