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Ankita Bhanot

Ankita Bhanot

Portola Music Festival © Demian Beccara
Festival, Music, ReviewsOctober 8, 2026<October 8, 2026

Festival Review: At Portola, the Music Leaves Little Room for Silence

Outside Lands Music and Arts Festival © ALIVE
Essays, Festival, MusicAugust 25, 2026<August 25, 2026

A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival

Samara Joy © AB + DM
Concerts, Music, ReviewsApril 20, 2026<April 20, 2026

The Sound of Stillness: Samara Joy in Palo Alto

Kamaiyah at the Fox Theater © Ricardo Duncan
Interviews, MusicMarch 24, 2026<March 24, 2026

Ten Years Later, Kamaiyah Is Still Exactly Who She Said She Was

2025’s Outside Lands brought approximately 75,000 people per day, generating over $70 million for the San Francisco economy. © Alive Coverage
Festival, Music, ReviewsAugust 14, 2025<August 14, 2025

Outside Lands 2025 Boasts Thrilling Night Shows & Rising Costs

Chappell Roan performs at Outside Lands 2024
Festival, Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Outside Lands Boasts Queer and Bay Area Pride in Its Sixteenth Year

BJ the Chicago Kid © Micaiah Carter
Features, Interviews, MusicJune 14, 2023<June 14, 2023

“A healed person will make better music”: BJ the Chicago Kid Leads With Self-Care

Maggie Rogers © Ankita Bhanot
Concerts, Music, ReviewsMay 23, 2023<May 23, 2023

Concert Review: Maggie Rogers Lights Up San Francisco Stage on ‘Feral Joy’ Tour

Dror © Nikoli Partiyeli
Features, Interviews, MusicFebruary 13, 2023<February 14, 2023

Feature: Indie Pop Artist Dror Embraces Change in the New Year

Recent Posts

  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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