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Ankita Bhanot

Ankita Bhanot

Portola Music Festival © Demian Beccara
Festival, Music, ReviewsOctober 8, 2026<October 8, 2026

Festival Review: At Portola, the Music Leaves Little Room for Silence

Outside Lands Music and Arts Festival © ALIVE
Essays, Festival, MusicAugust 25, 2026<August 25, 2026

A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival

Samara Joy © AB + DM
Concerts, Music, ReviewsApril 20, 2026<April 20, 2026

The Sound of Stillness: Samara Joy in Palo Alto

Kamaiyah at the Fox Theater © Ricardo Duncan
Interviews, MusicMarch 24, 2026<March 24, 2026

Ten Years Later, Kamaiyah Is Still Exactly Who She Said She Was

2025’s Outside Lands brought approximately 75,000 people per day, generating over $70 million for the San Francisco economy. © Alive Coverage
Festival, Music, ReviewsAugust 14, 2025<August 14, 2025

Outside Lands 2025 Boasts Thrilling Night Shows & Rising Costs

Chappell Roan performs at Outside Lands 2024
Festival, Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Outside Lands Boasts Queer and Bay Area Pride in Its Sixteenth Year

BJ the Chicago Kid © Micaiah Carter
Features, Interviews, MusicJune 14, 2023<June 14, 2023

“A healed person will make better music”: BJ the Chicago Kid Leads With Self-Care

Maggie Rogers © Ankita Bhanot
Concerts, Music, ReviewsMay 23, 2023<May 23, 2023

Concert Review: Maggie Rogers Lights Up San Francisco Stage on ‘Feral Joy’ Tour

Dror © Nikoli Partiyeli
Features, Interviews, MusicFebruary 13, 2023<February 14, 2023

Feature: Indie Pop Artist Dror Embraces Change in the New Year

Recent Posts

  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
  • The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’ November 10, 2026
  • The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20 November 10, 2026
  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
  • “Shapeshifting Through the Voice”: Witness Nnux’s ‘Metamorfosis’ into a Master Electronic Composer November 9, 2026
  • “Why Stay in a Narrow Lane?”: Toronto’s TAURO Revel in the Sweet Sting of “Crüel to Be Distant,” a Lush, Soulful Indie Pop Reverie November 9, 2026
  • “Come On, Be My Sanctuary”: Runnan Finds Comfort in Company on “LONELY LONELY” November 8, 2026
  • Lucy Dacus Finds the Courage to Walk Away on “No Thank You, I Love You, Goodbye” November 7, 2026
  • Editor’s Picks 171: Yonny, FRIEDA STAR, Rebounder, Jordan Joy, Coco Elise, & wave to earth! November 6, 2026
  • ‘Future Nausea’: Spanish Love Songs and the Hell We’ve Made for Ourselves November 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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