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Ankita Bhanot

Ankita Bhanot

Outside Lands Music and Arts Festival © ALIVE
Essays, Festival, MusicAugust 25, 2026<August 25, 2026

A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival

Samara Joy © AB + DM
Concerts, Music, ReviewsApril 20, 2026<April 20, 2026

The Sound of Stillness: Samara Joy in Palo Alto

Kamaiyah at the Fox Theater © Ricardo Duncan
Interviews, MusicMarch 24, 2026<March 24, 2026

Ten Years Later, Kamaiyah Is Still Exactly Who She Said She Was

2025’s Outside Lands brought approximately 75,000 people per day, generating over $70 million for the San Francisco economy. © Alive Coverage
Festival, Music, ReviewsAugust 14, 2025<August 14, 2025

Outside Lands 2025 Boasts Thrilling Night Shows & Rising Costs

Chappell Roan performs at Outside Lands 2024
Festival, Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Outside Lands Boasts Queer and Bay Area Pride in Its Sixteenth Year

BJ the Chicago Kid © Micaiah Carter
Features, Interviews, MusicJune 14, 2023<June 14, 2023

“A healed person will make better music”: BJ the Chicago Kid Leads With Self-Care

Maggie Rogers © Ankita Bhanot
Concerts, Music, ReviewsMay 23, 2023<May 23, 2023

Concert Review: Maggie Rogers Lights Up San Francisco Stage on ‘Feral Joy’ Tour

Dror © Nikoli Partiyeli
Features, Interviews, MusicFebruary 13, 2023<February 14, 2023

Feature: Indie Pop Artist Dror Embraces Change in the New Year

Recent Posts

  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Reviews
    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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