• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Whitney Fenimore 'State of Being' © Alysse Gafkjen
Features, Interviews, Music, Track-by-TrackFebruary 5, 2026<February 11, 2026

“Raw, Unapologetic, & Hopeful”: Whitney Fenimore Reclaims Her Faith, Self, & Peace on ‘State of Being,’ an Indie Folk Debut From Her Inner World

Brown Horse © Georgia Ward
Features, Interviews, Music, Track-by-TrackFebruary 5, 2026<February 5, 2026

Norwich Alt-Country Standouts Brown Horse Turned ‘All the Right Weaknesses’ into Their Greatest Strength

Yumi Zouma © Mikayla Hubert
Interviews, Music, Today's SongFebruary 5, 2026<February 5, 2026

“I’m Better Now That You’re in My Life”: Yumi Zouma Find Love in the Everyday on “Phoebe’s Song,” an Indie Rock Daydream

untitled freak's Ali Genevich © Mars Alba
Artist to Watch, Debut, Interviews, MusicFebruary 4, 2026<February 4, 2026

“Pure Sporadic Emotion”: Ali Genevich’s untitled freak Debuts With Raw Intimacy and Unfiltered Self-Reckoning

Noah Kahan "The Great Divide" © Patrick McCormack
Music, Reviews, This Just InFebruary 3, 2026<February 7, 2026

“I Hope You Settle Down, I Hope You Marry Rich”: Noah Kahan Bridges “The Great Divide” With a Raw Reckoning on Distance, Regret, & the Cost of Growing Apart

mer marcum "Body" © Marc Guiffre
Interviews, Music, Today's SongFebruary 2, 2026<February 2, 2026

“I’m Finally Getting Clean”: mer marcum Finds Release Through Listening on “Body” (ft. Jia*), a Hushed, Slow-Burning Indie Folk Exhale

Atwood Magazine's 145th Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 30, 2026<January 30, 2026

Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver!

Light Bird © Christina Visconti
Debut, Music, PremieresJanuary 29, 2026<January 29, 2026

“You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge”

Elijah Wolf © courtesy of the artist
Interviews, Music, Today's SongJanuary 29, 2026<January 29, 2026

“Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home

Michael Marcagi is a Midwest Kid © Jimmy Fontaine
Features, Interviews, Music, Track-by-TrackJanuary 28, 2026<January 28, 2026

“It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’

Alice Merton 'Visions' © Elias Köhler
Features, Interviews, MusicJanuary 28, 2026<January 28, 2026

“If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album

Tony DV © Alex Kennedy
Artist to Watch, Debut, Interviews, Music, Today's SongJanuary 28, 2026<January 28, 2026

“I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too

Spanish Love Songs © Hannah Gray Hall
Features, Interviews, MusicJanuary 27, 2026<February 11, 2026

“Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It

FORAGER © Isabelle Zhao
Artist to Watch, Interviews, Music, Today's SongJanuary 26, 2026<January 26, 2026

“The Right Touch of Vintage”: Brooklyn’s FORAGER Skewer Curated Cool & Empty Aesthetics on “Pomeranian,” a Shape-Shifting Indie Rock Fever Dream

Henry Grace with band members Brian Love (guitar), Toby Evangelou (drums), Blaine Harrison (keys), and Tom Holder (bass) © Jess Bibby
Features, Interviews, Music, Track-by-TrackJanuary 23, 2026<January 23, 2026

“Things Are Moving All Around Me”: Henry Grace Lets the Songs Breathe on His Warm & Weathered Sophomore Album

Posts pagination
1 … 7 8 9 10 11 … 303

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services