• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Ben Niesen

Ben Niesen

An insane man moonlighting as a respectable member of society from Portland, Oregon. A rock ‘n’ roller since his mother first spun The Police’s “Roxanne,” Ben is a lover of all things rock, soul, funk, jazz, blues, electronic and alternative hip-hop. Perhaps it’s easier to list what he doesn’t like: most "gangster" rap, country-western and modern metal disagrees with his stomach. Once upon a time, a friend told him to write about music. So he started doing that under the title of a Willie Bobo cover by Santana. Now he wonders about what Stu McKenzie has for breakfast, why John Congleton is the best damn record producer this side of the millennium, and just how Common came to be his favorite hip-hop star. He’s been working on that last one for nearly a decade now. No answers as of yet.

Methyl Ethel © Xan Thorrhhoea
Features, Interviews, Music, ReviewsMarch 29, 2022<March 31, 2022

Methyl Ethel’s Challenging, Neo-Romantic Question, ‘Are You Haunted?’

Freakout by Treefort Fest 2021
A Casual Ramble, Columns, MusicMarch 22, 2022<March 22, 2022

A Casual Ramble: Freaking Out Before, At, and By Treefort 2022

Uèle Lamore © Daphné Giquel
Debut, Interviews, MusicMarch 10, 2022<May 28, 2022

“Just Do Whatever You Want:” A Conversation with Uèle Lamore

Dawn FM - The Weeknd
A Casual Ramble, ColumnsFebruary 15, 2022<February 15, 2022

A Casual Ramble: Is ‘Dawn FM’ an Apogee or a Bookend?

Anna Sun © Dylan Thomas
Columns, Music, Premieres, Today's SongFebruary 9, 2022<February 9, 2022

Premiere: Anna Sun Hits Like a Train on “What a Shame”

Warpaint
Columns, Music, Today's SongFebruary 2, 2022<February 2, 2022

Today’s Song: Warpaint Are Still the Champions

A Casual Ramble 2022
A Casual Ramble, Columns, MusicFebruary 1, 2022<April 30, 2022

A Casual Ramble: Requiem for Three Albums Involuntarily Placed on My Back-Burner

Arooj Aftab © Vishesh Sharma
Features, Interviews, MusicJanuary 21, 2022<January 25, 2022

Transcending Your Instrument: A Conversation with Arooj Aftab

A Casual Ramble: Albums of the Year 2021!
A Casual Ramble, Columns, MusicJanuary 20, 2022<February 1, 2022

A Casual Ramble: Albums of The Year 2021 Racket Edition

Delvon Lamarr Organ Trio © Kendall Rock
Features, Interviews, MusicJanuary 14, 2022<January 14, 2022

“Chops Don’t Sell Records”: A Conversation with the Delvon Lamarr Organ Trio

Larkin Poe © Bree Marie Fish
Features, Interviews, MusicJanuary 10, 2022<January 7, 2022

Self-Made (Wo)Men: A Conversation with Larkin Poe

Skyler Locatelli © Sunita Martini
Features, Interviews, MusicDecember 17, 2021<January 10, 2022

Going to the Neurolux: A Conversation with Freakout Records’ Skyler Locatelli

La Luz © Pooneh Ghana
Features, Interviews, MusicDecember 3, 2021<December 9, 2022

“Super True Surf-Guitar-Doo-Wop Sound”: A Conversation with La Luz’s Shana Cleveland

Acid Tongue © Jake Hanson
Features, Interviews, MusicNovember 17, 2021<November 17, 2021

“We’re Not Businessmen, We’re Musicians”: A Conversation with Acid Tongue

Habibi © Bailey Robb
Features, Interviews, MusicNovember 8, 2021<February 7, 2022

“Come My Habibi”: A Conversation with Habibi’s Rahill Jamalifard & Lenny Lynch

Posts pagination
1 2 3 4 5

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services